Sentences with phrase «explore women in history»

We explore women in history before and after Women's History Month.

Not exact matches

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In the past few weeks, the class has explored the history of witches and discussed their relevance to contemporary politics and women's issues, lessons made easier, she says, in an all - girl settinIn the past few weeks, the class has explored the history of witches and discussed their relevance to contemporary politics and women's issues, lessons made easier, she says, in an all - girl settinin an all - girl setting.

Wonder Women: 25 Innovators, Inventors, and Trailblazers Who Changed History Sam Maggs, a writer who frequently explores what it means to be a woman in geek culture, uses illustrated biographies to examine the lives of scientists, engineers, inventors, and more.

Although the documents are organized chronologically as the years just before or during the Civil War, the archive contains rich material for teachers and researchers interested in exploring other important themes in American History, such as slavery, immigration, ethnic groups, women's lives, reform movements, economic development, and political culture.

For example, Katherine Charron's focus on Septima Clark not only explores the contributions of a major participant in the struggle for civil rights, but enlightens us about the role of African American women in the civil rights movement which, aside from a few well - known figures, has too often been obscured in other histories.

Domestic workers have played an essential role in the history of South Africa; and yet, current research neither explores the educational experiences of these women nor examines the ways in which national discourses surrounding language learning influence their educational motivations.

Beginning in ancient Egypt and moving through the golden age of Hollywood, Eldridge traces the vast history of cosmetics, explores the evolution of materials and techniques, and delves into the intrinsic ties between women's history and the way we embellish our skin and lips.

Prominent historian Painter — whose works, such as The History of White People, have explored race, gender and class in America — offers a more personal take on those themes as she reflects on enrolling in the Rhode Island School of Design as a 64 - year - old black woman and what it means to continue growing and discovering joy as we age.

Bestselling author Melanie Benjamin's passion for history and biography animates the lives of the iconic women she depicts in fictional portraits that explore their inner lives and unknown stories.

With its turbulent past now consigned to history, the Ruta de La Paz explores the guerrilla outposts and the role women played in the revolution.

Organized by the Brooklyn Museum, this exhibition is presented as the first - ever to explore the perspectives of women of color «distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period.»

WHO: Pratt Institute's Department of History of Art and Design and Department of Fine Arts will present a film titled a woman like that, which explores the dramatic life and work of 17th Century female artist Artemisia Gentileschi, who is considered one of the most important female artists in hHistory of Art and Design and Department of Fine Arts will present a film titled a woman like that, which explores the dramatic life and work of 17th Century female artist Artemisia Gentileschi, who is considered one of the most important female artists in historyhistory.

The result of a collaboration with an international group of artists, it will include a cooking show by Will Benedict, a nature show by Korakrit Arunanondchai, a video by Mckenzie Wark, a visual essay by Aria Dean, a talk show by Hannah Black, a docu - short on «seasteading» in Tahiti by Daniel Keller, a report on «reparation hardware» by Ilana Harris Babou, a cartoon by Amalia Ulman, a docu - short on «economic utopias» by Christopher Kulendran Thomas, a Nollywood fictional drama exploring the influence of technology and digital culture in South Africa by the artist collective CUSS Group, and a contribution by the Women's History Museum.

The program includes a variety of formats, including a cooking show by Will Benedict and Steffen Jørgensen; a show on human - animal relations in Africa and Thailand by Korakrit Arunanondchai; a «general intellects» video with McKenzie Wark; a visual essay by Aria Dean; a docu - short on «seasteading» in Tahiti by Daniel Keller and Jacob Hurwitz Goodman; a report on «reparation hardware» by Ilana Harris - Babou; a cartoon by Amalia Ulman; a docu - short on «economic utopias» by Christopher Kulendran Thomas; a fictional drama by the South African collective CUSS Group exploring the influence of technology and digital culture in South Africa; and a contribution by the Women's History Museum.

