The tango between Stuntman Mike's juiced - up black Charger and the white, Vanishing Point Dodge Challenger of his quarry (which includes the incomparable stuntwoman Zoe Bell) plays out like the rape / revenge foundation for countless
exploitation flicks in the vocabulary of film - familiar backroads, with muscle cars the ram and receptacle.
Not exact matches
In this postmodern exploitation flick loosely based on «Little Red Riding Hood,» the uneducated daughter of a drug - addicted prostitute flees the foster - care system in search of her long - lost grandmother but meets up instead with a serial kille
In this postmodern
exploitation flick loosely based on «Little Red Riding Hood,» the uneducated daughter of a drug - addicted prostitute flees the foster - care system
in search of her long - lost grandmother but meets up instead with a serial kille
in search of her long - lost grandmother but meets up instead with a serial killer.
Although the title invokes the memory of the 1960s Django movies, its Deep South setting and sub-plot regarding Mandingo fighting bring to mind the film Mandingo and the
exploitation flicks that followed
in its wake.
She then joined a sizable cast of twentysomething actors (including Patty McCormick, Richard Dreyfuss and Kevin Coughlin)
in the Sam Katzman - produced
exploitation flick The Young Runaways (1968).
A living, breathing celluloid invasion
flick led by a breathless ensemble of off - the - grid,
in - over-their-head rockers who sell the shit hitting the fan with every quaking splinter of their being, Jeremy Saulnier's grimy, nasty, punk
exploitation film is a 12 - gauge blast of ultraviolence that doesn't stop to ask about your feelings as its slashing you up the middle.
His career thus far both
in front and behind the camera has been diverse to say the least from
exploitation flicks shot for almost nothing like the Amateur Porn Star Killer series, to a film more considered and meaningful (and genuinely haunting) like My Name Is «A» By Anonymous, and scoring a lead role
in an Albert Pyun one take film called The Interrogation of Cheryl Cooper.
I don't have a problem, per se, with movies that murder kids and traffic
in severe gynophobia, understand, and even confess a weakness for boring
exploitation flicks.
I intend neither sarcasm nor racism — and neither does Craig Brewer, who follows his affable if overrated Hustle & Flow with a hardcore
exploitation flick that also happens to be the most impassioned spiritual parable
in recent memory.
She writes about her relationships with rocker Marilyn Manson and filmmaker Robert Rodriguez — the latter ending when he cast her
in the
exploitation flick «Planet Terror,» which he then sold to The Monster's distribution company.
A social horror with a lot on its mind, one that works as a purely popcorn
exploitation flick but is rife with deep - seated meaning, Get Out is a beefy conscience tickler that ticks all the boxes and then some and will deservedly remain
in the best of modern horror conversation for years to come.
Written & Directed by Jen and Sylvia Soska http://www.imdb.com/title/tt1959332/ Official Site A few years back twin terrors Jen and Sylvia Soska announced their arrival to the filmmaking world with their action packed, gore streaked
exploitation flick Dead Hooker
In A Trunk.
Brilliantly shot and staged by director - cinematographer Jeremy Saulnier (who also wrote the script), the film locates the sweet spot between poised art cinema and
exploitation -
flick pandering and hits it over and over again; what keeps Blue Ruin from simply being a bludgeoning experience is Saulnier's cleverness
in knowing precisely how and when to throw his haymakers.
She did appear
in Gothic & Lolita Psycho, a wild
exploitation flick from Go Ohara, who also directed the big screen version of hack - and - slash game Onechanbara.
No other filmmaker can channel the sophistication of Jean - Luc Godard and the violence of John Woo through the veil of a 1970s
exploitation flick — much less attempt to
in a coherent state of mind.
The idea of a Lost Highway for a post-UFC world is an appealing proposition, at least
in cinephilic circles where high - art and
exploitation flicks freely intermingle.
Grindhouses were cheap cinemas
in the 1970s which showed B - rate
exploitation flicks all day long — usually
in the form of double bills.
The Buzz: Looks like Tarantino and Rodriguez on amphetamines;
in other words, it's absurdly over-the-top, but assembled with visible affection for the old
exploitation flicks the directors used for inspiration.
Egoyan leans into the absurdity, treating the material more like an
exploitation flick than the prestige drama that Plummer's magisterial presence
in the lead role would suggest.