Sentences with phrase «experimentele kunst»

ruumiline raamat kirjastus kunst →

He's the founder of kunst - stoff, and the creator of several award - winning games, and was...

The Berlin Biennale is funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation) and organized by KUNST - WERKE BERLIN e. V.

TEXTE ZUR KUNST stands for controversial discussions and contributions by internationally leading writers on contemporary art and culture.

As of July this year the two institutions are now operating as separate business units under the umbrella of the KUNST - WERKE BERLIN e. V.

Moderne kunst, heute, Kunstverein Hamburg, Germany Johanna Burton, «How Does the Verb Work When One Speaks of Collaboration?

The Berlin Biennale for Contemporary Art is funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation) and organized by KUNST - WERKE BERLIN e. V.

GALERIE FLUEGEL - RONCAK is again exhibiting at International artfair «KUNST 11 ZÜRICH» ins switzerland.

PRESS REVIEWS (selection) MDR Kultur, 26 July 2016, radio review, 3:33 min (link to external source) The Leipzig Glocal, 13 July 2016 (link to external source) Leipziger Zeitung, 10 June 2016, No. 32, p. 18 (pdf) kunst: art, issue May / June 2016, p. 20 (pdf)

PRESS & MEDIA (selection) FAZ Magazin, May 2017 (pdf) ArtMapp Blog, 22 March 2017 (link to external source) BMW Art Guide by Independent Collectors, 22 March 2017 (link to external source) Independent Collectors, 9 March 2017 (link to external source) kunst: art, no. 54, March / April 2017 (pdf) Leipziger Volkszeitung, 4/5 February 2017, S. 10 (pdf) The Leipzig Glocal, 1 February 2017 (link to external source)

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

mother, 2014 bronze, patina, 168 x 80 x 43 cm courtesy galerie thaddaeus ropac, salzburg (at), paris (fr) photo by eva würdinger / © vg bild - kunst, bonn 2015

home, 2006 acyrlic, paint, 110 x 115 x 285 cm courtesy galerie elisabeth & klaus thoman innsbruck / wien photo by marek kruszewski / © vg bild - kunst, bonn 2015

fichte» photo by marek kruszewski / © vg bild - kunst, bonn 2015

hypnosis II (coat), 2008 acrylic, wool, clothing, 159.5 x 66 x 65.5 cm courtesy galerie thaddaeus ropac, salzburg (at) / paris (fr) photo by studio wurm / © vg bild - kunst, bonn 2015

dimensions courtesy tomio koyama gallery, tokyo (jp) photo by studio wurm / © vg bild - kunst, bonn 2015

2014 «The Divided Body», Predikerkerk, Leuven, Belgium «Puddle, pothole, portal», SculptureCenter, Long Island City, NY — curated by Ruba Katrib & Camille Henrot «Petals on the Wind», Galerie Micheline Szwajcer, Antwerp, Belgium «I would prefer not to», Stedelijk Museum Bureau Amsterdam (SMBA), Amsterdam, The Netherlands «Lou Ford», établissement d'en face, Brussels, Belgium «Forcefield — drawing show», A.VE.NU.DE.JET.TE — Institut de Carton vzw, Brussels, Belgium Small Museum for the American Metaphor, REDCAT, Los Angeles, CA — curated by Kersten Geers Emoties in de hedendaagse kunst, Gemeentemuseum Helmond, The Netherlands «The Hawker», dépendance at Carlos / Ishikawa, London, UK Progress and Hygiene, Zachęta National Gallery of Art, Warsaw — curated by Anda Rottenberg La référence d'objet n'est pas définie à une instance d'objet, Galerie Edouard - Manet, Genevilliers — curated by Barbara Sirieix

Self - titled solo shows were presented at Secession, Vienna, Austria; Kaikai Kiki Gallery, Tokyo, Japan; CCA, Tel Aviv, Israel; Austrian Cultural Forum, London, England; ar / ge kunst Galerie Museum, Bolzano, Italy; Tanya Leighton, Berlin; «Oliver Laric: Lincoln 3D scans,» The Collection and Usher Gallery, Lincoln, England; and «Yuanmingyuan 3D, Entrée, Bergen, Norway.

