Sentences with phrase «experiments in art making»

Lee is the founding director of Studio Bibliothèque, a platform which facilitates experiments in art making, curating, and publishing.

Not exact matches

An artist might, Maritain suggests, «endeavor to taste all the fruits and silts of the earth, and will make curiosity or recklessness in any new moral experiment or vampiric singularity his supreme moral virtue, in order to feed his art.»

Detweiler quotes C. S. Lewis from An Experiment in Criticism for a corrective insight: «The first demand any work of any art makes upon us is surrender.

After many experiments (and many nights in a row) of making grilled cheese sandwiches, I developed an appreciation for the art of the baked grilled cheese.

Children are always ready and willing to experiment with art supplies, so make sure she has the necessary tools of the trade by investing in an art kit.

But they also understand that what needs to happen in their schools for their kids, it's not about testing... they make sure they have tons of sports programs, art and music, they're experimenting, they go on trips, they have high - quality this, that, and the other, they have libraries with librarians in them.

In her spare time Olivia enjoys elaborate cooking experiments, gardening, making textile - based art objects, and reading good books.

Dr Alice Samson, co-author of the paper from the University of Leicester School of Archaeology and Ancient History, explains: «Scientific analyses from the team have provided the first dates for rock art in the Caribbean — illustrating that these images are pre-Columbian made by artists exploring and experimenting deep underground.

When you start out embedding making in the curriculum, it is essential to share with teachers the relevance of making as problem solving and the importance of process so that they don't end up with glitter catapult assignments or extra crafty English language arts assignments that turn out more like craft experiments than true project - based learning.

I love Dungeon Keeper with its micro-management and general upkeep of my minions, yet I also love Prison Architect for its unique art style and fun building mechanics — if only you could combine the two in a sort - of Frankenstein experiment... Wild Factor also had a similar idea and has made me very happy by bringing us MachiaVillain on PC.

February 27 — March 5 I ♥ Neutrinos: You Can't See Them but They are Everywhere (70 mm Film Frames of Neutrino Movements — shot in 15 ft Bubble Chamber at Fermilab, Experiment 564 near Chicago — dunked in liquid nitrogen, neutrino movements events with invisible ink and decoder markers and highlighters, inked up by Monica Kogler and Jwest, film roll from Janet Conrad, MIT Professor of Physics) 2011, 37 seconds Roll of specialized film for scientific use of about 1,000 Images transferred to high - definition video on a hand - made telecine device, no sound Made while Jennifer West was an Artist in Residence at the MIT List Visual Arts Center, Cambridge, MA in 2011; Funded, in part, by the Nimoy Visual Artist Residencies program of the Nimoy Foundatmade telecine device, no sound Made while Jennifer West was an Artist in Residence at the MIT List Visual Arts Center, Cambridge, MA in 2011; Funded, in part, by the Nimoy Visual Artist Residencies program of the Nimoy FoundatMade while Jennifer West was an Artist in Residence at the MIT List Visual Arts Center, Cambridge, MA in 2011; Funded, in part, by the Nimoy Visual Artist Residencies program of the Nimoy Foundation.

Arranged in reverse chronological order, Electronic Superhighway begins with works made between 2000 — 2016, and ends with Experiments in Art and Technology (E.A.T), an iconic, artistic moment that took place in 1966.

Wooloo creates social experiments in collaborative participation: like the online community, Wooloo's other works explore strategies in which several people take a role in the art - making process.

Arranged in reverse chronological order, «Electronic Superhighway» begins with works made at the turn of the millennium and ends with those exhibited in the iconic 1966 event «Experiments in Art and Technology (E.A.T.).»

Other exhibition highlights include Petersen's Picnic series, (ca. 1965); Arneson's Herinal (no date), representative of his important body of toilets and urinals made from 1962 to 1964; seminal works like Neri's Ceramic Loop IV (ca. 1961 - 65), a ceramic sculpture featured in the UC Berkeley Art Museum's Funk exhibition (1967); and brash experiments that strike one today as prescient.

