Sentences with phrase «explore organic forms»

Also on view will be examples of Asawa's related tied - wire sculptures, a series begun in 1962, which like much of her oeuvre explore organic forms and processes.

McEnroe, one of Colorado's best known abstract sculptors, has for some time been exploring organic forms, in contrast to the inorganic plastic material that he gravitates toward.

Not exact matches

Jeremy, Since I left the traditional church to explore more organic forms of church, preaching has been something I've tried to figure out as well.

The Hyundai Hellion's front design explores how new organic structural forms could look on future Hyundai trucks.

Working with drawing, video, sculpture, and installations, Hüner's practice focuses on constructed narratives and eclectic assemblages which explore the subjects of utopia, archaeology, ideas of progress, and the future through reimagining spatial and architectural entities and organic and artificial forms.

Norman Dilworth (b. 1931) explores the many possibilities of forms that are at once organic and mathematical, with a degree of freedom that again demonstrates the connection between structures and plasticity.

Rational Beings explore the relationship between two apparently different aesthetic descriptions of the world; the rational, mathematically based formal constructions that go to build up the most complicated of organic forms that we respond to emotionally.

Explore the colorful and unpredictable medium of alcohol inks and create abstract, organic, floral forms.

Primarily wielding acrylic, ink, graphite, and collage materials, Gaffney achieves a delicate linework, flat colors, and rounded organic forms that together explore the coexistence of the natural and man - made.

Meg Atkinson's work explores figure / ground relationships by juxtaposing Ad Reinhardt - like «disinterested» abstraction with text and / or organic forms.

«Behjat Sadr: Trace through the Black» explores the artistic and intellectual heritage of the Iranian artist Behjat Sadr, with archival material, and presenting a rare selection of works: from her early debate with «abstraction informelle» in the 50s to her experimentations around organic forms, trace making, and hallucinatory networks of lines throughout the «60s and «70s up until her «collage» years throughout the (inner) exile and the irrepressible return to her world of futuristic nostalgia.

Georgia O'Keeffe, in her Lake George by Early Moonrise (1930), and Arthur Dove, exploring shape and color in his Holbrook's Bridge to the Northwest (1938), are inspired by organic forms in the American landscape, while industry is celebrated in paintings such as Ralston Crawford's At the Dock (1941) and Charles Sheeler's The Web (1955), a conceptual view of industrial structures.

Exploring the aesthetics of self - destruction, Lionel Maunz uses cast iron, concrete, and steel to create dystopian figurative sculptures — surprisingly organic forms that appear distorted by dismemberment and decay.

New and existing large - scale installations as well as smaller, more intimate works explore a variety of organic and inorganic forms, such as the life cycle of jellyfish or the routines of a shipping crew on a freighter.

Using printmaking, photography and sculpture, San Francisco — based artist Gay Outlaw (born 1959) explores the balance between the organic and the geometric, as well as the relationship of photographic imagery to three - dimensional form.

Caldicott continues: «Luuk de Haan's work explores the boundaries between «form and formlessness, organic and inorganic, to be or not to be.»

Milcah Bassel's newest work incorporates traditional printmaking and ceramics, employing abstract geometric forms as compartments of body interiors and exploring the perpetual human need to measure and quantify the organic world.

Looking closely to explore the intricate details of nature's seemingly simplest forms, artist David Morrison's vivid colored - pencil on paper creations bring to hyper - realistic life the inherent beauty, delicacy, and texture in the organic objects most of us take for granted.

Her sculptures, along with the spatial bodies and installations, explore the possibilities and limits of movements by using the repetition of organic and constructive form - elements.

Other 20th century sculptors were exploring new forms of organic abstraction, while mobile sculpture and kinetic motion was pioneered on both sides of the Atlantic.

Explore a universe of streamlined organic forms, warm, natural shades and sleek new furniture designs - created by Space Copenhagen