Sentences with phrase «exploit author rights»

We agents would serve better by finding creative ways to enhance author brands and exploit author rights without sacrificing the load - bearing planks in our ship.

Not exact matches

In the article, the MSM propagandist states such things as: 2017 has seen, according to his one time Goldman Sachs source, a «dramatic crash in [physical gold coin] demand,» that interest in gold coins is linked to «political conservatism, or anarcho - libertarianism» and «end of the world right wing sentiments,» that gold has been implicated in a «conspiracy to commit money laundering,» that gold is «financed by people in the narcotics trade,» that it comes from «illegal mines and drug dealers in Peru, Bolivia and Ecuador,» that «the federal authorities assume the NTR Metals [case] represented only a fraction of illegally sourced and financed gold,» that therefore the US attorney is broadly investigating the gold industry, that gold is «produced by exploited workers,» that «crude [gold] extraction techniques create serious and lasting environmental damage,» that gold plays an important part in «tax evasion,» that it is related to American gun sales, which the author abhors; that «drug dealers [use] gold imports as a way of laundering their proceeds,» and that «they came to realize that illegal gold [is] an intrinsically better business» than drug dealing; to name but a few of the aspersions cast against gold in the short article.

A local author tries to exploit their story, while an unlikely men's rights activist attempts to get Sadie onside their cause.

While it's not in the interests of the author to give up anything without negotiation, the publisher is frequently in a better position than the author to exploit these rights (such as publishing translations), which will result in further payments to the author.

Instead, the contract should define when book rights are being «inadequately exploited» and therefore available for reversion to the author when the book fails to generate a certain amount of income — say, $ 250 — $ 500 — in a one - year period.

I learned how the author's work is «exploited», how different books work in different markets, the attention to detail needed in contractuals and tracking rights, about translations and the excitement of the Brazilian market.

The solution is simple: All subsidiary rights an author grants to a publisher should be subject to reversion after the author's demand if they are not exercised or exploited within eighteen to twenty - four months of publication.

Do we need to talk about publishers holding authors» rights even after they've stopped exploiting those rights?

Author are creatives, and like other creatives, we can learn from them on how they exploit their rights.

The common mindset is authors lack the capability to exploit foreign rights on their own... How Authors Sell Publishing Rights, Helen Sedwick and Orna Ross (ALLi How - to for Authors Guidebook Bauthors lack the capability to exploit foreign rights on their own... How Authors Sell Publishing Rights, Helen Sedwick and Orna Ross (ALLi How - to for Authors Guidebook Borights on their own... How Authors Sell Publishing Rights, Helen Sedwick and Orna Ross (ALLi How - to for Authors Guidebook BAuthors Sell Publishing Rights, Helen Sedwick and Orna Ross (ALLi How - to for Authors Guidebook BoRights, Helen Sedwick and Orna Ross (ALLi How - to for Authors Guidebook BAuthors Guidebook Book 4).

If rights have not been exploited for a year, or were never exploited within two years of a grant, then the author automatically gets the rights back.

Any rights that are not exploited within two years after they are granted should revert automatically to the author.

As indie authors, you have rights to your intellectual property, and you can, to quote The Creative Penn, «exploit» them.»

Ch 7.6 Exploiting Your Rights Most indie authors, especially when they first start out, are flummoxed by the idea of selling rights beyond the print and ebook versions of their Rights Most indie authors, especially when they first start out, are flummoxed by the idea of selling rights beyond the print and ebook versions of their rights beyond the print and ebook versions of their works.

The technology's not there yet, there's always some inertia when changing old habits, and there will always be star authors who need a large corporation to manage and exploit their worldwide rights.

Royalties for a first time author will be as small as possible and the rights they will omit in the fine print will be exploited.

If an indie author controls the rights to their cover art (or related art, like a logo or other design), they can exploit their merchandising rights by adapting that art for use on t - shirts, posters, mugs, and other merchandise.

In recent years it's become increasingly possible for authors to exploit their subsidiary rights on their own, creating and selling works based on an original book.

In the next chapter, we'll talk about innovative ways you can exploit all the rights you own as an indie author.

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How you can turn one manuscript into multiple streams of income by exploiting all the different rights, various business models for authors and how to evaluate your own, information on contracts, copyright and piracy.

Dan and I get very excited about the possibilities for authors and exploiting rights for our lifetime AND onwards after our deaths.

Rasenberger: we do encourage authors to get rights back and supplement income by exploiting old works through repackaging, retooling, self - publishing — in addition to Open Road et al..

How you can turn one manuscript into multiple streams of income by exploiting all the different rights, various business models for authors and how to evaluate them, information on contracts, copyright and piracy.

In my view, as the market becomes more digitally biased, the greater the risk that lead and mid-list authors see first the advantage of retaining their own digital rights, then later the advantage of retaining all rights and exploiting them for themselves.