Sentences with phrase «experiences on the film in»

The much longer second piece is an interview of director Lester conducted in 1970 and published in 1977, speaking at length and in detail about his creative processes and experiences on the film in addition to touching on his other movies.

The «Diaries» section contains three subsections; «Producer's Photo Diary» (4 minutes) offers a series of on - set photos taken by producer Jerry Bruckheimer; Actor Lee Arenberg chronicled his experiences on the film in the 10 - minutes «Diary of a Pirate»; and «Diary of a Ship» (11 minutes) details how the replica ship Lady Washington was readied for the film.

Not exact matches

Based on the feedback, they chose the highest rated film, which left viewers feeling really good, and used it as a stand - in for an extraordinary experience.

Describing the «out - of - body experience» of briefing the president on the Steele Dossier, which contained an allegation that Trump was filmed watching Russian prostitutes pee on a bed that the Obamas had slept in, Comey told interviewer George Stephanopoulos, «He interrupted defensively and said.

It's going to take a lot more then «visions» experienced by people in emotional and suggestible states to convince me, something like something seen by dozens of people who are not in an emotional and suggestible state, which is caught on camera by a person who we can reasonably assume would not tamper with the film.

The song, which has been covered endlessly, has become the most played Christian single played on the radio and is about the experience when you see God face - to - face, so it will be interesting to see how that's conveyed in a feature film.

But, suggests Bishop Dillistone, an artist may also produce a film based on human experience in the light of Jesus.

The message of the film places virtually no value on human life, and the movie itself does» t care at all for its audience, save for the pain it can cause in the viewing experience.

Aldous Huxley's Brave New World — published in 1932, just after the transition from silent film to «talkies» — depicts futuristic cinema experiences called «feelies,» in which metal knobs on moviegoers» armrests transmit realistic sensations of whatever the on - screen actors are feeling.

«Turning the term partnership on its head, Ne - Yo has really served as the Creative Director of Malibu Red from beginning to end — lending his «smooth» talents and creative vision to create a product experience — from flavor to film — that will push boundaries in the spirits category.»

When I'm saying Denzel Ward is a better prospect than Vita Vea, I am just relying on my film study and my experience in grading, of course...

A review of The Trials of J. Robert Oppenheimer, a film by David Grubin, airing on PBS January 26 for the American Experience series, in association with the BBC

It is true that if you really overtax your body - by abusing alcohol or drugs, not sleeping for a days on end, starving yourself, or undergoing extreme physical stress (as you might experience doing your own stunts or filming in a remote location), you can wear yourself out and suffer physical symptoms as a result.

Years of experience in the entertainment, fashion, film and tv world as on - camera talent combined with a decade of exploring energy healing traditions to include Shamanic Healing, Reiki, Voice Dialogue and Yoga helped Kahshanna sink her narrative, branding and media chops into her boutique media hub Kissing Lions Public Relations.

Apr 06 Taste of the Operas Everyone loves a behind - the - scenes experience — be it film, the theatre or Madison is a town in the southeastern corner of New Haven County, Connecticut, United States, occupying a central location on Connecticut's Long Island

In this first - ever IMAX 3D space film, audiences will travel 220 miles above Earth at 17,500 mph to experience the making of the International Space Station — the greatest engineering feat since landing a man on the Moon.

Writer and director John C. Walsh based Pipe Dream in part on his own experiences as he was making his first feature film, Ed's Next Move.

The film is quite personal, despite its slow and insistent historical sweep, and it's co-written by Hansen - Love with her brother Sven, based on his experiences as a DJ in the French house scene.

Set in a perpetually gloomy unnamed city, the film follows Somerset (Morgan Freeman), a retiring police detective, as he experiences his final week on the job, reluctantly working with assertive newcomer Mills (Brad Pitt).

Based on the autobiographical novel by Jan Guillou and set in the mid-1950s, the film relates the experiences of a troubled young man who's enrolled into a hidebound private school.

Director James Franco takes on the experience of a wayward creator in his latest film, «The Disaster Artist,» and reveals how even if something deeply personal is usually deeply flawed, it can still connect with audiences in ways no one could imagine.

Taking inspiration from the personal life of his leading man (Lustig is a widowed grocer upon whose stories the screenplay is loosely based), Weinstein draws on his experience as a documentary film - maker to conjure a drama rooted in the reality of these characters and their community.

Its narrow timeframe and juddering shootout finale notwithstanding, in fact, «' 71» calls no film to mind so much as Roman Polanski's Holocaust drama «The Pianist» in its dramatic defamiliarization of urban space, and its tight focus on a single character's sensory experience of his surroundings amid broader conflict.

Although Sally Field walked off with the statuette (for «Places In The Heart»), Judy's nomination can be seen as some compensation for the experience of working on the film, which was not, by all accounts, an especially happy one.

The film sounds plottier on paper than its proves in practice, where complex internal politics take a back seat to the protag's in - the - moment experience of these hellish events.

Filmed without narration, subtitles, or any comprehensible dialogue, Babies is a direct encounter with four babies who stumble their predictable ways to participating in the awesome beauty of life.Needless to say, their experience of the first year of life is vastly different, yet what stands out is not how much is different but how much is universal as each in their own way attempts to conquer their physical environment.Though the language is different as well as the environment, the babies cry the same, laugh the same, and try to learn the frustrating, yet satisfying art of crawling, then walking in the same way.You will either find Babies entrancing or slow moving depending on your attitude towards babies because frankly that's all there is, yet for all it will be an immediate experience far removed from the world of cell phones and texting, exploring up close and personal the mystery of life as the individual personality of each child begins to emerge.