Naturally, in dealing with false realities, the artist's work continues to explore labor, perception, women's issues and history - as they relate to art and Art History as well, and of course,history - as they relate to art and Art History as well, and of course,History as well, and of course, value.

Working with oil on canvas, Amy Bessone (b. 1970, New York City) explores themes of femininity and the representation of women in art history.

South of Pico is broad in scope, tracing the narratives of oft - neglected artists, exploring the contributions of women artists and feminist visual theory, and highlighting the history of collecting by Hollywood movie stars and entertainers.

In Paris, Black Doll Exhibition Explores Women's Craft, History of Childhood Play, and Dynamics of America's Racial Structure

Radical Women: Latin American Art, 1960 — 1985 is the first comprehensive exhibition to explore the pioneering artistic practices of Latin American and Latina women artists during a tumultuous and transformational period in the history of the Americas and the development of contemporaryWomen: Latin American Art, 1960 — 1985 is the first comprehensive exhibition to explore the pioneering artistic practices of Latin American and Latina women artists during a tumultuous and transformational period in the history of the Americas and the development of contemporarywomen artists during a tumultuous and transformational period in the history of the Americas and the development of contemporary art.

Tackling questions of citizenship status, gender and race at the intersection of history, theory and practice of art and architecture, this panel will explore the unique ways in which black women have historically navigated and shaped space to advance their position in American society.

This exhibition explores the highly formulated and transitional status of geometrical abstraction in the work of women artists from three generations: beginning with (Neo) concrete works on paper from the 1950s by Lygia Pape, to Minimal and Color Field paintings from the 1960s by Rosemarie Castoro and Gina Pane, the 1960 - 80s Pop Art influenced pattern paintings by Barbro Östlihn, to post-Concretist installations, structural and systemic experiments and text pieces from the 1970s and 80s by Lydia Okumura, Lenora de Barros, Martha Araújo, Dóra Maurer and Samia Halaby, to the original contemporary formulations of this history by Paloma Bosquê.

Through this session, we will explore the nuance of the naked and the nude, the concept of the «male gaze», notions of wealth, gender politics and bias in the historical artistic community, as well as some eyebrow - raising representations of women through visual history.

Rosemary Luckett's exhibit «Icons» will be on display through July 31 at Fiberworks in Torpedo Factory, 105 N. Union St.. The exhibit explores qualities common to every woman and goddess figures throughout history.

In celebration of Women's History Month, FemiNest advocates and explores new spaces and places for women in the home, society, culture and politicIn celebration of Women's History Month, FemiNest advocates and explores new spaces and places for women in the home, society, culture and poliWomen's History Month, FemiNest advocates and explores new spaces and places for women in the home, society, culture and poliwomen in the home, society, culture and politicin the home, society, culture and politics.

She holds a PhD from McGill University in Montreal where her thesis «Ree Morton and Feminist Installation Art: 1968 - 1977» took Morton's career as a case study to explore the absence of women in early installation art histories and consider the artist's legacy in relation to 1970s feminist art.

When I was interested in mixing colors in the air, I worked in fireworks; when I wanted to explore women's history, I decided to tell women's story using women's techniques, i.e. china painting and needlework; when I became interested in the subject of the Holocaust, I worked with my husband, photographer Donald Woodman, to fuse painting and photography, the photography to root the images in the historic events and painting to express the human story.

The exhibition, in recognition of Women's History Month, explores how five contemporary artists use photography, videos, painting and sound to probe how perceptions of culture, history, religion and gender are prHistory Month, explores how five contemporary artists use photography, videos, painting and sound to probe how perceptions of culture, history, religion and gender are prhistory, religion and gender are produced.

Spurred by the continued struggle for women's liberation as well as by the current sociopolitical climate in both the USA where she resides and in her native Middle East, Amighi's new works explore ideas of femininity through a series of female archetypes from history as well as the artist's personal experience.

