Sentences with phrase «experimental film work»

That realization speaks of one of the major museum currents over the last decade: the growing acceptance of performance art and experimental film work as valid elements of contemporary art - making rather than fringe activities.

His early experimental film work in the 1980s often concentrated on dancers including collaborations with Michael Clark.

In this experimental film work there exists a narrative of sorts that emerges from the artist's own experience of remembering a scene in a film.

The movement was closely associated with the London Filmmakers» Co-operative, an organisation set up in 1966 by artist - filmmakers to exhibit and produce experimental film work which challenged mainstream cinema.

These collages and paintings usually lead toward a final product; oftentimes an experimental film work — the best artistic tool, I feel, with which to incorporate many different mediums, cultural influences and concepts.

2007 — present — Developing 2 new experimental film works, «Color Me Alcohol» and «International Scullery Maid».

Sasha Pirker, current artist - in - residence at the Chinati Foundation, will be screening her experimental film works.

John Brattin is a visual artist and filmmaker whose work elaborates haunting mental locations through a variety of mediums beginning primarily with drawings, which are then utilized as a basis for experimental film works.

Haunted Ethnography: new experimental documentary is a group exhibition and related indoor screening event showcasing several recent video and experimental film works by emerging artists exploring the rich but problematic genre of ethnographic documentary as a locus of aesthetic and conceptual innovation in the medium.

In honor of the current exhibition of her experimental film works at New York's Galerie Lelong (on view through March 26), we're taking a look back at Mendieta's seminal Land Art piece Mujeres de piedra.

Not exact matches

Two university research teams have worked together to produce the world's fastest thin - film organic transistors, proving that this experimental technology has the potential to achieve the performance needed for high - resolution television screens and similar electronic devices.

The film takes an interesting turn as it goes, initially presenting experimental works as something arcane and impressive (too much for the common man — hmpf!)

This paper examines the work of Australian experimental film legends, Arthur and Corinne Cantrill, who, over a fifty - year period, perfected a range...

In a bold contrast from his previous work, Anderson only places a single»60s pop song into the mix, The West Coast Pop Art Experimental Band's «I Won't Hurt You», whose sombre strains add to the film's melancholic undertow.

Cinephiles, especially those enthusiastic about the avant - garde, are probably familiar with Robert Gardner «s series Screening Room, which hosted numerous directors working in documentary and experimental film in the 1970s and early»80s.

But Out 1 was one such film, an unforgivingly experimental work of serpentine narrative structures and conspiratorial cul - de-sacs that demanded the repeat viewings and deep immersion a home video release could afford.

Gaspar Noé is akin to a Pop Art equivalent of Austrian filmmaker Michael Haneke in that his films are experimental works that manipulate formal cinematic conventions to annoy, frustrate and provoke.

Some of the most memorable scenes in «Twin Peaks: The Return» have found David Lynch revisiting the experimental highs of his most radical film work.

He is also working on a short experimental film («Phantom's Due») and a video essay based on the writings of Robert Bresson.

It was within this cultural - historical milieu that Chambers worked to unite the various aspects of what remains Canada's experimental film apparatus.

A.V. Club favorite Ben Rivers (Two Years At Sea) started coming into his own just as doom and black metal were becoming dominant influences on experimental film, and The Sky Trembles And The Earth Is Afraid And The Two Eyes Are Not Brothers (Grade: B --RRB- works in that now - familiar palette of natural landscapes, rituals, and enigmatic violence.

When I was working on the script for James White, Chris and I did a short experimental film together.

It's a dizzyingly reflexive concept that could be too self - involved to really connect, but as our reviewer discovered, the fragmentary, impressionistic «Cameraperson» (often employing off - cuts of films she worked on) actually builds to «a surprisingly emotional and heartfelt film... Humanity permeates [the film], so as experimental as it is, it's also stirring and poignant, with a tangible sense of empathy intact in every frame...» [A]

Meanwhile the definition of experimental film — which traditionally has meant abstract, nonnarrative, and small - format works produced in a garret — has been expanding to address wider audiences.

I chased The Other Side Of Hope with a film whose existential metaphors and appreciation for the drudgery and social habits of working stiffs couldn't be more different from Kaurismäki's droll, Capra-esque humanism: Good Luck (Grade: B), a striking documentary mood - piece by the American experimental director Ben Russell (Let Each One Go Where He May, A Spell To Ward Off The Darkness).