Tate will present Oracle and other technology - based installations alongside archival photographs and documents from Experiments in Art and Technology (E.A.T.), an organization founded in 1966 by Rauschenberg, artist Robert Whitman, and engineers Billy Klüver and Fred Waldhauer that sought to make technology accessible to artists by facilitating collaborations with engineers.

Although trained in sculpture, Otterness also experimented in film - making with the artists» group known as «Colab» (Collaborative Projects), focusing on punk art and depictions of aggression.

Hélio Oiticica's installation Cosmococa C1 (1973/2010), made in collaboration with Neville D'Almeida, is featured in the exhibition Suprasensorial: Experiments in Light, Color and Space, organized and previously exhibited by The Museum of Contemporary Art, Los Angeles and on view until May 13th at the Hirshhorn Museum and Sculpture Garden in Washington, D.C.. His famous installation Tropicália (1967) is currently being exhibited in From Revolt to Postmodernity (1962 - 1982) at the Museo Nacional Centro de Arte Reina Sofia in Madrid.

The artist made these films at Bell Labs in collaboration with engineer Ken Knowlton, through Experiments in Art and Technology (EAT), an organization founded in part by Robert Rauschenberg.

Young artists participating in TAM's Art After School program have spent the year exploring the artistic process through weekly art - making sessions where they collaborated on murals, experimented with printmaking, crafted larger than life sculptures, and moArt After School program have spent the year exploring the artistic process through weekly art - making sessions where they collaborated on murals, experimented with printmaking, crafted larger than life sculptures, and moart - making sessions where they collaborated on murals, experimented with printmaking, crafted larger than life sculptures, and more!

Antony Gormley said: «Art should be for everyone, this was an experiment to see whether everyone could be involved in making it.

Arranged in reverse chronological order, Electronic Superhighway begins with works made at the turn of the millennium, and ends with Experiments in Art and Technology (E.A.T.), an iconic event that took place in 1966.

All teens ages 13 - 18 are invited for a FREE drop - in art - making session on the third Saturday of each month from 1:00 - 3:00 p.m. Explore modern and contemporary artwork, meet other talented teens, and experiment with different materials and a wide range of art forms such as visual art, slam poetry, fashion, and creative writing.

[15] Some of his other works from that period are DIECIMILA (1977), a facsimile of an Italian 10,000 Lira note, possibly the first fine art print that (like paper money) is printed on both sides of the paper; The Speed of Light Machine (1983), in which he reconstructed a scientific experiment with which to «see» the speed of light; and the installation C.B.T.V. (1977), a reconstruction of the first ever made Mechanical television.

The Hirshhorn's Over, Under, Next: Experiments in Mixed Media, 1913 - Present is a fascinating and provocative overview of this now - ubiquitous, once - incendiary mode of art making.

Bruce Helander (The Art Economist) writes, «Jill Krutick's gentle and gracious works add enchanting, soulful excitement every day for life... Krutick's unique formula that she follows in her distinctive paintings is to experiment with a variety of gestural brushstrokes, which seem to be in perfect harmony, like a complicated orchestra where a variety of musical components emit a certain collective sound, or in the case of Krutick, create a uniquely complicated gathering of disparate forms with a subliminal ambulatory feeling that makes them seem to skip off the canvas and into thin air.»

Throughout her youth, Kara began experimenting with various avant - garde styles, creating pieces in order to tell a story or make a statement rather than achieve beauty or perfection — in that sense, her work was much closer to the earliest avant - garde movements of Europe than her contemporary fellow artists such as Jasper Johns, who also dabbled in explorations of the early 20th century art.

In addition, Daata Editions has invited three Virtual Reality projects to the fair; a project by San Francisco based artist M Eifler titled Making the Bed, 2017, and Virtual Reality Art presented by Khora Contemporary featuring the premiere of Nikita Shalenny's The Bridge, 2017, and Paul McCarthy's C.S.S.C. Coach Stage Stage Coach VR experiment Mary and Eve, 2017.

