Sentences with phrase «experimental video documentary»

histories is an experimental video documentary project by Zeinab Shahidi Marnani, in which she conducts a series of interviews with her relatives.
During her artist residency, Zeinab Shahidi Marnani will continue to work on histories, an experimental video documentary project in which she conducts a series of interviews with her relatives.
The Fall Open House also presents an experimental video documentary project by Zeinab Shahidi Marnani of Iran and New York City.

Not exact matches

Best Picture: (tie) «Gravity» and «Her» Best Director: Alfonso Cuaron, «Gravity» Runner up: Spike Jonze, «Her» Best Actor: Bruce Dern, «Nebraska» Runner up: Chiwetel Ejiofor, «12 Years a Slave» Best Actress: (tie) Cate Blanchett, «Blue Jasmine» and Adele Exarchopoulos, «Blue is the Warmest Color» Best Supporting Actor: (tie) Jared Leto, «Dallas Buyers Club,» James Franco, «Spring Breakers» Best Supporting Actress: Lupita Nyong» o, «12 Years a Slave» Runner up: June Squibb, «Nebraska» Best Foreign Language Film: «Blue Is the Warmest Color» Runner up: «The Great Beauty» Best Animation: «Ernest & Celestine» Runner up: «The Wind Rises» Best Documentary: «Stories We Tell» Runner up: «The Act of Killing» Best Screenplay: Richard Linklater, Ethan Hawke and Julie Delpy, «Before Midnight» Runner up: Spike Jonze, «Her» Best Cinematography: Emmanuel Lubezki, «Gravity» Runner up: Bruno Delbonnel, «Inside Llewyn Davis» Best Editing: Alfonso Cuaron and Mark Sanger, «Gravity» Runner up: Shane Carruth and David Lowery, «Upstream Color» Best Production Design: K.K. Barrett, «Her» Runner up: Jess Gonchor, «Inside Llewyn Davis» Best Music Score: T Bone Burnett, «Inside Llewyn Davis» Runner up: Arcade Fire and Owen Pallett, «Her» Douglas Edwards Independent / Experimental Film / Video Award: «Cabinets of Wonder: Films and a Performance by Charlotte Pryce»
Gone is the documentary and experimental electronica group Goblin's grandiloquent soundtrack CD (tribal rhythms, nattering keyboards, human sibilance); remaining is the gorgeous, THX - approved video transfer that does justice to Antonioni cinematographer Luciano Tovoli's astonishing images.
Multimedia tools are introduced through projects in several formats: documentaries, music, experimental video, advocacy / selling ideas, and storytelling / feature production.
The Centre has two screening rooms which show an international mixture of documentary films, video art, experimental films, animations and shorts.
Kahn's hybrid practice borrows from pop vernacular, documentary tropes, improvisation, comedy, and experimental film and video.
VDB provides experimental video art, documentaries made by artists, and interviews with visual artists and critics for a wide range of audiences.
We present rare and rediscovered prints of movie classics, new and historic works by the world's great film directors, restored silent films with live musical accompaniment, thematic retrospectives, and innovative works made by today's film, video, and new media artists working in the areas of animation, documentary, experimental, and fiction film.
Titles include Boomerang by Richard Serra (1974), featuring Nancy Holt vibrantly experimenting with the then - new and immediate medium of video; SHEDS (Jane Crawford and Robert Fiore), a short documentary produced for the 2004 Robert Smithson retrospective at the Museum of Contemporary Art, Los Angeles, that features newly compiled footage of two Smithson works (Partially Buried Woodshed and Mica Spread); video excerpts from artist Renee Green's Partially Buried gallery installation; and the experimental 16 mm films Monuments by Redmond Entwistle (2010) and Center of the Cyclone by Heather Trawick (2015), among other titles.
Jessica Bardsley is a film and video - based artist working in experimental documentary forms.
Drawing on varied genres including documentary filmmaking, music video, experimental film and theatrical performance, these artworks dispense with straightforward storytelling and unfold in a manner akin to musical compositions.
McClodden's interdisciplinary approach encompasses documentary film, experimental video, sculpture, and sound installations.
His creative practice straddles documentary and experimental genres often mixing the two, and his works have been shown at numerous film and video festivals including the Tokyo Video Festival, The London Film Festival; and the Berlin Film Festival to name avideo festivals including the Tokyo Video Festival, The London Film Festival; and the Berlin Film Festival to name aVideo Festival, The London Film Festival; and the Berlin Film Festival to name a few.
This year's CURRENTS festival exhibitions showcased single channel video, video and sound installation, interactive new media, animation, computer / software modulated sculpture, multimedia performance, experimental and interactive documentary video, Digital Dome projection, art gaming, web art, workshops and panel discussions.
Haunted Ethnography: new experimental documentary is a group exhibition and related indoor screening event showcasing several recent video and experimental film works by emerging artists exploring the rich but problematic genre of ethnographic documentary as a locus of aesthetic and conceptual innovation in the medium.
The Power Plant is also pleased to present Althea Thauberger's Marat Sade Bohnice, an experimental documentary / video installation about the staging of Peter Weiss's 1963 play Marat / Sade at the Bohnice Psychiatric Hospital in Prague.
The artworks range from sculpture and performance to video installation, plus an extensive video screening programme featuring shorts and experimental documentaries by over 14 artists, including works never before seen in Europe.
Her work is interdisciplinary, immersed in the current political dialogue and utilizes video art, digital photography, experimental documentary and the internet.
Taking the form of video installations and live video essays, their archival image practice is situated at the interzone of experimental film, documentary and speculative fiction.
Using found footage, mash - ups, datamoshing and other re-used methods, the exhibition includes a selection of video art and experimental film, installations and documentary essays that question the materiality of the image within proliferation.
Combining narrative films like «Body Double» and «A Short Film About Love» with experimental films, documentaries, and video art, the series demonstrates how the ideas of voyeurism, surveillance, and identity have been central throughout the history of cinema.
Inspired by Electric Earth, the single channel version of Doug Aitken's expansive video installation from 1999 available at EVR, this program of experimental and documentary short films explores the power of imagination, the potential of the supernatural that derives from the foundations of our highly technological world.
Tracing the development of the artist's extraordinary visual vocabulary, the exhibition includes 155 works on paper, numerous experimental videos, and over 150 archival objects, including rarely seen sketchbooks, journals, exhibition flyers, posters, subway drawings, and documentary photographs.
2755 miles is primarily based on video research and forms of experimental documentary practice that engages with issues of migration and displacement by concentrating on the cultural and communal worlds of clandestine Pakistani refugee workers residing at the outskirts of Athens.
The Planet in Focus Environmental Film & Video Festival showcases and promotes outstanding and compelling environmental films and videos in all genres (documentaries, animation, experimental, shorts films and dramas) by Canadian and international filmmakers.
Planet in Focus, in its 19th year, is Canada's leading environmental film organization showcasing and promoting outstanding environmental films and videos in all genres (documentaries, dramatic, experimental, short films, animation, youth and educational) by Canadian and international filmmakers.
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