Sentences with phrase «explore microcosms»

The three artists in Sweet Creature use their practices to explore microcosms of how power operates, manifesting spaces for dialogues that are productively uncomfortable.

Researchers use the large - scale facilities at DESY to explore the microcosm in all its variety — ranging from the interaction of tiny elementary particles to the behaviour of innovative nanomaterials and the vital processes that take place between biomolecules to the great mysteries of the universe.

Not exact matches

Exploring both her past with the DUP, and the two years prior when she was living on the streets with her brother, First Light is a microcosm of everything that was both good and bad with Sucker Punch's newest iteration of its super powered franchise.

Sarah Gerard follows her breakout novel, Binary Star, with the dynamic essay collection Sunshine State, which explores Florida as a microcosm of the most pressing economic and environmental perils haunting our society.

Twenty - six breezy, accessible poems explore in close - up detail the intriguing microcosm of the forest, exploring its lush sensory experiences throughout the seasons and its charmingly diverse cast of characters, including a courting frog and maple leaves affecting fall color.

Thematic: Experience a selection of works from the main galleries focusing on specific themes, such as STEAM (Science, Technology, Engineering, Art + Math) or history (exploring MASS MoCA's past as a mill building and how its factory history acts as a microcosm of American industrialization).

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

Similarly, Pearl C. Hsiung explores the notion of creation in the microcosm, representing cosmic beings created in an epic volcanic eruption in the fantastical painting Shecretes, while Stephanie Taylor's markings in Interstellar Paw Print suggest traces of life on an ambiguous topographical landscape.

In the latter work, ants clustered on a decomposing apple become a kind of microcosm, one that is differently explored in Born Better (2013) and Loose Laces (2014), where the natural world is pictured as both increasingly alien and as the heart of our own evolving (or perhaps devolving) ecosystem.

Curated by Reem Fadda, Fawz Kabra, and Yara Abbas, Jerusalem Lives (Tahya Al Quds) explores the contested city as a «microcosm of globalisation,» focusing on the urgent political issues that affect its residents.

In the microcosm of the workshop practice, the exhibition simultaneously explores these sites as reflected in their day as spheres in which the pressing questions of modern society were addressed.

This project also explores the workings of the airport microcosm, and the many invisible people within this world who keep things moving.