Given that Tuttle devotes much time to research and, in a way, his prints are experiments intended to engage the art historical and critical as much as the sensory faculties, it made sense that this exhibition took place at an educational institution.

Part performance art, part percussive experience and part experiment in «faking it till you make it» What's Tappening?!

He presents a major body of work that demonstrates his willingness to experiment with new materials and most importantly investigate unfamiliar working environments in his approach to art making.

Pay What You Will pricing is controversial, and few people in the high - end art world have tried it — but Tom makes a great case here for experimenting with PWYW.

All this will make you discover cutting edge experiments in contemporary arts and technology others never heard of.

She graduated from Bennington College, was well - educated and well - supported in her artistic endeavors, and was fearless in experimenting with new techniques and approaches to art - making.

The scope of ICA's program as shaped by Schaffner can be readily sampled by such past and forthcoming shows as: Strange Messenger: The Work of Patti Smith; Make Your Own Life: Artists in and Out of Cologne; Locally Localized Gravity; Pathways to Unknown Worlds: Sun Ra, El Saturn & Chicago's Afro - Futurist Underground, 1954 - 1968; «That's How We Escaped»: Reflections on Warhol; Jeremy Deller: Joy in People; Karla Black; Dear Nemesis: Nicole Eisenman 1993 - 2013; Barbara Kasten: Stages; Christopher Knowles: In a Word, and The Freedom Principle: Experiments in Art and Music, 1965 to Noin and Out of Cologne; Locally Localized Gravity; Pathways to Unknown Worlds: Sun Ra, El Saturn & Chicago's Afro - Futurist Underground, 1954 - 1968; «That's How We Escaped»: Reflections on Warhol; Jeremy Deller: Joy in People; Karla Black; Dear Nemesis: Nicole Eisenman 1993 - 2013; Barbara Kasten: Stages; Christopher Knowles: In a Word, and The Freedom Principle: Experiments in Art and Music, 1965 to Noin People; Karla Black; Dear Nemesis: Nicole Eisenman 1993 - 2013; Barbara Kasten: Stages; Christopher Knowles: In a Word, and The Freedom Principle: Experiments in Art and Music, 1965 to NoIn a Word, and The Freedom Principle: Experiments in Art and Music, 1965 to Noin Art and Music, 1965 to Now.

While he does show a certain commitment to experimenting with different ways of making art — he's evidently learning in public — there's certainly no question that the attention his work has received has largely been of the bemused variety, especially from the art world.

