Sentences with phrase «explore objects of interest»

Sing songs, play games and explore objects of interest together.

Not exact matches

He'll test this newfound perception with his hands by reaching, transferring objects from one hand to the other, exploring his knees, feet and toes, and even using a raking grasp to snatch objects of interest.

This means that on long car trips or stroller rides, your baby can occupy himself by exploring all the interesting, noisy objects in front of him.

Kempermann and collaborators raised mice of the same strain in the same environment, one full of interesting places to explore and objects to play with.

When I explore this landscape I find myself connecting with the textures and patterns that nature provides, finding interest in detritus that washes ashore, both organic and in - organic, for even the smallest of objects contain the beauty of randomness and irregularity.We live in one of the most dynamic environments on the planet, where ocean meets land; ever changing, our lives are deeply connected to this place where tides ebb and flow revealing aggregate shapes, leaving imprints, and proving that time is both fast and slow.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

Nelson's artistic and cultural interests were even wider and more challenging than some of his famous New York colleagues; in his Philadelphia studio he explored avenues as innovative and diverse as welded sculpture, incorporating scrap or found objects, and printmaking, a medium that established him among the leading innovators of the day.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

The works explore the application of this interest in narrative directly to objects and spaces, particularly those related to an idea of home.

The exhibition closes by exploring Paolozzi's work in the late 1980s to 90s with key sculptures that demonstrate the artist's returning interest in figuration, as well as his subversive approach to conventional notions of the multiple art object.

Beginning with an interest in exploring the boundaries and points of contact between images and objects, photography and fiber, these new works negotiate a shared effort to encompass queerness and challenge homonormativity.

Known for her commitment to process, Donovan has earned acclaim for her ability to discover the inherent physical characteristics of an object and transform it into art.Extending upon the artist's core interest in investigating aggregative procedures using a singular material, the recent series is comprised of wall - mounted framed works in various sizes that explore stratification as both a sculptural technique and a means to construct a two - dimensional picture plane.

He is also interested in general meanings and social functions specific motifs or objects may have, which he explored in his pieces on five «rights of man» under Islam, and Shaker furniture.

When DeFeo became intrigued with the visual and metamorphic possibilities of the tripod, she found the perfect subject to explore, merging her interest in the anthropomorphic transformation of inanimate objects with her experimental use of photography and other media.

Natalia LL's large - scale piece Słowo (1971) further explores her interest in words as visual objects, presenting a photographic assemblage of 12 close - up shots of the artist's face as she is pronouncing «słowo» (meaning «word» in Polish).

The artist writes of her work, «A central interest of mine is the play between the physical and the virtual world, exploring the relationship between the three dimensional object and its two dimensional representation.

As Browne drew attention to the transfer of three - dimensional objects to two - dimensional planes using bright shades of blocked color and the stylized treatment of his figural subjects, he explored his interest in the relationship between art and nature.

In addition to an interest in exploring binary positions, Alexander Kroll's work deals with scale, painting history, intuition, systems, emotions, and painting as a conversational nexus and means of producing an object that can embody and contradict these issues.

He developed a strong interest in the concept of invisible energy and shifted from object - based artistic practice to an experiential approach, seeking to combine interactive performance with sculpture and video, a transition the exhibition explores.

A conceptual artist who works across a variety of media, Joo is interested in themes of energy, nature, technology, history and perception, which he explores through narratives of places, people and objects.

My consistent interest was exploring the precepts of Object Oriented Ontology and creating imagery that was both dictated by machine logic and uncertainty, while maintaining an aesthetic that was graspable by human prejudices.

Ziegler has moulded one of the teapots, using hot water to melt the piece, highlighting the incongruity of the material and exploring his interest in the reproduction of objects and images.

Haim Steinbach's interest in the fundamental human practice of collecting is explored through his placing of objects from a variety of contexts on shelving units, which range from handmade constructions to modular building systems.

His ongoing interest in exploring material culture from an archaeological perspective, particularly the multilayered nature of objects, reflecting on the relationship we, as human beings, establish with the objects we create, use, and discard.

Very young children, even babies, show playful behavior when they explore sound and simple actions and experiment with objects of interest;