«The exhibition will provide an attractive entry point for collectors of Schulman's work or for those with a limited budget,»
explained Gallery Director Howard Shapiro.
«By distilling the wildness of nature into form, structure and color, landscape paintings evoke the drama inherent in the great outdoors in the privacy of our homes and work places,»
explained gallery director Julia Novy.
«We are extremely proud of the extraordinary talent represented by the Ann Korologos Gallery and this exhibition allows us to bring together four women artists, each with a unique view and diverse approach to their art,»
explains Gallery Director Julia Novy.
«Artists continue to discover new dimensions in abstraction, and abstraction remains the dominant mode of artistic expression,»
explains Gallery Director Howard Shapiro.
«For us, Larry's highly conceptual work is almost as much about «reading» as it is about «viewing,»»
explains Gallery Director Howard Shapiro about Wolhandler's work.
«This exhibition didn't start out as an exhibition of women's art exclusively»,
explains gallery director Sarah Wiseman.
«We wanted to bring together a diverse group of artists living and working on the continent whose practice can be read as a response to being «right here, right now,»»
explains gallery director Tony East to The Creators Project.
Not exact matches
As she was
explaining how she was blown away by the number of collectors who had made the trek from other countries, up walked Paul Lang, the deputy
director and chief curator of the National
Gallery of Canada in Ontario.
I came to the
gallery unannounced, but within minutes my cover was blown and I had the
director by my side, «
explaining» it all to me as I stood there protesting in vain.
Discussing her choice of title for the Serpentine exhibition with the
gallery's Artistic
Director, Hans Ulrich Obrist, Wylie
explained, «It was Dada, it was irreverent, and I like irreverence.
As the refurbished Hayward
Gallery reopens at the end of January, its
director, Ralph Rugoff,
explains what the brutalist building offers artists — and audiences — who are willing to venture beyond the white cube.
Assistant to the
Director of Operations David Johnson then
explains the efforts to install this extremely large, flat field painting in our
galleries.
As Sally Morgan Lehman, Founder and
Director at Morgan Lehman
Gallery explains, for The Armory Show the gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Pi
Gallery explains, for The Armory Show the
gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Pi
gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Piranesi.
Jonny Davies,
director at Flowers
Gallery, which has spaces in New York and London,
explained his decision to participate in this years fair came down to his faith in its new
director, the London based Iranian curator and collector, Kamiar Maleki, as well as the current buzz around Istanbul's art scene.
«What has made our
gallery successful is that it is rooted in our collective investment in a strong art community,» the
directors explain.
As Veronique Ansorge, Associate
Director at David Zwirner
Gallery (New York / London)
explained, Ruff creates these shapes and lines in his computer, digitally manipulating color and light to create his large scale abstract compositions.
As Rose Lord,
Director of Marian Goodman
Gallery in New York and Paris,
explained, the artist, who previously worked with a variety of non-traditional materials, including plastics and found objects, now turned to more traditional materials including wood and bronze.
As the
gallery's artistic
director, Simon Martin,
explains in the Pallant House magazine, Britain was officially neutral.
Adrian Sutton,
director of the
gallery,
explained to Studio International that he puts a lot of thought into selecting the artist according to where the fair is and what will attract the public and collectors.
Randall Garrett, artist and
gallery director at El Centro College,
explains that TASA isn't just for administrators.
As the artist describes what it's like to win, Andrew Dickson talks to the protesters picketing Tate Britain — and
gallery director Nicholas Serota
explains whose side he's on
From the earthy reds of the land to the brilliant golds of the Aspens in the fall, to the prismatic dance of reflections on the snow, Colorado IS color,»
explained Julia Novy,
gallery director.
«We've really worked tirelessly to pare down our
gallery list in an effort to go for higher quality and more ambitious presentations,»
explains executive
director Noah Horowitz.
The idea came about,
explains gallery founder and
director Vito Schnabel, in December 2015 when Ruby presented two large - scale, functioning wood - burning stoves in a garden at the Kulm Hotel, located across the street from the
gallery.
Movie: in the next instalment of our exclusive video series,
gallery director Julia Peyton - Jones explains why Herzog & de Meuron and Ai Weiwei dug into the ground to create their 2012 Serpentine Gallery Pa
gallery director Julia Peyton - Jones
explains why Herzog & de Meuron and Ai Weiwei dug into the ground to create their 2012 Serpentine
Gallery Pa
Gallery Pavilion.
As Sally Morgan Lehman, Founder and
Director at Morgan Lehman
Gallery explains, for The Armory Show the gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Piranesi... Click here to read on and watch
Gallery explains, for The Armory Show the
gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Piranesi... Click here to read on and watch
gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Piranesi... Click here to read on and watch video.
Diane Dufour, the
gallery's
director, and curator of this exhibition,
explains that she aimed to «translate something rather indefinable» here.
In a phone conversation with ArtAsiaPacifc, Danqing Li, Lévy Gorvy's recently appointed senior
director, Asia,
explained that a work like this would normally be presented in New York, where the market for post-war contemporary art has been focused, and where, in 2017, the
gallery held the extensive exhibition «Willem de Kooning Zao Wou - Ki,» which spanned three floors.
Iwona Blazwick, the Whitechapel
Gallery's
director,
explains that Douglas drew «on the fleshpots of Soho» and references «the strip clubs and bars that have given us the flashing neon lights and the texture of life around Soho Square.»
«We didn't want to neuter anything,» Night
Gallery director Mieke Marple
explains.
It will inaugurate the
gallery's move to a new permanent location in New York's Tribeca neighborhood, «After many months of hard work we are thrilled to make the move from Chelsea to our new home in Tribeca»
explained hpgrp
Director Kentaro Totsuka who continued «Our expanded ground floor location will provide an excellent new platform for presenting Japanese contemporary artists to New York and the world.»
«We tried to stake out a word that's not commonly used, so people wouldn't bring a fixed meaning to it,»
explains writer and independent curator John David O'Brien, who organized the group show at Otis College of Art and Design's Ben Maltz
Gallery with
director Meg Linton.
«This artist is working a lot with juxtapositions and bringing different images in relationship to one another and looking at the formal and expressive possibilities that it brings about,»
explains Interface
gallery director Suzanne L'Heureux.
Using vintage textiles, Sanford Biggers bases Supposition off of an African sculpture in his personal collection, Moniquemeloche
gallery director Aniko Berman
explains to The Creators Project.
As
director Eric Gleason
explained to me, the
gallery decided to keep them all together installed in a private viewing space, along with an online digital catalogue of these curious late works.
Ralph Rugoff, the
director of the Hayward
Gallery,
explains what the revamped brutalist building has to offer artists and audiences