They are a great way to
explore surface tension, but this activity is
Explore surface tension using pepper and dish soap.
They are a great way to
explore surface tension, but this activity is even easier!
Exploring Surface Tension from Buggy and Buddy.
Not exact matches
Explore what dissolves in water and take a look at
surface tension.
While
exploring the Water module, students made slides of water on different materials to observe
surface tension.
Their contoured structures protruded into the space of the gallery
exploring a radical new
tension between volume, colour and
surface.
As the
surfaces of her sculptures are similar to those of her digital renderings, she examines the
tension between the physical and the virtual, aiming to create deeply immersive pieces that
explore nature of these sensory experiences.
In his art, Pace extended Hofmann's ideas of the
tension between volume and
surface to vivid compositions in which he
explored ways of making forms as free as possible without allowing them to lose their sense of belonging and confinement in their given formats.
Surface Tension highlights artists who
explore the materiality of paint on canvas, transforming a means of representation into a vehicle for building texture and depth.
Fay Nicolson makes prints, paintings, objects and performances that
explore learning through doing — tacit and explicit knowledge and
tensions between image,
surface and perception.
Her work, hence, has evolved into something less reified or objectual and more abstract in order to
explore the
tension between the flat
surface and the perspectival illusion.
The possibilities of his inkjet medium add to the
tension in the paintings and keep the viewer engaged in
exploring their varied
surfaces.
Other works that vividly
explore that
tension — essentially, between endeavor and incapacity — include Carl Palazzolo's Tears of Things # 1 (2012), which conveys the frustrations of seeking order; Stephen Mueller's hard - edged, ambiguously kinetic Kalki (2010); Denyse Thomasos» Life (2009), which reflects the paradoxical chaos of contemporary sophistication; and Michael Goldberg's Earthstopper (2001), intimating that
surface noise obscures deeper meaning.
Presenting these two bodies of work together for the first time, the exhibition
explores the artist's investigation into texture and material in a practice that engages how the body mediates
surfaces and the
tensions they contain.