Not exact matches
The tango between Stuntman Mike's juiced - up black Charger and the white, Vanishing Point Dodge Challenger of his quarry (which includes the incomparable stuntwoman Zoe Bell) plays out
like the rape / revenge foundation for countless
exploitation flicks in the vocabulary of film - familiar backroads, with muscle cars the ram and receptacle.
His career thus far both in front and behind the camera has been diverse to say the least from
exploitation flicks shot for almost nothing
like the Amateur Porn Star Killer series, to a film more considered and meaningful (and genuinely haunting)
like My Name Is «A» By Anonymous, and scoring a lead role in an Albert Pyun one take film called The Interrogation of Cheryl Cooper.
The Buzz: Looks
like Tarantino and Rodriguez on amphetamines; in other words, it's absurdly over-the-top, but assembled with visible affection for the old
exploitation flicks the directors used for inspiration.
Egoyan leans into the absurdity, treating the material more
like an
exploitation flick than the prestige drama that Plummer's magisterial presence in the lead role would suggest.
The trailer takes a wholly different direction to the previous title's grind house
exploitation flicks aesthetic looking
like a return to its more restrained and realistic roots.