Sentences with phrase «explores perceptions of color»

Walsh explores perceptions of color and space through the use of linear, but irregular, geometric patterns.

Not exact matches

This is just one of the 10 «beautiful experiments» that science journalist George Johnson explores; others include A. A. Michelson's clever measurement of the speed of light, Ivan Pavlov's observations of dogs drooling in anticipation of food, and (my favorite) Isaac Newton's insertion of a probe behind his eyeball to observe the effect on color perception.

«Tezuka's experiences during WWII really colored his perception of the possibilities of peaceful co-existence and he explores that theme again and again in works like Captain Ken, Zero Men, Adventure of Rock, and, of course, Astro Boy,» explains Greg Baker, creator and author of the fan website Tezuka in English.

Yet the bright color, lyrical patterns and strict linearity of the L'Hourloupes were still inspired by the art of the ordinary, untrained person, and aspired to explore everyday states of perception.

Works in the portfolio explore themes such as perception of color and spatial geometry.

Yunhee Min explores the impact of color and geometry on spatial perception in her vibrantly hued paintings and sculptures.

Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.

Exploring the shifting light and investigating the perception of color, nature was a starting point for major achievements which forever changed the face of art.

«Saturated: The Allure and Science of Color» Cooper Hewitt, Smithsonian Design Museum 2 East 91st Street OPENS: May 11 Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palColor» Cooper Hewitt, Smithsonian Design Museum 2 East 91st Street OPENS: May 11 Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palcolor theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.

«For the past decade, Matino has explored the color tradition of India, while continuing to develop a capacity for transforming the limits of our perception off color.»

The continuous interest in intense relations between pictorial elements, the very perception of a painterly surface, color and forms, suggest the artist's desire to explore different layers of meanings and emotions.

Artist Statement My works explore the perception of light as revealed through nuance of color, composing a space between the natural and the ideal.

Today, alongside recent self - portraits exploring aging and allegory, her bold colors, deft brushstroke and evident politics reinforce the permanence of painting and its role in shaping social and cultural perceptions.

He explores the ambiguity between the illusion of perspective in painting and the physical space of sculpture, creating characteristic canvases that play with the perception of volume, color and light.

ETHAN RYMAN explores geometric forms and tests perception by disrupting boundaries between dimensions and employing the sensory phenomena of color theory.

Diane presents annual workshops exploring color, perception, and space to the Dudley Fellows at Harvard University in Cambridge, Massachusetts and is a member of the board of the Washington Sculptors Group.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

, an ongoing and collaborative public art project that brings color to the streets of New York City; HALSEY MCKAY GALLERY, featuring Chris Duncan's sewn collages and works on paper that explore light and perception as physical metaphors; and international galleries, Antena Estudio of Mexico City, Mexico, showcasing Rocio Infestas; and Temnikova & Kasela Gallery of Tallinn, Estonia, displaying works by native painter, Merike Estna.

Most of the artists featured in this exhibition explored issues of visual perception throughout their careers, using combinations of line, color interactions, and kinetics with diverse approaches and a variety of media to engage and challenge viewers mentally and visually.

All concerned with the fundamental aspects of painting, particularly color, materiality and perception, each artist explores and reformulates his experience of the world through the framework of minimal abstraction.

«Confronting the very nature of perception, Edna Andrade was an innovative leader of the early Op Art movement, wielding her paintbrush to explore color, rhythm, and form.

Mysteries Nihal Kececi Thadani December 16 — March 19 Artist Talk and Closing Reception: Sunday, March 19, 5 pm Nihal's work explores the perception of light as revealed through the nuance of colors, creating a space between the natural and abstract.

One question continuously explored here is how distillations of color define the perception of our physical and emotional environments.

Today, alongside recent self - portraits exploring aging and allegory, her bold colors, deft brushstroke and evident politics reinforce the permanence of painting and its role in shaping social and cultural perceptions.

Richard Anuszkiewicz explores perception and coloration through his prints juxtaposing solid forms of bright colors.

In the late 1990s Rosenquist began a new series, The Speed of Light, in which he explored themes of space, light and relativity in vibrantly colored, abstract paintings and has continued to explore the perception of time and space in his most recent work.

Garth Weiser's linear compositions employ texture, color, and light to challenge the viewer's visual expectations and to explore the nature of perception.

Curated by the American artist Glenn Ligon and inspired by Ellsworth Kelly's sculpture Blue Black (2000) which is permanently installed at the Pulitzer Arts Foundation, the exhibition explored questions about language, identity, and perception through the lens of these two colors.