Laure Prouvost (born 1978, Lille, lives and works in London) constructs invented story - lines which
explore the slippages between fiction and reality, engaging provocatively with the connections between language, image, and perception.
It is impossible to know what has happened until the story is over, but here Yago
explores the slippage from good to evil.
Soledad Arias» text - based work
explores the slippage of meanings in the aesthetic and literary reading of texts.
Both artists uses film to
explore the slippage between narrative and documentary and more specifically, the problems and possibilities of staging and documenting performance.
Her work has been called «an Anti-Vanity Project», and
explores the slippages between self - presentation and the vulnerabilities of being human.
APOPHATIC PAREIDOLIA is a condition... by Mike Chavez - Dawson which features as a debut solo show at BEARSPACE, which presents two new works «Hypotyposis» and «The Obvious Manifesto, [The Question Hangs]» which both continues the artists interest in creating multi-layered «performative» works that
explore the slippage between the artists intention and the audiences perception.
Not exact matches
Host Eric Hynes talks to filmmaker Clio Barnard about the
slippage between reality and representation in her new documentary - fiction hybrid The Arbor, which utilizes an evocative lip - synch technique to
explore the gritty legacy of celebrated British playwright Andrea Dunbar.
In Argo's case, I address the
slippage in AUM in the past couple of years by: i) haircutting my valuation of the asset management business to 3.75 % of AUM (if AUM were increasing steadily & incentive fees being earned, a valuation of 7.5 % or even 10 % of AUM wdn't be unreasonable, considering Argo's fee structure, and ii) calling for more resources to be devoted to fund - raising, and other alternative revenue / fee sources (for example, like white - label & sub-advisory contracts) to be
explored — see here: https://wexboy.wordpress.com/2012/11/16/argo-escape-from-an-evil-state/
The Transliterative Tease, 6 p.m. Jan. 15, Dudley Recital Hall, 4173 Elgin: Through the lens of phonetic, semantic, and theological
slippage, The Transliterative Tease
explores the potential for transliteration — the conversion of scripts — as a strategy equally of resistance and research into notions such as identity politics, colonialism, and faith.
In this unique performance, Thomas F. DeFrantz and
SLIPPAGE explore the provocation of Kara Walker's Harper's Pictorial History of the Civil War (Annotated) with shadowplay, dance and image subtraction technology.
Rather than approaching abstraction and figuration separately, the exhibition will integrate these genres to
explore the continuous
slippage between the two.
The Transliterative Tease January 15, 2016 6 pm Through the lens of phonetic, semantic, and theological
slippage, The Transliterative Tease
explores the potential for transliteration — the conversion of scripts — as a strategy equally of resistance and research into notions such as identity poli ics, colonialism, and faith.
Featuring Neil Beloufa, Nicolas Deshayes, Renaud Jerez, Marlie Mul, Magali Reus and Michael E. Smith, plus others, and curated by the gallery director Vincent Honoré, along with curators and art writers Laura McLean - Ferris and Alexander Scrimgeour, the event
explores the idea of «
slippages and spillages, disruption and contamination» through sculpture, film and installation.
A text repeatedly reproduced and re-interpreted by speech software becomes the voice over for a 2 - channel video work that
explores the productive
slippage between performance and meaning.
This exhibition aimed to open up dialogue amidst the
slippages of pre-existing understandings of race through the works of selected artists, which
explore inherent contradictions of classification and challenge preconceptions.
London - based Argentine artist Amalia Pica uses sculpture, performance art, photography, installation, slide projections, and drawing to create works that
explore forms of communication, metaphor, and social engagement, with a particular interest in moments of failure,
slippage, and mistranslation.
With works of painting, drawing, sculpture and photography, artists in this show
explore the relationship of literature and print media to the realm of fine arts, or perhaps the
slippages of meaning and experience between the act of reading and that of looking.
The show includes UK and US artists who
explore gaps and
slippages in a range of media — some who work closely with language, sound and performance as well as those whose practices strike an otherworldly chord in a purely visual way.
SLIPPAGE Opening 1st March 2018 6 pm — 9 pm Exhibition continues: 24th March 2018 Artist Statement «The area of investigation within my practice
explores an extendable paint surface and the provisionality this causes within traditional ideas and values associated with painting.
Videos
exploring shifting sensory experiences,
slippages of perception, and challenging of the primacy of vision.