Her work has been exhibited nationwide and internationally at such institutions as the Guggenheim Museum in New York; the New Museum in New York; BAK - basis voor actuele kunst, Utrecht, NL, the Hammer Museum in Los Angeles; Fri - Art Centre d'Art Contemporain Kunsthalle, Fribourg, Switzerland; Chinese Arts Centre, Manchester, England.

He had solo exhibitions at ar / ge kunst, Bolzano (2016), Öktem & Aykut, Istanbul (2015), Arcade, London (2015, 2012), SALT, Istanbul (2014), Casco, Utrecht (2011), The Showroom, London (2010), Kunstlerhaus Bethanien, Berlin (2008), Spike Island, Bristol (2007) and Sala Rekalde, Bilbao (2006).

The KW Friends e. V. was founded in 1996 with the aim of supporting the KUNST - WERKE BERLIN e. V. financially and ideationally.

First published in German by MUSEUM KUNST PALAST Düseldorf 2006 on the ocasion of the exhibition: ZERO Internationale Künstler Avantgarde der 50er / 60er Jahre.

kunst scanner is an educational project in which students create, over the course of several weeks, their own interpretations and commentaries relating to the current exhibition at Kunsthalle Basel.

The exhibition is generously supported by the U.S. Embassy Berlin, KW Freunde e. V., Members of KUNST - WERKE BERLIN e. V., and Julia Stoschek Collection.

It is awarded by Louis Vuitton in the framework of KINO DER KUNST, Munich's biennial festival of contemporary art and film, which in 2017 is based on the theme Fiction & Reality.

In our 40 - page cover story on Munich's HAUS DER KUNST, REM KOOLHAAS, JACQUES HERZOG, HANS ULRICH OBRIST, and MARK WIGLEY consider the museum's history from Nazi temple to art laboratory.

From 2009 to 2012, he was the Director of ar / ge kunst Galerie Museum in Bolzano, Italy, where he organised several group and solo exhibitions including Runo Lagomarsino, Chto Delat?

His work has been included in numerous group exhibitions, notably Mapping the Horizon at Upstream gallery, Paramaribo Perspectives, Tent Rotterdam (2010) Crop rotation at Marianne Boesky Gallery, New York (2008), Umbau at Kunsthalle St. Gallen, Switzerland (2007), Brave New World, Cobra Museum voor Moderne kunst, Amstelveen, SCAPE 06, the Biennial of Art in Public Space, Christchurch, New Zealand (2006), That was then, this is now at De Appel, Amsterdam (2006), Project Rotterdam at the Museum Boijmans Van Beuningen, Rotterdam (2005), Prague Biennale 1 (2003) and Hardcore at Palais de Tokyo, Paris (2003)

¨ She has participated at the Biennale Estuaire Nantes / St - Nazaire; Bienal de Sao Paulo, São Paulo; Biennale of Sydney; The Busan Biennale; berlin biennale für zeitgenössische kunst; Yugoslav Biennial of Young Artists; Tirana Biennial; Manifesta 3 and Melbourne International Biennial.

Liao's photographs have been exhibited internationally, including at Arario Gallery (NY), kunst licht Gallery (China), VT Artsalon (Taiwan), Kips Gallery (Korea), The Running Horse Contemporary Art Space (Lebanon), NordArt (Germany), Pingyao International Photography Fest (China), and other venues.

Selected press reviews about the exhibition: MDR Kultur, 26 July 2016, radio review, 3:33 min (link to external source) The Leipzig Glocal, 13 July 2016 (link to external source) Leipziger Zeitung, 10 June 2016, No. 32, p. 18 (pdf) kunst: art, issue May / June 2016, p. 20 (pdf)

Courtesy museum moderner kunst stiftung ludwig wien, on loan from the Austrian Ludwig Foundation; Courtesy Private Collection, Vienna

Kunstverk er lånt av: Anish Kapoor Studio, Lisson Gallery, Arts Council Collection, British Council Collection, Christen Sveaas Art Collection, Nasjonalmuseet for kunst, arkitektur og design

in 2005, excerpts of the collection were displayed in the collectors group exhibitions «see history» (kunsthalle kiel) and «die kunst zu sammeln» (2007, museum kunstpalast, düsseldorf).

Do You See a Face, at the museum moderner kunst stiftung ludwig wien (mumok), in Vienna.

In 1975, he was awarded an honorary doctorate from Nova Scotia College of Art, Halifax, Canada, and in 1978 he became a member of the Akademie der kunst, Berlin.