Modern Masters On View In Palm Beach — Mark Borghi Fine Art — New York, New York City, NY Out of Hand — Materializing the Postdigital — Museum of Arts and Design, New York City, NY The Show Is Over — Gagosian Gallery, London Re-View: Onnasch Collection — Hauser & Wirth, London Within and Beyond — Talley Dunn Gallery, Dallas, TX Gianni Motti — Delire Gallery, Brussels Resonant Minds: Abstraction And Perception — Montgomery Art Center, Claremont, CA Pictures of Nothing — The Frances Lehman Loeb Art Center, Poughkeepsie, NY Adventures of truth — Painting and philosophy — Fondation Maeght, Saint - Paul American Collage — Gerald Peters Gallery — New York, New York City, NY Making Their Mark: The New York Fab Five — Gemini G.E.L. at Joni Moisant Weyl, New York City, NY Artzuid — Rijksmuseum, Amsterdam Over, Under, Next: Experiments in Mixed Media, 1913 — present — Hirshhorn Museum and Sculpture Garden, Washington, DC Dynamo Un Siecle De Lumiere Et De Mouvement Dans L'art 1913 - 2013 — Galeries nationales du Grand Palais, Paris S (ch) ichtwechseIn Palm Beach — Mark Borghi Fine Art — New York, New York City, NY Out of Hand — Materializing the Postdigital — Museum of Arts and Design, New York City, NY The Show Is Over — Gagosian Gallery, London Re-View: Onnasch Collection — Hauser & Wirth, London Within and Beyond — Talley Dunn Gallery, Dallas, TX Gianni Motti — Delire Gallery, Brussels Resonant Minds: Abstraction And Perception — Montgomery Art Center, Claremont, CA Pictures of Nothing — The Frances Lehman Loeb Art Center, Poughkeepsie, NY Adventures of truth — Painting and philosophy — Fondation Maeght, Saint - Paul American Collage — Gerald Peters Gallery — New York, New York City, NY Making Their Mark: The New York Fab Five — Gemini G.E.L. at Joni Moisant Weyl, New York City, NY Artzuid — Rijksmuseum, Amsterdam Over, Under, Next: Experiments in Mixed Media, 1913 — present — Hirshhorn Museum and Sculpture Garden, Washington, DC Dynamo Un Siecle De Lumiere Et De Mouvement Dans L'art 1913 - 2013 — Galeries nationales du Grand Palais, Paris S (ch) ichtwechsein Mixed Media, 1913 — present — Hirshhorn Museum and Sculpture Garden, Washington, DC Dynamo Un Siecle De Lumiere Et De Mouvement Dans L'art 1913 - 2013 — Galeries nationales du Grand Palais, Paris S (ch) ichtwechsel!

Now in its third year, the LSI, a four week residency programme co-led by the Slade and Camden Arts Centre, provides artists with a unique environment in which to experiment and make new work.

Experimenting with cyanotype and platinum palladium prints made on traditional gold and platinum leaf, her work reflects the interplay between art historical traditions and the more modern tradition of photography, firmly anchoring Lucretia in both realms.

I have really grown to love and believe in Bushwick's art scene, and the more I thought about that, the more I realized I should stick around, and in fact double down, on one of the last communities in New York where artists, and the galleries that support them, can still take risks, make mistakes, experiment, and let creativity flourish.

Initially dreaming of creating fine art, Walker's ambitions changed as she grew older; she began experimenting with various avant - garde styles, creating pieces in order to tell a story or make a statement rather than achieve beauty or perfection.

Within this context, I wanted to experiment with working collaboratively in order to make present and amplify brown artists who might not otherwise have access to establishment art spaces.

Each of the artists exhibited has a history of working in virtual reality, apps and multimedia, but for this exhibition, they had a chance to experiment in the relatively unchartered waters of virtually made art.

Arranged in reverse chronological order, the exhibition begins with works made between 2000 - 2016 and ends with Experiments in Art and Technology (E.A.T.), an iconic, artistic moment that took place in 1966.

Shaped by the dominant avant - garde trends of the»40s and»50s — Art Brut, Dadaism, Abstract Expressionism and the CoBrA Group — as well as his experience of World War II, Keen began experimenting with film in the»50s and was an early adopter of Pop Art, making works of immediate power and raw intensity on a range of film stocks.

Like a mad scientist performing strange experiments in his basement, Italian artist Roberto Cuoghi tests the limits of self - representation and pushes the limits of art making.

Participants will join our DC team, experiment with exciting art - making techniques, and discuss art both in our galleries and around the neighborhood.

In their recent works, Semmel, O'Grady and Hammond experiment with new art - making processes while preserving the voices that have distinguished their practices.

For five years after that she lived in London, England where she spent most of her spare time visiting museums, galleries and studios, experimenting with 3D forms made of new materials and developing her art.

WASHINGTON, DC — According to the Corcoran Gallery of Art, «In the 1950s and 1960s, Pop artists began experimenting with new ways of making work, mixing high and low culture, and bringing elements of mass production into the realm of fine art.&raqArt, «In the 1950s and 1960s, Pop artists began experimenting with new ways of making work, mixing high and low culture, and bringing elements of mass production into the realm of fine art.&raqart.»