Often presenting immersive and enigmatic sculptural installations, which embody and
explore bodily processes and portals, bringing a heightened awareness to the human experience, Ronay here isolates a single engagement, a self - circling process that extends beyond the realm of form and relates not only to his art, but to the artist himself.
Shin uses Taoist indigenous knowledge to
explore the porousness of
bodily boundaries and the ceaseless movement of living
processes, like fermentation, echoing the history of colonialism.