© Andreas Gursky, VG BILD - KUNST, Bonn.

In addition to his main work in theatre, Mroué's recent exhibitions include: CA2M, Madrid 2013, Museé de la Dance (2013), dOCUMENTA 13, Kassel (2012), Templhof, Berlin — Hebbel theater, the world UnFair exhibition (2012), Lunds konsthall, Lund (12 March — 8 May 2011); Iniva (Institute of International Visual Arts), London (23 March — 14 May 2011) and Württembergischer Kunstverein, Stuttgart (22 May — 31 July 2011); and Tranzitdisplay, Prague (10 June — 14 August 2011), BAK, basis voor actuele kunst, Utrecht (21 May — 1 August 2010), Performa 09, New York (2009); 11th International Istanbul Biennale (2009); Tarjama / Translation, Queens Museum of Art, New York (2009); Soft Manipulation — Who is afraid of the new now?

The article «Een genealogie van generatieve kunst» (in Dutch) by Bas Hendrikx discusses the way computer - driven work has evolved over the past decades, mentioning the work of Harm van den Dorpel.

On 2017 started BAK's (basis voor actuele kunst) long - term research itinerary «Propositions for Non-Fascist Living» (2017 — 2020), prompted by the dramatic resurfacing...

The exhibition is a comprehensive overview over David Schnell's oeuvre and is produced in cooperation with the GEM, museum voor actuele kunst, Den Haag, Netherlans, and the Museum Allerheiligen Schaffhausen, Switzerland.

Do You See a Face, at the museum moderner kunst stiftung ludwig wien (mumok) runs through October 5, 2014.

The Floating World had its world premiere at the prestigious KINO DER KUNST 2013, Munich.

He has exhibited his work in the United States and abroad at the Saint Louis Art Museum; Albright - Knox Art Gallery, Buffalo; P.S. 1 / MoMA, New York; The Studio Museum in Harlem, New York; Brooklyn Museum; The Kitchen, New York; Contemporary Art Museum Houston; Dak «Art 2006, the Biennial of Contemporary African Art, Dakar, Senegal; Susanne Vielmetter Los Angeles Projects; Art in General, New York; ar / ge kunst Galerie Museum, Bolzano, Italy; Scottsdale Museum of Contemporary Art, Arizona; Ulrich Museum, Wichita, Kansas; Salt Lake Art Center, Utah; Hong - Gah Museum, Taipei; Southeastern Center for Contemporary Art, Winston - Salem; Krannert Art Museum, Urbana - Champaign, Illinois; Plug In ICA, Winnipeg; Brooklyn Academy of Music; Galerie Chez Valentin, Paris; Santa Monica Museum of Art, California; Contemporary Museum, Baltimore; and the Watts Towers Art Center, Los Angeles.

He also won the grand prize of 19th «Contemporary Art Festival Sesc Videobrasil», and was shortlisted for «HUGO BOSS ASIA ART Award for Emerging Asian Artists» and International Competition sector of the KINO DER KUNST festival in 2017.

He has work in permanent collections around the world, including the Walker Art Center, Minneapolis; Solomon R. Guggenheim Museum, New York; Centre Pompidou, Paris; Musée d'Art Contemporain de Lyon; Städel Museum, Frankfurt / Main; Museum Ludwig, Cologne; museum moderner kunst stiftung Ludwig wien; MAK — Austrian Museum of Applied Arts / Contemporary Art, Vienna; and Centro de Arte Contemporáneo, Málaga, Spain.

P. Vethman, «Als ik geen kunst zou maken zou ik sterven, an interview with Louise Bourgeois,» Elegance, no. 4, Jaargang 55 / April 1998, p. 111 (steel illustrated in color).

In the framework of his exhibition DIE NACKTESTE FREIHEIT DER KUNST (The Most Naked Freedom of Art) from April 14 — May 12, 2018 at Sies + Höke, Jonathan Meese presents 21 paintings fresh from the studio in very different formats.

In 2013, Richard Birkett curated And Materials and Money in Crisis at MUMOK (museum moderner kunst stiftung ludwig wien) Vienna, Austria in dialogue with Lewitt and he was one eleven artists whose work was displayed therein.

museum moderner kunst stiftung ludwig wien.