Moving beyond commonplace abstraction,
he explores image making that goes past the one note and into more idea - focused narratives.
Moving beyond commonplace abstraction,
he explores image making that goes beyond the one note and into more idea - focused narratives.
Moved by the vibrancy of filmmaking, Sika decided to
explore image making through photography.
Not exact matches
For example, some Christian therapists might help a client who believes that they are
made in the
image of God
explore what role sexuality ought to play in understanding their full identity: Is it everything, nothing or a piece of the greater whole?
This
image makes me remember times when I have
explored forests, tested the weight of various beckoning limbs and tried to quell that nauseous sensation that it just won't hold and I'm about to experience that sickening snap and drop.
Vision is an extremely dynamic process — Even when we look at a fixed
image, our eyes are
making rapid movements, called «saccades» to
explore the
image that is sent to our brain.
That's why a Google Earth
image showing trees in fields that have been farmed for centuries draws the eye of enthusiasts like Welch, who
makes his living identifying potential sites and organizing paid events to
explore them further, at ground level.
Dr Alice Samson, co-author of the paper from the University of Leicester School of Archaeology and Ancient History, explains: «Scientific analyses from the team have provided the first dates for rock art in the Caribbean — illustrating that these
images are pre-Columbian
made by artists
exploring and experimenting deep underground.
My job was to
make sure that all of the pieces, all the parts that go into the four flight cameras and the
image processing hardware all play and work together and give us the great data that we need for Diana to go and continue to
explore exoplanets.
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-- to
explore profound ideas and create vivid
images of black excellence that so rarely ever
make it to a giant Hollywood movie.
I want to
explore other communities and cultures and produce iconic
images that
make an impact and influence the way people see certain things in their societies.
I like to
make students look beyond the obvious connections and really question what they see in an
image - this one works really well in giving students new ideas to
explore for AO1 in asking of them what artists are doing in different ways and includes statements by the artists in terms of what the work is about for students to be able to demonstrate Informed responses.
Using Realia to Teach English Language Learners (Grades K - 12): Help students learn vocabulary in context by using
images of different shoes in the Smithsonian collections to inform descriptive or compare - and - contrast conversations, encourage students to
make personal connections, or
explore the history of objects.
Lessons include:
exploring issues of self
image and online identity in the age of the selfie; thinking about online representation and digital footprints; sharing personal information and deciding what to post online;
making positive contributions to social networks and online communities; privacy settings and setting app restrictions; cyberbullying; game and app age restrictions and screen time as well as evaluating when health websites are reliable sources and when they are just trying to sell something.
Expanded X-Ray for Books — X-Ray now
makes it easier to
explore as you read — quickly flip through all the
images in a book, and use the new timeline view to easily browse the most notable passages.
Click the
image to learn whether self - publishing
makes sense for you by
exploring Joel's A Self - Publisher's Companion: Expert Advice for Authors Who Want to Publish.
Your book cover will be a tiny
image at first either on a computer screen or a black and white ereader, you need to
make them want to click on your book and
explore further!
Each
image is paired with a short story or description, connecting the colorables to Geoff and Katie's own experiences
exploring Rome with Context Travel, and inviting you to travel between the lines and
explore what
makes Rome a must - see destination for intellectually curious travelers.
Exchanging stories with characters, witnessing dramatic scenes and
exploring cities are all represented as beautifully drawn still
images in a rough sketchpad style, something that a wandering storyteller might
make use of.
While continuing to
explore the potential of the still
image Tillmans has begun to work with video, collaborating with the pop group, the Pet Shop Boys, on a music video and
making a large - scale video installation, Lights (Body) 2000 — 2.
This exhibition
explores connections between a range of modern and contemporary artworks that employ innovative materials and approaches to
image -
making.
This exhibition will
explore connections between a range of modern and contemporary artworks that employ innovative materials and approaches to
image -
making.
After developing her iconic Waterfall series where «gravity
makes the
image», Steir continued
exploring the fluidity of paint with various influences from landscape painting and increasingly subtle washes of paint pours.
Her recent solo show, Epitaph for Family, addressed notions of queer family -
making,
exploring love, intimacy and loss through the
image and connotations of the horizon line and the dinner table.
Coming of age alongside Andreas Gursky, Candida Hoffer and Thomas Struth in what was to become known as the Düsseldorf School, Ruff's work
explores the technologies of the camera and
image production — from satellite cameras to digital lenses, from the analogue negative to the JPEG — to reflect on the picturing of our built environment, current affairs, pornography, disaster, the cosmos, exhibition
making — and unlock what
images tell us about modernity.