As she told me, «There are the histories of Iraqi architects and artists in transit in other cities like Amman and London that I am currently exploring, among other issues related to the women architects» — the possibilities are infinite.

Her Marks, a Measure, Aura Satz's first exhibition in New York, explores the role of women's labor in the history of astronomy and ballistics.

Exploring the inherent hypocrisies in media's depiction of women, consumerism, and history, Zvonar dismantles and disrupts the body, creating hands, feet, arms, and legs to be seen as objects and pieces rather than whole beings.

Meet the Digital Learning team and explore the newly released series of short films and contextual learning materials on the Khan Academy platform offering introductory tutorials on themes including Global Modernisms, Conflict and Contradiction in Art, and Women in Art and Art History.

Selected Group Exhibitions 2012 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 ART Chicago, Perimeter Gallery, Chicago, IL 2010 SOFA Chicago, Perimeter Gallery, Chicago, IL 2010 Olympia Center Lobby Installation, Chicago, IL 2009 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 Perimeter Gallery, Chicago, IL Ceramic Sculpture, April 2008 - present 2007 «All The Difference» Group Ceramic Exhibition, University of Akron, Akron, OH 2007 Packer Schopf Gallery, Chicago, IL Large Sculpture, Summer 2007 2006 Aron Packer Gallery, Chicago, IL (January - May 2006) 2005 «Living Artists» Invitational Exhibition, Fine Arts Gallery, Chicago, IL 2004 «The More the Merrier» Group Invitational Exhibition, Viridian Artists @ Chelsea, New York, NY 2003 «Objects of Desire» Group Ceramic Exhibition, Northeastern Illinois University, Chicago, IL 2002 SOFA Chicago, Aron Packer Gallery, Chicago, IL 2002 «Natural History» Group Exhibition, Aron Packer Gallery, Chicago, IL 2001 «Member and Guest Exhibition» Fine Arts Building Gallery, Chicago, IL 1998 «New Work» Barat College, Lake Forest, IL 1992 «CAA / MFA: Juried Exhibition» College Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville, KY

But the bigger question I explore in this episode is: why were the women largely left out of the history books on Abstract Expressionism?

To explore the story of these radical shifts and their legacy, «Revolution in the Making» unfolds as a thematic historical survey that is international in scope and fundamentally revisionist, making women artists central to the history of sculpture by tracing the legacy of studio - based organic abstraction.

Anchored by a comprehensive introduction exploring the main themes of the legal history of the region, a group of distinguished historians from have contributed 11 substantive essays (three in French), on subjects as varied as women in court, grand juries, western law and aboriginal peoples, gun use and control, Quebec legal literature, married women's property, and imprisonment for debt — The Osgoode Society and the University of Toronto Press

I will reserve a future post to explore some thoughts on what is said at the AALS program, but it is particularly fitting to have the Justice at this joint program since, in addition to her pivotal role in the modern history of women's rights, she was also a founder of the Section for Women in Legal Education and a trailblazer for women in our profession, as this paper by Herma Hill Kay, this year's recipient of the Women in Legal Education section's Ruth Bader Ginsburg Lifetime Achievement Award, sets out so women's rights, she was also a founder of the Section for Women in Legal Education and a trailblazer for women in our profession, as this paper by Herma Hill Kay, this year's recipient of the Women in Legal Education section's Ruth Bader Ginsburg Lifetime Achievement Award, sets out so Women in Legal Education and a trailblazer for women in our profession, as this paper by Herma Hill Kay, this year's recipient of the Women in Legal Education section's Ruth Bader Ginsburg Lifetime Achievement Award, sets out so women in our profession, as this paper by Herma Hill Kay, this year's recipient of the Women in Legal Education section's Ruth Bader Ginsburg Lifetime Achievement Award, sets out so Women in Legal Education section's Ruth Bader Ginsburg Lifetime Achievement Award, sets out so well.