Sentences with phrase «explores contemporary practice»

The event explores contemporary practice from UK with an emphasis on painting and craft.

The MCBA Prize was presented in conjunction with Book Art Biennial 2017 (July 15 - 23), a series of events, exhibitions and workshops that explore contemporary practice in the book arts.

Not exact matches

Tilden Edwards, an Episcopal priest who has explored this practice in real life as well as in a book, urges contemporary Christians to be flexible, embracing not a renewed Sabbatarianism as much as a pattern of «Sabbath time.»

Her first book, At Home in the Okavango, examines belonging and connections to land among the white citizens of northwest Botswana, while her second book, Illness, Identity and Taboo among Australian Paleo Dieters, explores the industrial food system and contemporary consumption practices via the Paleo diet.

The Elevate Grant provides funds to emerging women filmmakers of color directing feature - length documentary films that explore original, contemporary stories and integrate journalistic practice into the filmmaking process.

Objectives include evaluating contemporary interpretations of Christmas against its traditional Christian origin, and exploring the events and significance of the nativity to Christian belief and practice today.

New York, NY About Blog This blog is dedicated to exploring and cultivating contemporary aesthetic interpretations of the book as an art object, while preserving the traditional practices of the art of the book.

painttube is connected to an expanding network of Irish and International painting groups delivering events that explore painting in contemporary visual arts practice.

With a frame reflecting the New Museum's approach to its own triennial — whereby it focuses on emerging artists — the show offered a platform upon which to explore a new generation of contemporary practices.

Gray Matters, a multifaceted survey of 37 contemporary women artists who have explored the practice of grisaille — the French term for working in shades of gray.

Join us for Gray Matters, a multifaceted survey of 37 contemporary women artists who have explored the practice of grisaille — the French term for working in shades of gray.

The relationship between historical art and contemporary practice is further explored through the acclaimed Frieze Masters Talks programme, which was curated in 2017 by Tim Marlow (Royal Academy, London).

The salon style group show Framed Practices explores how contemporary art frames itself to fit within the archaic structure of consumer art while accepting art practice as a commodity.

His interdisciplinary practice combines painting, sculpture, and performance, and merges disparate fields and influences, from interior and stage design to film and comics, exploring desire, memory, and estrangement in contemporary domestic and commercial culture.

The major group exhibition Believe not every spirit, but try the spirits takes as its departure point the art of forgotten Victorian - era Spiritualist Georgiana Houghton (1814 - 1884), and features contemporary and historical painting, sculpture, video and photography that both explore and adopt Spiritualist practices and methodologies.

High Anxiety: New Acquisitions (30 November 2016 - 25 August 2017) presents selections of artworks from 32 artists acquired since 2014, many of whom explore polarizing social and political concerns through a broad spectrum of contemporary artistic practices.

The inaugural exhibition Change explores the breadth and depth of the Monash University Collection, reflecting on the changing forms and developments in contemporary art practice from the 1960s to the present, from late - modernism to our contemporary situation.

In 2011, it was rare to find artists involved in contemporary practice that were deeply invested in exploring the computer graphics of simulations.

«Thematic surveys such as The Everywhere Studio will explore critical topics in contemporary practice through the work of today's leading artists as well as their predecessors.

Object - based art, which grew into a major twentieth - century trend and continues today, took its cue from the ready - made, and Re-Object explores the continuation and transformation of both lines in contemporary artistic practice, via large - format photographs and analytical essays on the artists.

ART21 explores the the practices of the world's most innovative contemporary artists.

Columbus, Ohio — May 20 — July 30, 2017, the Wexner Center for the Arts at The Ohio State University will debut Gray Matters, a multifaceted survey of 37 contemporary women artists who have explored the practice of creating en grisaille — the French term for working in shades of gray.

An eponymous new show, opening tomorrow at Boston's Institute of Contemporary Art, represents the first full North American survey of his practice, exploring Raad's focus on investigations into distinctions between fact and fiction, especially in relation to «the veracity of archives and photographic documents in the public realm [and] the role of memory and narrative within discourses of conflict».

Current projects include In the Shadow of the Negress: A Brief History of Modern Artistic Practice, which explores the constitutive role played by fictions of black womanhood in Western art from the late - eighteenth century to the present, and a companion volume — tentatively entitled Touched by the Mother: Contemporary Artists, Black Masculinities, and the Ends of the American Century — that brings together many of his new and previously published critical essays.

For the last eight years, Lemus's practice has explored divisions between African - American and Latino cultures, and the means by which identity is assigned in contemporary culture.