Making sculptures and installations with and about light, Lloyd's works
explore various levels of perception, revealing spaces between bodies and
images while underscoring the materials and processes of video, including screens, support structures, and audiovisual equipment.
As today's instruments of meaningful articulation and expression are undergoing an equally dramatic reassessment, The Idiosyncratic Pencil will
explore the early 21st Century artist's response to the rapidly evolving nature of
image making in this breakneck, feverish, media - saturated, and over-stimulated epoch.
She simultaneously exploits the medium's limitations — the inflexible grid that forms the basis of weaving, the particular ways in which color relationships can develop, the textures that
make the surface — and moves beyond them by assembling and juxtaposing found
images to
explore ideas about human existence.
Calling attention to a series of works that have not yet been fully appreciated for their true significance in the artist's development, «Philip Guston: Painter, 1957 — 1967»
explores a decade in which Guston confronted aesthetic concerns of the New York School, questioning modes of
image making and what it means to paint abstractly.
This class focuses on developing each artist's inclination to
make abstract art through a range of activities, studying in particular how to
explore one's inspiration and ideas vis - à - vis process and using a language specific to each artist to develop coherent abstract
images.
With
images that were
made between the mid 1950's through the late 1970's, the exhibition
explores both artist's affinity for using natural light to
make grainy, blurred and out of focus photographs, trademarks of their work, while showing their own distinct stripped down version of the street and urban life.
She continued to
explore new ways of combining media in the 1970s; Baron developed a sculptural technique for
making monotypes by shaping copper into cut - out forms (i.e. heads, figures, birds) and then inking both sides to result in mirror
image printing.
This class focusses on developing each artists passion to
make abstract art through a range of activities, studying in particular how to
explore one's inspiration and ideas via process and using a language specific to each artist to develop coherent abstract
images.
Chicago - based artists John Opera and Adam Schreiber utilize rudimentary
image -
making processes as a means of
exploring photography's most elemental nature.
The
Making of an Argument
explores the relationship between
images and text while revealing how what was left out becomes just as important as what was included in the printed report.
Trained as a painter, Lucy Kim has developed a robust body of work situated between meticulous
image -
making and low - relief sculpture, to
explore the sometimes uncomfortable spaces between the natural and artificial.
Greg Shattenberg employs a variety of media to create artworks that
explore the use of language as an element of
image making.
This 3 in 30 will
explore the visual language that
makes his
images so universally appealing.
The combinations seemed endless, and Hammersley reveled in
exploring nuances,
making unique variations of
images that he favored.
Her work
explores the gap between objects and their representations, and the materials (and materiality) of
image -
making.
Dominic Eichler Looking back over the last 20 years of your art -
making, it is striking how you have circled and constantly returned to a diverse range of genres, modes of reproduction and printing techniques while
exploring both figurative and abstract
images, and that all of these approaches still find their place in your recent exhibitions and publications, such as Manual (2007).
After forming and then promptly disbanding the satirical art movement Capitalist Realism, founded with fellow German artists Sigmar Polke and Konrad Leug, Richter would go on to
explore the nature of
image making, testing the limits of what might be called a photo, and what might be considered a painting.
These include MPA's project THE INTERVIEW: Red, Red Future, which includes a phone visitors can use to
make a call and be interviewed about their ideas on Mars and human colonization; Double Life, which hosted live and interactive performance experiences by Jérôme Bel, Wu Tsang, and Haegue Yang and
explored the possibilities for performance without live bodies; and Parallel Practices: Joan Jonas & Gina Pane, which included live performances, performance - inflected artworks, and two immersive moving -
image installations.
Christopher Wool is known for
making paintings that
explore — and often disrupt — the repetition of words and
images.
Mark Cooper's paintings and sculptures
made with fiberglass pieces, layered with rice paper, paint, silk - screens, and varying
images and patterns,
explore dualities of culture and meaning.
He explains Duchamp's attitude to portraiture: «Duchamp seemed to be
exploring the genre itself, often using his own
image as a subject to
make a point... The idea of retaining the formal characteristics of the genre, while using it to highlight conceptual ideas, has always seemed to me the way portraiture is most likely to evolve in the future.»
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who
made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who
explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd
image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
Addressing the declining art of commercial sign painting in a digital and hyper - capitalist age, these works
explore the culture of
image making and are intended to redistribute value back to traditional
image makers.
However, through this deliberately undemonstrative handling, Rawlings» practice delicately
explores the complex ideas of femininity and vulnerability that surround the process of
making and viewing
images.