«I never counted on public money,»
explained gallery founder Myrtia Nikolakopoulou.
The idea came about,
explains gallery founder and director Vito Schnabel, in December 2015 when Ruby presented two large - scale, functioning wood - burning stoves in a garden at the Kulm Hotel, located across the street from the gallery.
Not exact matches
«This
gallery is my baby,»
explained Christopher Stout,
founder of the Bushwick Art Crit Group.
As Sally Morgan Lehman,
Founder and Director at Morgan Lehman
Gallery explains, for The Armory Show the gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Pi
Gallery explains, for The Armory Show the
gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Pi
gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Piranesi.
As Sally Morgan Lehman,
Founder and Director at Morgan Lehman
Gallery explains, for The Armory Show the gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Piranesi... Click here to read on and watch
Gallery explains, for The Armory Show the
gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Piranesi... Click here to read on and watch
gallery is structuring their booth around a single installation by a young New York City artist who constructs her work around the premise of combining opposite notions and using that new concept as a foundation for her reinvented Baroque still lives or the 18th century Roman Ruins after Giovanni Battista Piranesi... Click here to read on and watch video.
«The Project Space will be a way to introduce new artists to the
gallery,»
explains founder Kristin Hjellegjerde.
Writing to Arnold Glimcher, the
founder of the Pace
Gallery, in a letter reproduced in the catalog for this exhibition, Dubuffet
explained his conception for the paintings as «intended to challenge the objective nature of being.