Sentences with phrase «experimental films making»

This publication details the more than 40 screenings, performances and experimental films making up this genre - bending blend of science and art.

It takes inspiration from Chris Marker's La Jetée (1962), a French experimental film made entirely from still photographs.

The grainy, poignant experimental films made a couple of people flee, but mostly they found a sympathetic audience of hard - core video lovers and art historians who had arrived in Barcelona for the LOOP Video Fair, opening the next day in Hotel Catalonia Ramblas.

Not exact matches

She added, «Winning the gold award for such an experimental film, tackling a really complex topic, is such an unexpected honor and inspires me to make more films like this.»

The former experimental film director instills eco-kudos in her bijoux by ensuring that all her gemstones and semi-precious stones are ethically sourced, and of course she hand - makes each piece in her own New York based studio.

Glazer has only made two feature films, both interesting and experimental explorations of comfortable, stable existences broken by the sudden arrival of an intruder.

The experimental nature of the film also proves a charm, the ten minute shots make interesting viewing and a high budget cyclorama backdrop that includes the empire state building makes the film look much more modern than anything else from the 1940's.

Lowery is spending the capital he's earned on big gigs like Pete's Dragon to make something bizarre and experimental, and as his film starts flitting through the weeks in unannounced leaps, you'll come to appreciate his gamble.

Ford and cinematographer Gregg Toland did their own painting with light, making The Long Voyage Home his most visually experimental film.

The more experimental documentaries have historically fared poorly in the Oscar race, and while making it onto the nine - film shortlist was a victory of its own, Johnson's film couldn't win over the voting body.

Martine is making an experimental short film about scorpions and ants, and for the soundtrack, she requires — oh, all sorts of sounds.

The director, Christophe Gans, uses graphics and special effects and computers and grainy, scratchy film stock and surrealistic images and makes «Silent Hill» look more like an experimental art film than a horror film — except for the horror, of course.

His swan song, Parade, sorely underrated by the small number of critics who've actually seen it, was a clean break from Hulot, and as such, feels more free than anything else Tati ever made — it's a difficult film for people who may be expecting another lighthearted, whimsical comedy, instead of an experimental film that uses a circus performance as its foundation, but in its own way, it's the ultimate Tati, an undiluted expression of what he loved to do and to see, and what hats to put on.

What's left is this appreciation of a film that is delighted with cinema and experimental without being a jerk about it (very much like Lars Von Trier's Zentropa, specifically in a black - and - white rear - process cab ride with none of that feeling that Tarantino's trying to make a point as opposed to recognizing something that looks cool and feels right)-- a film that is Tarantino in all his gawky, hyperactive, movie - geeking, idioglossic splendour, fully - formed and trying only a bit too hard.

The aforementioned low budget allows him to be more experimental with his shots and filming style, making for an entertaining viewing experience.

Clint Eastwood's 15:17 To Paris (2018) is one of the oddest and even most experimental films the director has ever made.

One could even go far as to see it as his proto - «Schizopolis,» the experimental film that Steven Soderbergh made as a cathartic purge to get him out of his filmmaking funk.

She's only 28 years old and this is her first film score — she's probably best known as Micachu of the experimental pop band The Shapes — which makes her the rare woman composing music for movies today.

I am sure I am not alone in that I spend far more time watching abstract films and short experimental videos than I do watching feature films; in part because I make experimental films, and in part because, to my mind, the most risk - taking visual artists don't necessarily work in feature films; but instead work in video art and experimental filmmaking and newly emerging filmic art forms, such as gifs.

If the premise makes it sound like Glazer's sold out and made a commercial horror / sci - fi genre picture, you couldn't be more wrong — this is the filmmaker at his most experimental and unfiltered, with stunning images that of all three of his films to date, is most reminiscent of his unforgettable commercials work (more on this below).

While Russell largely fails to make dramatic connections and bring us into the inner world of his characters» conflicted desires, he succeeds mightily in making a film of often breathtaking beauty that balances the conventions of the British costume drama with his experimental proclivities.

Conventional melodramas, experimental films, and trashy midnight cult - films - in - the - making.

We figured it might make the list somewhere, given our rave review, but we didn't imagine that an experimental art film about a sadomasochistic couple would appear on more lists than any film bar our winner, much less make the final top three.

Another a showstopper set at the Griffith observatory, brought to life from composer (and best friend to Chazelle since their time as band - mates at Harvard) Justin Hurwitz, with whom he worked on the film for over a half - decade (even before the breakthrough of Whiplash in the theaters), fleshing out a few concepts from an experimental musical film they had made together in 2009 called Guy and Madeline on a Park Bench.

Even if Isle of Dogs is at once Anderson's densest and fleetest film to date, it's nevertheless obsessive - compulsive enough to make the occasional handheld shots from 2001's The Royal Tenenbaums and 2004's The Life Aquatic with Steve Zissou seem daring and experimental in retrospect.