There's one film in the After Dark shorts program called «Plus Ultra,» an experimental Spanish work, that's a really fascinating investigation of secret histories and Spanish colonial myths.

I am sure I am not alone in that I spend far more time watching abstract films and short experimental videos than I do watching feature films; in part because I make experimental films, and in part because, to my mind, the most risk - taking visual artists don't necessarily work in feature films; but instead work in video art and experimental filmmaking and newly emerging filmic art forms, such as gifs.

If the premise makes it sound like Glazer's sold out and made a commercial horror / sci - fi genre picture, you couldn't be more wrong — this is the filmmaker at his most experimental and unfiltered, with stunning images that of all three of his films to date, is most reminiscent of his unforgettable commercials work (more on this below).

The Red Turtle is a dialogue free, experimental film whose quality obviously banks heavily on its presentation; the animation and especially the soundtrack and sound effects work.

It is a work in the experimental style of Malick's much lauded» The Tree of Life» but does not reach the level of mastery found in that film.

Wavelengths, a section devoted to adventurous and experimental films, includes new work by Bruno Dumont («Jeanette, the Childhood of Joan of Arc»), Wang Bing («Mrs. Fang») and Denis Côté («A Skin So Soft»).

The film is a unique display of experimental filmmaking that has spanned over eleven years» work from first time writer - director Bob Persons.

Adrian Danks discusses the interventionist strategies at work in the «home experimental films» of local and international female filmmakers including Merilee Bennett and Su Friedrich.

Another a showstopper set at the Griffith observatory, brought to life from composer (and best friend to Chazelle since their time as band - mates at Harvard) Justin Hurwitz, with whom he worked on the film for over a half - decade (even before the breakthrough of Whiplash in the theaters), fleshing out a few concepts from an experimental musical film they had made together in 2009 called Guy and Madeline on a Park Bench.

Another movie about comedy, Folk Hero & Funny Guy (Grade: B), bravely casts a non-comic as a stand - up comedian, something that would not have been so unusual 10 or 20 years ago but now feels downright experimental in the face of all the stand - up and sketch - comedy people available for film work.

And I suspect some avant - garde film critics resent Akerman's steadfast refusal to confine her work to the avant - garde and experimental realm — instead moving freely between narrative and nonnarrative, relatively independent and relatively industrial forms of filmmaking.

Already by the mid-1960s, painting had lost its authority as the dominant artistic medium and instead galleries had begun to show much more heterogeneous experimental and sometimes politically and socially provocative work in new media (film, video, and photography), as well as confrontational live art and other kinds of participatory and performance - based approaches.

I began to learn about experimental film and video artists from these women, and I wanted to share this work with the Joanie 4 Jackie audience.

Painting, sculpture, film, multi-media, experimental and performative work in all formats is encouraged.

Following in the footsteps of experimental cinema, especially the films of Stan Brakhage and the collaborative works of Hans Richter and Viking Eggeling, Granat investigates space and non-figurative imagery.

With work ranging from Abstract Expressionist canvases to experimental film, and including pieces by Ligon, the exhibition resists fixed interpretations, instead enlisting color as a means to pose timely and nuanced questions.

Over a 25 - year career, her work in experimental film, photography, sound and drawing has already demonstrated a deep engagement with the genres of landscape, portraiture and still life, which become the focus for these three shows.

By the early 1970s, influenced by the experimental films of Andy Warhol, Jack Smith, and George and Mike Kuchar, Waters was presenting his work in underground cinemas.

An extensive engagement with experimental film and video characterizes the work of German artist Florian Zeyfang.

Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities for artists, curators and viewers through its expansive historical shows, exhibitions of emerging and under - recognized artists, experimental theater and performance works, as well as national and international film and video programs.

In the same year, Maclean received the Margaret Tait Award supporting experimental and innovative artists working in film and video.

Peggy Ahwesh is an artist who works in the fields of experimental film and video.

Finally, Apichatpong Weerasethakul (b. 1970), a prize - winning film - maker, engages with memory and politics (he has refused to show some of his work in own country, rather than see it face censorship) from an experimental, non-linear perspective.

With a background that includes studies of ancient Greek literature and a stint at famed theater director Robert Wilson's Watermill Center, the Istanbul - born Köken Ergun brings both classical humanism and experimental approaches to his film and video work.

She has worked across photography, film, and dance, but is best known for her experimental approach to painting, the medium in which she was trained, stretching its bounds and assumptions through conceptual and abstract works.