Sentences with phrase «experiment in their art»

The group helped present «9 Evenings,» the series of technologically abetted performance events by Experiments in Arts and Technology (E.A.T.) in 1966 at the 69th Regiment Armory in Manhattan; theater and dance at Judson Memorial Church; lectures by Marshall McLuhan and Buckminster Fuller; concerts by David Tudor and La Monte Young; and scores more.

The artist's work with Experiments in Art and Technology (E.A.T), an organisation of which he was a founder and which developed collaborations between artists and engineers in the 1960s, is also explored, showing how he helped to initiate new conversations between the visual arts, performance and science.

The correlation is not surprising given the caliber of exhibitions on view in 2015, including innovative («Freedom Principle: Experiments in Art and Music, 1965 to Now») and long overdue («Noah Purify: Junk Dada» and «Procession: The Art of Norman Lewis»)...

In 1962 the first English - language book about the Russian avant - garde, Camilla Gray's The Great Experiment in Art: 1863 - 1922, was published.

2016 The Freedom Principle: Experiments in Art and Music, 1965 to Now, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA Southern Accent: Seeking the American South in Contemporary Art, Nasher Museum of Art at Duke University, Durham, NC The Nest, an exhibition of art and nature, Katonah Museum of Art, Katonah, NY Hateful Things / Resilience, De Pree Art Center Hope College, Holland, MI Africans in America, Goodman Gallery, Johannesburg, South Africa

«Freedom Principle: Experiments in Art and Music, 1965 to Now» @ MCA Chicago Chicago Drawing its title from a 1984 book by Chicago jazz critic John Litweiler, «Freedom Principle» considers the intersection of art, music and politics.

September 14, 2016 — March 19, 2017 Sanford Biggers The Freedom Principle: Experiments in Art and Music, 1965 to Now Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA Visit Website

Installation view, «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» MCA Chicago.

The exhibition concludes with artefacts from the formation of Experiments in Art and Technology (E.A.T) in New York in 1966 which saw performances over nine evenings from artists such as Robert Rauschenberg, John Cage and Yvonne Rainer working together with engineers from American engineering company Bell Laboratories in one of the first major collaborations between the industrial technology sector and the arts.

Since she joined the MCA in 2011, she has organized numerous highly acclaimed exhibitions including the group show The Freedom Principle: Experiments in Art and Music, 1965 to Now in 2015; Homebodies in 2013, and Color Bind: The MCA Collection in Black and White in 2012.

Naomi Beckwith co-edited «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» the catalog published to coincide with the exhibition.

BOOKSHELF A number of recent exhibition catalogs have featured artists from the Black Arts Movement and AfriCOBRA in particular, including «Soul of a Nation: Art in the Age of Black Power,» «Witness: Art and Civil Rights in the Sixties,» «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» and «We Wanted a Revolution: Black Radical Women, 1965 — 85.»

The inaugural show, featuring rarely seen works by Josef and Anni Albers, Ruth Asawa, and Ray Johnson, explored the influence of Black Mountain College, a unique experiment in arts education where these artists met in the late 1940s.

Arranged in reverse chronological order, Electronic Superhighway begins with works made between 2000 — 2016, and ends with Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966.

2015 The Freedom Principle: Experiments in Art and Music, 1965 to Now, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA SAIC 150th Anniversary Show, Sullivan Galleries, School of the Art Institute of Chicago, IL Piece by Piece, Kemper Museum of Contemporary Art, Kansas City, MO Wild Noise: Artwork from The Bronx Museum of the Arts and El Museo Nacional de La Habana, The Bronx Museum, Bronx, NY Bring in the Reality, Nathan Cummings Foundation, New York, NY Pilgrimage Dun Huang — First International City Sculpture Exhibition, Architectural Society of China, Dun Huang, China POP Stars!

The relationship between art and science is a fascinating one, and Moon Museum allows for an exploration of the history of Experiments in Art and Technology (E.A.T.), the influential non-profit organization founded in 1967 to promote collaboration between artists and engineers.