«We make sure all of our films, while very artistic and experimental, also stand up to the rigors of The New York Times,» executive producer Kathleen Lingo tells TheWrap

A film may also have an artistic edge that qualifies it as a DocDays, such as Bill Morrison's experimental Dawson City: Frozen Time, which told the story of this remote gold rush town made using early film stock that was discovered there, buried underneath an ice rink for over 50 years.

Harmonix (Dance Central, Rock Band) has made an effort to bring Disney's classic musically experimental film, Fantasia, to life in a sense with Kinect gameplay, set on a mission from Mickey's own magical mentor, Yen Sid, not to dance, but to compose songs, including Frozen's «Let It Go,» OneRepublic, Demi Lovato, Imagine Dragons and Cee Lo Green tracks.

District 9 director Neill Blomkamp's launched an «experimental studio» to make short films.

Using a large format film camera, Eaton has developed an increasingly complex, experimental approach to image making.

Still from Love / Amor, an experimental film by CCA lecturer Shylah Hamilton on view in HOME: Making Space for Radical Love and Struggle

Lis Rhodes (b. 1942) Since the 1970s, Rhodes has been making radical and experimental films that challenge the viewer to reconsider film as a medium of communication and presentation of image, language, and sound.

An influential artist in the fields of kinetic sculpture and experimental filmmaking during the mid-to-late twentieth century, Breer made stop - motion films that grew out of a desire to imbue his paintings with movement.

Joe Gibbons is recognized as a groundbreaking filmmaker in experimental autobiography and has made over 30 films.

Trilogy includes three films made between 2004 — 2007: The Paper Wall, 2004, (won the Worldwide Short Film Festival's Best Experimental Film Award); A Life of Errors, 2006 (acquired & exhibited by the Hirshhorn Museum & Sculpture Garden); Loudly, Death Unties, 2007 (acquired by the Museum of Contemporary Canadian Art, Toronto).

He created sculptures out of urethane foam and plexiglass, made olfactory installations, and directed experimental films including the scandalous The Secret Life of Hernado Cortez, a pornographic cult classic starring Warholian superstars Ultra Violet and Taylor Mead.

After making seven experimental feature films — «Lives of Performers» (1972) and «MURDER and murder» (1996), among others — she returned to dance in 2000 via a commission from the Baryshnikov Dance Foundation («After Many a Summer Dies the Swan»).

After making seven experimental feature - length films — Lives of Performers, Privilege, and MURDER and murder, among others — she returned to dance in 2000 via a commission from the Baryshnikov Dance Foundation (After Many a Summer Dies the Swan).

We spoke to a versatile feminist artist and experimental filmmaker Lynn Hershman Leeson about her works and her source of inspirations, and made it as a short film.

The film was an experimental work that led to Keane evolving and learning new technology: she said that she «invented the techniques to show the concept... the process of making the work was very important.»

After working as part of the London based music and performance collective, The Scratch Orchestra, he went on to make the On the Air Trilogy, a series of experimental films for British television exploring the nature of the broadcasting experience and ran the New Cinema Workshop at the Midland Group in Nottingham.

He worked as a dresser at the English National Opera and appeared in an experimental film by his friend Derek Jarman, while making pictures he recalls as «cartoonlike and urban.»

The artist's immersive film installations often include durational performance, experimental theatre, and variations of delegated creations of artistic objects and spaces which combine the work of architects, musicians, scientists, and craftsmen as well as factory - made products, all chosen for specific contextual and historical significance.

We present rare and rediscovered prints of movie classics, new and historic works by the world's great film directors, restored silent films with live musical accompaniment, thematic retrospectives, and innovative works made by today's film, video, and new media artists working in the areas of animation, documentary, experimental, and fiction film.

Working independently of the Thai commercial film industry, he is active in promoting experimental and independent film - making through his company Kick the Machine.

He made experimental films, which he often integrated in his paintings, such as Suzanna, Suzanna of 1964, in which short videos are projected directly onto the canvas.

It ranges from a rebus - like experimental film telling a French fairy tale (also on display, incidentally, in a concurrent show at Michael Werner gallery on the Upper East Side), to a full - sized recreation of his own Brussels apartment — the walls studded with words relating to art - making («Canvas,» «Museum,» «Composition,» etc.).

Rooted within the discourse of mid-twentieth century experimental film, Smith draws equally from the tactics of structuralism, third world cinema, and science fiction in an attempt to make things that nod to these references while offering a phenomenological experience for spectators and participants.

The first exhibition in China to focus on the experimental, mechanically produced areas of Warhol's practice, Andy Warhol: Contact features photographs, installations, and films that broke the boundaries of contemporary art when they were first made, and still compel viewers today with their extraordinary immediacy.

Experimental filmmaker Jonas Mekas recalls the making of Andy Warhol's radically sparse film «Empire».