Chloe Frazer's snide remark to her new, unexpected partner, Nadine Ross, is a verbal jab that highlights a conflict more interesting than the treasure they're chasing — the process of a woman learning to explore the world of ancient artifacts and
exploiting cultural treasures for profit.
Theirs was an era that history books tell us was instrumental to our nation's amassing its great wealth of coin and
cultural treasures but that postcolonial critique consistently reveals to have been built on the backs of the world's most vulnerable and
exploited citizens.