July 11 — November 22, 2015 Sanford Biggers The Freedom Principle: Experiments in Art and Music, 1965 to Now Museum of Contemporary Art Chicago Visit Website

2014 The Freedom Principle: Experiments in Art and Music, 1965 to Now, Museum of Contemporary Art, Chicago, IL Amerika, David Castillo Gallery, Miami, FL Camera as Release, JP Morgan Chase Collection at Paris Photo, Paris, France The Moment.

From 2012 until 2015 he was the Manilow Senior Curator at the Museum of Contemporary Art Chicago where he curated and co-curated, among other shows: Kerry James Marshall: Mastry (2016), The Freedom Principle: Experiments in Art and Music, 1965 to Now (2015), Simon Starling: Metamorphology (2014), and The Way of the Shovel: Art and Archaeology (2013).

Select group exhibitions featuring his work include Objects Like Us, The Aldrich Contemporary Art Museum, Ridgefield, CT (forthcoming, 2018 - 2019); UPTOWN: nastywomen / badhombres, El Museo del Barrio, New York (2017); Black: Color, Material, Concept, The Studio Museum in Harlem, New York (2015); The Great Mother, the Fondazione Nicola Trussardi, Palazzo Reale, Milan (2015); The Freedom Principle: Experiments in Art and Music, 1965 to Now, the Museum of Contemporary Art Chicago (2015); NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York (2013); Contemplating the Void: Interventions in the Guggenheim Rotunda, Solomon R. Guggenheim Museum, New York (2010); the Whitney Biennial, New York (2006); and Landings, Documenta XI, Kassel, Germany (2003).

Arranged in reverse chronological order, «Electronic Superhighway» begins with works made at the turn of the millennium and ends with those exhibited in the iconic 1966 event «Experiments in Art and Technology (E.A.T.).»

THE FREEDOM PRINCIPLE: EXPERIMENTS IN ART AND MUSIC, 1965 TO NOW The influence on recent art and culture of jazz and experimental music, particularly from the South Side of Chicago, are explored in a show that originated at the Museum of Contemporary Art Chicago.

Between 1963 and 1966, the Foundation sponsored a number of public events, including a series of performances at The Pocket Theater featuring then - emerging artists like Trisha Brown, Robert Morris, Yvonne Rainer, David Tudor, and La Monte Young, among many others; a concert of music by then - emerging composers Morton Feldman and Earle Brown; «Six Lectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performance works.

Irving Sandler, Loretta Howard, Julie Martin (Director of Experiments in Art and Technology), and Melissa Rachleff (Curator of Inventing Downtown)

The Institute of Contemporary Art (ICA) at the University of Pennsylvania is pleased to present The Freedom Principle: Experiments in Art and Music, 1965 to Now.

In the past two years, standout exhibitions have included «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» which explored the influence of the 1960s African American avant - garde on current creative output, and, up now, the first - ever survey of the Ho Chi Minh - based, politically minded collective The Propeller Group.

The Freedom Principle: Experiments in Art and Music, 1965 to Now is organized by Museum of Contemporary Art Chicago.

Tate will present Oracle and other technology - based installations alongside archival photographs and documents from Experiments in Art and Technology (E.A.T.), an organization founded in 1966 by Rauschenberg, artist Robert Whitman, and engineers Billy Klüver and Fred Waldhauer that sought to make technology accessible to artists by facilitating collaborations with engineers.

His interest in collaborating with scientists and engineers led him to cofound Experiments in Art and Technology (E.A.T.), an organization that fostered such partnerships, in 1967.

Her recent inclusion in the traveling exhibition «The Freedom Principle: Experiments in Art and Music, 1965 to Now,» has changed that, and in her New York solo debut at Bridget Donahue, «Sound Talisman,» Ms. Alvarado is a painting star.

After studying at Black Mountain College under Josef Albers, Rauschenberg moved to New York where he formed close allegiances with Jasper Johns and Cy Twombly, began his groundbreaking Combines, collaborated with the Merce Cunningham Dance Company and co-launched the non-profit Experiments in Art and Technology.

The artist made these films at Bell Labs in collaboration with engineer Ken Knowlton, through Experiments in Art and Technology (EAT), an organization founded in part by Robert Rauschenberg.

Supported by the Robert Rauschenberg Foundation, Open Score: Art and Technology 2016 will mark the fiftieth anniversary of the groundbreaking initiative Experiments in Art and Technology.

