Instead, I reflexively swooped in to solve the crying with whatever
explanation fit his situation this time.
Not exact matches
loc, B. Lohmeyer, Das Evangelium des Markus [1937], ad loc., seek in vain to avoid this conclusion, which is supported by the strong Greek expressions for «tremble and shrink», by giving
explanations which do not
fit the
situation, in which Jesus already knows that He must suffer for the sins of His people [Last Supper].
I certainly feel like we need a better
explanation, because, in my opinion, the
situation he described seems to
fit that description.
In responding to Donald Judd who made «specific objects,» Le Va provides the viewer with «non-specific
situations,» inviting us to complete the work of art through bodily interaction with materials and our sense of perception: «What I want [viewers] to do is place themselves in the work, and search out some kind of meaning that
fits the object, as opposed to immediately seeing something and applying some readymade
explanation... I want the work to set up a dialogue.
The second seems to
fit Occam's Razor — the simplest
explanation for the
situation that meets all the facts.