The exhibition
explores early photography from the mid-19th century and the most exciting contemporary photographs, alongside historical painting.
This exhibition
explored early photography from the mid-19th century and exciting contemporary photographs, alongside historical painting.
Not exact matches
Beginning with his
early text and photo - text paintings from the 1960s, he has
explored these dichotomies through hybrid compositions of
photography, text and painted images.
This exhibition will shed scholarly light on the aesthetic and intellectual concerns undergirding the development of this important strand of
early American modernism to
explore the origins of its style, its relationship to
photography, and its aesthetic and conceptual reflection of the economic and social changes wrought by industrialization and technology.
Chris Pfister is an American artist who
explores themes of industrialization in gray - scale and sepia - toned paintings that recall
early landscape
photography.
Recently published, «Carrie Mae Weems: Kitchen Table Series,»
explores one of the photographer's
early and most acclaimed bodies of work, and the exhibition catalog «Carrie Mae Weems: Three Decades of
Photography and Video,» coincided with her mid-career survey at the Guggenheim Museum and includes full - color images of works from throughout her career and contributions by Henry Louis Gates Jr., Franklin Sirmans, Robert Storr, and Deborah Willis.
«Painting with Light» at Tate Britain 11 May Currently on view at Tate Britain, «Painting with Light: art and
photography from the Pre-Raphaelites to the Modern Age» is an expansive new exhibition spanning over 70 years and
exploring the symbiotic and sympathetic
early relationship between
photography and art.
Throughout her career, she has
explored a variety of light - sensitive materials from the
earliest cyanotype process to the latest technology in digital color
photography.
His
earliest memories of
photography are from when he was 10 years old and would
explore West Virginia with his grandparents, taking pictures and then developing them in the darkroom.
Since the
early 1990's, Yonemoto's solo work has been
exploring experimental cinema and video art within the context of installation,
photography and sculpture.
New Orleans, LA — Featuring masterworks by photographers Edward Weston, William Henry Fox Talbot, André Kertész, Robert Mapplethorpe, and many more, the New Orleans Museum of Art's upcoming exhibition,
Photography at NOMA, explores the museum's rich permanent photography collection through a selection of some of its finest works from the early 1840s to
Photography at NOMA,
explores the museum's rich permanent
photography collection through a selection of some of its finest works from the early 1840s to
photography collection through a selection of some of its finest works from the
early 1840s to the 1980s.
This companion volume to the artist's largest exhibition to date is a feast taken from countless visual documents of Kelley's
early formation, such as his involvement with the experimental band Destroy All Monsters (DAM), which also featured Jim Shaw, Cary Loren, and Niagara (born Lynn Rovner) in 1973 while Kelly and Shaw were students at the University of Michigan in Ann Arbor;
early performative sculptures and objects; drawings; paintings; handmade dolls and stuffed animal sculptures;
photography; videos; and endless inventive installations in various forms and shapes that
explore and deal with the themes of self - destruction, repression, class relations, sexuality, religion, politics, and whatever else lies between the grotesque and the sublime, the sacred and the profane.
The work of Aaron Brumbelow (M.F.A.,
photography, 2013; B.F.A.,
photography, 2008)
explores fictional realms while referencing
early American photographic histories.
Joseph Bradshaw visits an exhibition at the New Orleans Museum of Art that
explores obstruction in
photography since the medium's
earliest days.
Also at Tate Britain, Art and
Photography from the Pre-Raphaelites to the Modern Age will
explore the relationship between pioneering
early photographers and Pre-Raphaelite, Aesthetic and Impressionist artists, including works by John Everett Millais, John William Waterhouse, James Abbott McNeill Whistler, Julia Margaret Cameron and Henry Fox Talbot.Conceptual Art in Britain 1964 - 79 will trace the course of conceptual art from its genesis in the
early 1960s and through the 1970s, showing the origins of a movement that was profoundly influential on later generations of artists.
By the
early and mid-20th century, artists such as Marin and Porter focused on the expressive power of the sea, while contemporary artists such as Celmins, Davis, Lago, Lenaghan, Straus, and Sugimoto reference their 19th Century predecessors by
exploring the effect of
photography on contemporary realism — and traditional realism on contemporary
photography.
The show includes works by 14 Italian and international artists (Melanie Bonajo, Kenta Cobayashi, Tomé Duarte, Irene Fenara, Lebohang Kganye, Vendula Knopova, Leigh Ledare, Wen Ling, Ryan McGinley, Izumi Miyazaki, Joanna Piotrowska, Greg Reynolds, Antonio Rovaldi, Maurice van Es), and
explores the use of
photography as a personal diary over a period of time ranging from the
early 2000s through today.
Since the
early 1970s, Heyward has
explored language through live performance,
photography, film and video and interactive digital works.
Using binary logic to produce visual imagery, these processes relate ideas of the concurrent development of
early computing and
photography, principles continually
explored throughout Oppenheim's work.
Using binary logic to produce visual imagery, the process relates ideas of the concurrent development of
early computing and
photography, principles continually
explored throughout Oppenheim's work.
As
early as 1949, just a year before his editorial images of the Paris couture collections would revise the visual aesthetics of fashion
photography, Penn began what is considered perhaps his most personal but least well - known body of work: studies of tightly - framed, corpulent nudes that
explore the beauty and physicality of the female form.
At UA, she focused her graduate studies in printmaking and
photography and in the
early 1970s, Hathaway was an active member of the Dada - inspired Raudelunas group formed by University of Alabama students to
explore avant - garde music, art and performance.