EA - Épreuve d'Artist (same as an AP, but in French) EACC — Espai d'Art Contemporani in Castello EAI - Electronic Arts Intermix (New York) EARN — European Artistic Research Network EAT - Experiments in Art & Technology (trailblazing art & tech organization started by Robert Rauschenberg and Bell Labs's Billy Kluver, among others) ECF — European Cultural Foundation EMPAC — Experimental Media and Performing Arts Center (Upstate New York) EMST — National Museum of Contemporary Art, Athens

Experiments in Art and Technology (E.A.T.): Nine Evenings Featuring the work of Robert Rauschenberg, John Cage, Deborah Hayes, David Tudor, Robert Whitman, Oyvind Fhalstrom — Theater - Festival, Armory Hall, New York.

Omar Kholeif, Emily Butler, and Seamus McCormack, eds., Electronic Superhighway: From Experiments in Art and Technology to Art after the Internet (London: Whitechapel Gallery, 2016).

Here, his works are interspersed with those of associates like Johns, Rauschenberg's life partner from the mid-1950s through 1961; Susan Weil, to whom he was married in the early 1950s; Cy Twombly, Niki de Saint Phalle, Andy Warhol, Öyvind Fahlström, and others; as well as copious documentation of his work with the nonprofit Experiments in Art and Technology.

For more information on E.A.T. and its history, see: Experiments in Art and Technology: A Brief History of Experiments and Projects, by Woody Vasulka.

Tudor was one of the core artists who collaborated on the design of the Pepsi Pavilion for Expo»70 in Osaka, Japan as Experiments in Art and Technology, Inc..

Beginning with Robert Rauschenberg and Robert Whitman's 1966 Experiments in Art and Technology (E.A.T.) with Bell Laboratories engineers, and including new and rarely seen multimedia works, film, painting, sculpture, photography and drawings by over 70 artists such as Cory Arcangel, Roy Ascott, Jeremy Bailey, Judith Barry, Trevor Paglen, Nam June Paik, Ryan Trecartin and Ulla Wiggen, this publication tells the story of a global visual culture.

With his recent experiments in art photography, the busy commercial - photography veteran has quickly moved to the Read More...

Norte Maar in collaboration with Experiments in Art and Technology (E.A.T.) announces the final Cage Transmitted Event celebrating an ambitious year of programming around the life, work and influence of John Cage in this the artist's centennial year.

Arranged in reverse chronological order, Electronic Superhighway begins with works made at the turn of the millennium, and ends with Experiments in Art and Technology (E.A.T.), an iconic event that took place in 1966.

He worked with Rauschenberg's Experiments in Art and Technology (E.A.T) in 1966, and with Bob Moog in 1967 - 68.

In the early 1970s the New York — based group Experiments in Art and Technology (E.A.T.) put together a collection of some of the most important American art of the 1960s, including Pop, Minimal, and Conceptual practices, with the aim of donating it to a public museum.

Installation view, The Freedom Principle: Experiments in Art and Music, 1965 to Now, Museum of Contemporary Art Chicago.

Next to this core engagement for female artists, BROADWAY 1602 also represents other cultural agents and outstanding personalities of the New York postwar avant - garde, such as The Archive of Experiments in Art and Technology (E.A.T.), David Tudor & Composers Inside Electronics (CIE), and collaborations with the The George and Helen Segal Foundation, Robert Whitman and the Robert Anton collection.

Echo Park Film Center, Los Angeles, CA Elastic City, Brooklyn, NY Elizabeth Foundation for the Arts, New York, NY Esopus, New York, NY Exit Art, New York, NY Experimental Intermedia Foundation, New York, NY Experiments in Art and Technology, Berkeley Heights, NJ

Read the full interview with Jonas Lund in the exhibition catalogue Electronic Superhighway: From Experiments in Art and Technology to Art After the Internet.

Datumsoria: The Return of the Real is an outcome of «Art & Tech @,» a program initiated at Chronus Art Center and conceived by ZHANG Ga, which aims, through resuscitating the valuable legacy of experiments in art and technology from the mid-20th century, to come to terms with the challenges of a technologically constructed timespace: a new reality that has altogether changed the rules of the game in work and play, in politics and economics, and in artistic imagination and cultural sensibility.