Not exact matches
So as the idea developed, about 6 months after doing this
kind of exploration where we'd meet continually with a whole bunch
of different
people, industry thinkers and stuff, it became clear that we could actually start a company around this and we could build the world's first social magazine.
«It takes the playful pleasure
of spatial navigation that
people are familiar with from games, with the same
kinds of controls and feedback, and applies it to the
exploration of information about games,» said Noah Wardrip - Fruin, professor
of computational media at UC Santa Cruz.
And it is about personal
exploration, learning more about myself and how I handle stress, and learning understanding for the different
kinds of people in my life (especially the ones with whom I live).
«For me it's now about the spirit
of adventure and
exploration and also, in modern terms, just how would that be for
people, to be away for that amount
of time and that
kind of stuff,» Pegg said recently.
Lessons
of the Explorers What
kinds of people choose a life
of exploration, adventure, and danger — and where would we be without them?
What
kinds of people choose a life
of exploration, adventure, and danger — and where would we be without them?
What
kinds of people chose a life
of exploration, challenge and discovery?
I would hope
people would stop and embark on a journey
of another
kind, one that allows for
exploration and discovery via a hungry eye.
Mostre selezionate, progetti e performance includono: Basic Instructions B4 Leaving, Café OTO, Londra (2016); Deep Space Mathematics, #Wandering Wilding: Movment as Movement (curate da Legacy Russell for Daata Editions)(2016);
Kind of Flossy (curate da C.R.E.A.M.), Assembly Point Gallery, Londra (2016); 3 Thousand and 30 High Priestess
of Pluto (with Eunjung Kim and Taylor Le Melle), Artsy X Whitechapel First Futures, Whitechapel Gallery Londra (2016); Coral North (curated by easy!upstream), Schwabinger Tor, Monaco; Linguistic Legacies and Lunar
Exploration, Saturday's Live, Serpentine Gallery, Londra (2016); Looking at
people, looking at art (curated by Mark Essen), Division
of Labour, Londra (2016); The rose is without a «why».
Selected exhibitions, projects and performances include: Basic Instructions B4 Leaving, Café OTO, London (2016); Deep Space Mathematics, #WanderingWilding: Movment as Movement (curated by Legacy Russell for Daata Editions)(2016);
Kind of Flossy (curated by C.R.E.A.M.), Assembly Point Gallery, London (2016); 3 Thousand and 30 High Priestess
of Pluto (with Eunjung Kim and Taylor Le Melle), Artsy X Whitechapel First Futures, Whitechapel Gallery London (2016); Coral North (curated by easy!upstream), Schwabinger Tor, Munich; Linguistic Legacies and Lunar
Exploration, Saturday's Live, Serpentine Gallery, London (2016); Looking at
people, looking at art (curated by Mark Essen), Division
of Labour, London (2016); The rose is without a «why».
«The project was a chance to look at the monster that we call the internet... to make some
kind of playful, almost gamelike structure for the viewer that used some
of the means
of exploration that
people are familiar with on the Internet.
I want to show that behind excessive lifestyles there are
people who have to provide the labor to make this
kind of lifestyle happen» - Yinka Shonibare MBE Yinka Shonibare MBE's opulent re-interpretation
of a nineteenth century Victorian parlor continues his
exploration of the themes
of wealth, class and privilege.
Some
people might think it's rather bold and daring, but these days all
exploration is
kind of forced, finding things to create a challenge because living doesn't require much challenge.»
It coincided with Earth Day and while
people showed up for all
kinds of science from medicine to space
exploration, climate change seemed to be an overarching cause.
This
kind of self -
exploration and reflection can be scary enough, let alone opening up to share it all with another
person.