Sentences with phrase «explore creations of the community»

Not exact matches

«At the same time, there is a strong evidence - base indicating that the use of dramatic enquiry — a drama - based practice where the teacher and pupils work in roles within a fiction to explore a story in a particular setting with developing characters — as well as the creation of a «community of writers», where the teacher writes alongside the children as a role model, can make the process of writing more meaningful for children.»

Over the course of this grant, FOI: (1) is producing professional development materials to help staff representing multiple state agencies better understand the basic science of child development generally and the promotion of executive function and self - regulation skills more specifically; (2) is supporting the creation of small learning communities, building on existing relationships at the site and policy level and connecting to other learning communities across North America; (3) is supporting the Washington cross-agency working group to sustain its current gains and momentum during the upcoming executive branch transition in January and to share lessons learned with the broader national FOI community of states and Canadian provinces; and (4) is beginning conversations with stakeholders at the community level to explore mutual interests and is beginning to chart a path toward enhanced collaboration within the state.

In keeping with the theme of the radical art practice of the 1970s and 80s, Two steps to the Left... takes US artist Adrian Piper's groundbreaking interactive performance Funk Lessons (1982 - 85) as a point of departure, to explore dance and movement as a political act; asking what role does dance and music play in the creation of momentary communities, of dissent and assent.

In keeping with the theme of the radical art practice of the 1970s and 80s, Two steps to the Left... takes US artist Adrian Piper's groundbreaking interactive performanceFunk Lessons (1982 - 85) as a point of departure, to explore dance and movement as a political act; asking what role does dance and music play in the creation of momentary communities, of dissent and assent.

Goodbye (2008), which explored the use of public space as ritual practice, through the creation of a thatched shelter, observatory, and performance space where attendees were served hibiscus tea; Black Cloud (2009 - 2016), a community - created and - inhabited barn; and The Cleaving (2015), a dinner service utilizing locally - sourced cuisines, utensils, tables, and chairs that invites participants to engage in the physical space, while contributing to the activation of performative elements of the immersive environments.

Visitors were invited to assist in the creation of a massive cloth, a process using textiles as a means of exploring issues of labor, community, and the local environment.

Ever since, she's been exploring the creation of identity and the shifting contours of community, focusing her lens on Malibu surfers and empty freeway overpasses; most recently, she's taken on both Elizabeth Taylor's home and numerous national parks (intentionally blurred: «I'm always trying to recategorize the iconic»).

Ever since, she's been exploring the creation of identity and the shifting contours of community, focusing her lens on Malibu surfers and empty freeway overpasses; most recently, she's taken on both Elizabeth Taylor's home and numerous national parks (intentionally blurred: «I'm always trying to to recategorize the iconic.»)