The film, which was inspired by Denis» own experiences in Africa and those of working amongst the stark Southwest landscapes of Paris, Texas, proved to be a very auspicious debut, screening at Cannes that year and earning both a Golden Palm nomination and a César nomination for Best New Director.Denis followed her debut the next year with Man No Run, a documentary about Les Têtes Brulées («the Flaming Heads»), a Cameroon band on their first French tour.

Menashe Lustig brings warmth and a lumpen charisma to Menashe's lead role, giving life to a film based in part on his own experiences.

As well as talking about her experiences and thoughts on the film she discusses the memoirs she has written on the period called The Girl in the Green Sweater: A Life in Holocaust's Shadow (released after the film was in pre-production, which was based on In the Sewers of Lvov by Robert Marshallin the Green Sweater: A Life in Holocaust's Shadow (released after the film was in pre-production, which was based on In the Sewers of Lvov by Robert Marshallin Holocaust's Shadow (released after the film was in pre-production, which was based on In the Sewers of Lvov by Robert Marshallin pre-production, which was based on In the Sewers of Lvov by Robert MarshallIn the Sewers of Lvov by Robert Marshall).

In the director's statement on the film's website, Jenna Ricker explains that she was inspired by Hitchcock and 70s conspiracy thrillers, but that wasn't really my experience.

Her collaboration with The Weeknd on «6 Inch» is probably the sexiest work of art, film, music, or otherwise, that was experienced all year long, and «Freedom,» in which she collaborates with Kendrick Lamar, is transcendent.

It's maybe not the movie for audiences who absolutely insist on a plot — The Guardian, in a 4/5 review, calls it «a film about nothing specific» — but if you're willing to just give yourself over to the experience, 20th Century Women looks like a warmhearted dramedy.

It's a terrifically elemental premise for a movie, one that Cuarón treats as an excuse to indulge in some truly spectacular eye candy; his famously epic tracking shots move here on all axes, making the film a pretty remarkable technical exercise — even as a few of the sequences, especially those that adopt a through - the - helmet POV, suggest the experience of watching someone else play an FPS.

Although it goes conspicuously unmentioned in his memoirs, Friedkin apparently described The Guardian on an old DVD commentary as his most personal film, owing to what must have been some quite distressing life experiences with nannies.

While it would be easy to shoot an entire film like this on a sound stage and use visual effects to complete the scenery, director Baltasar Kormakur (2 Guns, Contraband) wanted the cast to experience the elements firsthand by shooting on location in Nepal on the foothills of Everest, as well as the Italian Alps.

Alamo Drafthouse and Focus Features are teaming up as part of Maverick Cinema to present «Meet Me in Montauk», an event taking place on the beach, with mattresses for a «bed - in» experience, paying homage to one of the film's iconic scenes (seen above).

With its distinct absence of irony and little going on under the surface, the film makes for a hollow viewing experience, saved in part by its charismatic cast.

During this 1 - on - 1 phone interview with Collider, actress and filmmaker Heather Graham talked about wanting to make a movie celebrating women and friendship, the biggest challenges in getting this film going, having her voice heard, as a female filmmaker, what she most enjoyed about playing Honey, putting together this cast, funny moments on set, what she enjoyed about the experience of directing, her hope to do it again, juggling three different writing projects, and doing the British TV series Bliss, from David Cross.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iIn Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes iin 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

While the first film had a sense of newness on its side that made it somewhat effective as a straight - up shocker, we've seen all of the scary images in this sequel a few too many times to experience their original effect.

OUR TAKE: Clint Eastwood (taking over for Steven Spielberg) directs Bradley Cooper and Sienna Miller in a film based on the real life experiences of SEAL sniper Chris Kyle.

Extras Casting Atlanta, the extras casting director for Liam Neeson's new movie Felt, is looking for men and women who enjoy and have experience runners and cyclists to work on a scene filming in Atlanta, Georgia.

Bennett's film credits include Citizen King and Fisk Jubilee Singers for the PBS series «American Experience,» Hymn for Alvin Ailey for «Dance in America,» and the award - winning PBS mini-series Africans in America and America's War on Poverty.

Unfolding like Roman Polanski's take on «The King of Marvin Gardens» while simultaneously serving as a suitable spiritual sequel to the director's debut, «Afterschool,» in which the male desire to connect meaningfully with others is frayed and warped by life experience, «Simon Killer» is Antonio Campos» latest chilly, chilling character study, with Corbet effectively replacing Ezra Miller, who led the previous film, as a neuroscience major who studied how the eyes and the brain relate, but has a seriously loose wire between his own brain and his heart.

While «Farewell, My Queen» does boast admirable elements (more on those below) overall, despite some showy trappings it is a frustratingly empty experience, built around a character whose blankness is supposed to be a virtue, but ends up costing the film dearly in terms of identification and interest.

The film centers on Ethan (Mark Duplass) and Sophie (Elisabeth Moss), a couple currently experiencing a rough patch in their marriage.

The necessary gimmick is that most of the film involves us following around Mia having an ethereal, out - of - body experience around the hospital while she lies unmoving in her coma on the hospital bed.

Aside from the well - noted fact that more superior long - form drama (and comedy) can be found on television than in cinemas, the two most interesting motion picture experiences I had in 2012 were in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up with, and two multi-screen installations by Candice Breitz: «Him» and «Her» in which many scenes from the films of Jack Nicholson (in Him) and Meryl Streep (in Her), isolate the actors from their filmic background leaving the actors to speak to and interrogate each other across space and time on many themes of character, identity, success, failure, anger and disappointment.

For those interested in where it ranks on the thrillometer, let us say that Corbijn's film is a haunting rather than a galvanizing experience.

Guests will also experience the sensation of stepping through the silver screen directly into unsettling and shocking film scenes, as they navigate their way through Haddonfield, adorned in classic Halloween décor on a similar Halloween night in 1963.