Through the conjunction of and the cross between Willy Loman, the legendary anti-hero of Arthur Miller's Death of a Salesman, Dante's Inferno, the photographic recreation of Gustave Doré's etchings of Dante's work and references to the US multinationals Chrysler, General Motors and Ford, the British - Nigerian artist suggests, on one
side, the illusory nature of the «American dream» and, on the other, the parallel between Miller's
exploration of greed and the human condition in the 20th century and our present situation,
projecting it
as its perverse, ill - fated legacy.