Drawing on the ideas explored in one of our current exhibitions Painting in the 2.5 th Dimension, the panel of leading artists, writers and curators will discuss contemporary painting practices that rethink the conventional mediums of the discipline.

For almost three decades Lyle Ashton Harris has cultivated a diverse artistic practice, ranging from photographic media, collage, installation and performance, to explore the impact of desire, ethnicity, and gender in the contemporary social and cultural dynamic.

It explores the various modes in which contemporary artists persist in, yet significantly expand upon, the historical practice of grisaille.

Join an ongoing discussion lead by theorist Dr. James Trafford and artist Luke Pendrell, exploring the theoretical movement Speculative Realism and its impact upon contemporary art practice.

Opening September 13, the Institute of Contemporary Art at the University of Pennsylvania (ICA) in Philadelphia will present Nathalie Du Pasquier: BIG OBJECTS NOT ALWAYS SILENT, a retrospective exploring the prolific creative practice of artist and designer Nathalie Du Pasquier.

Using ceramic practices as a cue, the group exhibition explores ideas about the division between fine art and craft initiated in the 19th century, and the position of decorative arts within 20th century art history calling into question the relationship between contemporary aesthetics and social life.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

The talk unpicks themes within Kehinde Wiley's work, focusing on evolving notions of identity and cultural influence, globalisation and youth culture, as well as exploring his practice as a contemporary painter within portraiture and the wider international art scene.

Their current work explores the relationship between contemporary art making practices and the historical tradition of romantic landscape painting.

Reading Room explores some of the ways in which contemporary visual artists, poets, writers, and scholars practice in the rich seam between art and writing.

Amid the popularity of documentary practices in contemporary art, The Storyteller addresses the use of storytelling as a means of exploring recent political events.

The second point comes from a quote in the publication, The Sublime from the «Whitechapel: Documents of Contemporary Art» series by Simon Morley which states: «this anthology explores the range of recent artistic theory and practice that attempts to articulate such moments of mute encounter with all that exceeds our comprehension.»

In her evocative introductory essay for Vitamin 3 - D, Anne Ellegood uses Rosalind Krauss's landmark 1978 essay «Sculpture in the Expanded Field» as the basis to explore the wildly inclusive breadth and depth of work that the term «sculpture» can now be applied to within contemporary practice — and the key historical moments that serve as the precedents for what we now understand as both sculpture and installation.

Avant Museology is a two - day symposium exploring the practices and sociopolitical implications of contemporary museology.

The shortlist for Artes Mundi 7 in 2016 brought together 6 international contemporary artists who directly engage with everyday life through their practice and who explore contemporary social issues across the globe.

In the late 1960s poet Ishmael Reed adopted the 19th - century term «HooDoo,» referring to forms of religion and their practice in the New World to explore the idea of spiritual practice outside easily definable faiths or creeds and ritualism on contemporary works of literature and art.

The shortlist for Artes Mundi 8 brings together 5 international contemporary artists who directly engage with everyday life through their practice and who explore contemporary social issues across the globe.

DIRGE: Reflections on [Life and] Death explores how contemporary artists use their individual practices to capture, react to, reflect on, and make sense of mortality.

Join artist Polly Apfelbaum and art historian Faye Hirsch in exploring how the printmaking process sparks a spirit of inquiry and experimentation in the studio, and delve into the intersection between printmaking and painting in contemporary practice.

Andy Warhol / Ai Weiwei, developed by The Andy Warhol Museum in Pittsburgh, PA, and the National Gallery of Victoria, with the participation of Ai Weiwei, explores the significant influence of these two artists on modern and contemporary life, focusing on the parallels, intersections, and points of difference between their practices — Warhol representing 20th - century modernity and the «American century,» and Ai representing life in the 21st century and what has been called the «Chinese century» to come...

The texts considerGilmore's contemporary reassessment of both hardcore and feminist performance practices that emerged in the 1960s and 70s, which explored physical limits and social norms, often through exposure and endurance.

Avant Museology is a a two - day symposium exploring the practices and sociopolitical implications of contemporary museology.

Altogether Elsewhere takes this belief as a starting point to explore «psychedelia» in contemporary art practice.

The three exhibitions, Tacita Dean: Landscape, Portrait, Still Life, shaped by Dean's response to the individual character of each institution, will explore genres traditionally associated with painting — landscape at the Royal Academy of Arts, portraiture at the National Portrait Gallery and still life at the National Gallery — seen through the contemporary prism of Dean's wide - ranging artistic practice.

Bourque - LaFrance's interdisciplinary practice combines painting, sculpture, and performance, and merges disparate fields and influences, from interior and stage design to film and comics, exploring desire, memory, and estrangement in contemporary domestic and commercial culture.