The resulting films from this year's degree candidates are traditional narrative and
experimental fiction films.
Not exact matches
But perhaps it was the six award - winning
films in MIFF's 50th Shorts Awards that most fittingly captured the hybrid nature of MIFF 2011, a selection of old and new forms of filmmaking, from a myriad of countries on a range of issues: A Fine Young Man (Kevan Funk, 2010) from Canada, winner of Best Short Film; Best Australian Short, The Palace (Anthony Maras, 2011); Andrew Kavanagh, winner of the Emerging Australian Filmmaker Award for At the Formal (2010); Green Crayons, (Kazik Radwanski, 2010) from Canada, winner of Best
Fiction Short Film; Nullabor (Alister Lockhart, Patrick Sarell, 2011) from Australia, the Best Animation Short Film; Leonids Story (Rainer Ludwigs, 2011) from Russia, the Best Documentary Short; and A History of Mutual Respect (Gabriel Abrantes, Daniel Schmidt, 2010) from Portugal, winner of Best
Experimental Short Film.
We can not give a definition of Queer Cinema locked inside a single format or language — it cuts across
fiction and documentary, animation and
experimental film.
Best Drama: The Shape of Water Best Comedy: I, Tonya Best Horror or Science
Fiction Film: Get Out Best Action
Film: Star Wars: The Last Jedi Best Actor: Daniel Kaluuya for Get Out Best Actress: Sally Hawkins for The Shape of Water Best Director: Guillermo del Toro for The Shape of Water Best
Experimental Film: Faces Places Most Underrated
Film: Brigsby Bear Worst
Film of the Year: The Mummy About the Internet
Film Critic Society The Internet
Film Critic Society is an international association of online
film critics and journalists.
Isiah Medina enters the mix in the Best Director category for 88:88, his incendiary
experimental film, while Sofia Bohdanowicz's Never Eat Alone, a docu -
fiction portrait of an elderly matriarch played by the director's own grandmother, is up against Werewolf and Hello Destroyer for Best First
Film by a Canadian Director.
Smith roots her work firmly within the discourse of mid-twentieth century
experimental film, and draws from structuralism, international cinema, and science
fiction.
We present rare and rediscovered prints of movie classics, new and historic works by the world's great
film directors, restored silent
films with live musical accompaniment, thematic retrospectives, and innovative works made by today's
film, video, and new media artists working in the areas of animation, documentary,
experimental, and
fiction film.
Rooted within the discourse of mid-twentieth century
experimental film, Smith draws equally from the tactics of structuralism, third world cinema, and science
fiction in an attempt to make things that nod to these references while offering a phenomenological experience for spectators and participants.
Provost's practice utilizes the tools of cinematic language to produce
experimental films, blurring the boundaries between reality and
fiction, and recognition and alienation, to evoke a melancholy atmosphere.
Smith is known for a group of influential
films and videos, moving image installations and objects with connections to
experimental film and third world cinema, structuralism and science
fiction.
She also works closely with words as material, generating short stories, essays,
experimental fiction, and texts for performance and
film.
Over the past 40 years, she has directed over 20
films, including feature - length
fictions and
experimental documentaries.
Doireann O'Malley's
film Prototypes brings together transgender studies, science
fiction, bio politics, psychoanalysis, AI, and
experimental
In addition to the group show Isolated
Fictions (which opened last Friday and features works by Deb Sokolow,  Carmen Price,  Jason Dunda,  Amanda Browder,  Nadine Nakanishi,  Rebecca Mir and Nick Butcher), a reading by Adam Levin, a performance evening centered around world - based art, a screening curated by Eric Fleischauer and Jesse McLean, and the third installment of the Now Itâ $ ™ s Dark
experimental film and music series are all on the agenda.
Taking the form of video installations and live video essays, their archival image practice is situated at the interzone of
experimental film, documentary and speculative
fiction.
Filled with 200 bunk beds scattered with books, the animal forms of gargantuan sculptures, a massive LED screen playing edited extracts from science -
fiction and
experimental films, and piercing lights that suggest some unseen surveillance, the Turbine Hall has taken on the appearance of an epic
film set.
As a filmmaker, I make
fiction, fine art,
experimental, documentary and with prayer, feature - length
films in the very near future.