Sentences with phrase «exploring black power»

Another Tate Modern highlight will be a show exploring black power and art in the US.

Not exact matches

The Current War will see Alfonso Gomez - Rejon (Me and Earl and the Dying Girl) directing from Michael Mitnick's 2011 Black List script, which explores the feud between Edison and Westinghouse as the two battled over the best way to power the United States.

These are the sort of intimate aspects of African - American luminaries» lives explored in The Black Power Mixtape 1967 - 1975, an eye - opening documentary directed by Goran Olsson.

In historical footage and new interviews, this documentary explores the relationship between African - Americans and the African continent during the Black Power era in terms of both popular culture and international politics, including the brutality of then - dictator Mobutu Sese Seko.

MARVEL»S INHUMANS Ordered straight to series, eight episodes; first two to premiere in Imax theaters STUDIO: Marvel Television / ABC Studios TEAM: Scott Buck (w, ep, sr), Jeph Loeb (ep), Jim Chory (ep), Roel Reine (d) LOGLINE: The Inhumans are a race of superhumans with diverse and singularly unique powers, and the TV series will explore the never - before - told epic adventure of Black Bolt and the royal family.

Blending romance and paranoia into a black comedy that confirms our best hopes and worst fears about the powers that be, it has no problem exploring absurdity in all this manifestations, and doing so with forthright violence of which Sam Peckinpah would be proud, and an existential nausea that might give Sartre pause.

The plot itself, the investigation of the murder of two black men in the ninth ward, hinges on familiar Burke tropes — the powerless caught in a web of circumstance; surprising acts of nobility from the least likely people; unfathomable evil prompting eruptions of Robicheaux's thinly suppressed rage — but the novel's power comes from the way it explores the tragedy of Katrina in a manner that is exactly in tune with the series, a kind of perfect storm brought together by the confluence of fictional and nonfictional realms.

This spring, the Serpentine presents the first European solo exhibition of American artist Sondra Perry (b. 1986, Perth Amboy, New Jersey), who explores the intersection of black identity, digital culture and power structures through video, media, installation and performance.

The exhibition presents approximately 140 works by thirty - two artists active during this historical period, exploring the rising strength of the black community in Los Angeles as well as the increasing political, social, and economic power of African Americans across the nation.

Indeed, the social histories and identity politics explored in work made during the Civil Rights, Black Power, and Black Arts Movements is being investigated by a new generation of scholars and curators, bringing attention to overlooked artists central to the era, AfriCOBRA artists in particular.

Jonas Cuénin dives into our current exhibition «Power to the People: The Black Panthers in Photographs by Stephen Shames» and explores the «radical nature» of the Black Panther movement.

In addition, visitors can enjoy the U.S. debut of Soul of a Nation: Art in the Age of Black Power opening on February 3, 2018, as well as new acquisitions, installations, ongoing programs, plus miles of trails and grounds to explore.

Her work often explores important topics such as contemporary black identity, queer theory, and the power of human language, seen through video, performance, writing and other new media.

Five on the Black Hand Side is a project exploring gestural languages that were born in African American communities during the 1960s and 1970s, including the «the dap» and the black power handsBlack Hand Side is a project exploring gestural languages that were born in African American communities during the 1960s and 1970s, including the «the dap» and the black power handsblack power handshake.

Over the past two decades, Fahamu Pecou has used his work explore, examine, and embrace the power and presence of black masculinity in a country that alternately marginalises, fetishises, and vilifies countless lives.

Soul of a Nation: Art in the age of Black Power @ Tate Modern This show is packed full of powerful moments exploring what it meant to be a black artist at the time of the civil rights movement in thBlack Power @ Tate Modern This show is packed full of powerful moments exploring what it meant to be a black artist at the time of the civil rights movement in thblack artist at the time of the civil rights movement in the US.

presents approximately 140 works by 32 artists, exploring the rising strength of the black community in Los Angeles as well as the increasing political, social, and economic power of African Americans across the nation.

An exhibition opening at Tate Modern next year, titled «Soul of a Nation: Art in the Age of Black Power,» will explore «how the category «Black Art» was defined, rejected, and redefined» in the US between 1963 and 1983, through the work of such artists as Norman Lewis, Lorraine O'Grady, and Betye Saar.

In the exhibition, «Power Has a Fragrance,» Gardar Eide Einarsson explores the principal structures of social conflict in modern society.The dual theme of authority and rebellion is a departure point for his visually hermetic, mostly black and white paintings, carefully constructed sculptures, photographs, videos, flags and flyers.

Artist Statement: «There is a dark place within where hidden and growing our true spirit rises» Asha Elana Casey, painter and mixed media artist presents works that explore the tranquility of pattern making, emotionality and spirituality of color, and power of the black woman form.

Building on ideas explored in his celebrated Unbranded: Reflections in Black by Corporate America 1968 - 2008, here Thomas» unbranding technique tracks notions of virtue, power, beauty, privilege, and desire in mainstream America.

Albers explored the power of black throughout his life.

Exploring the complicated socio - political histories, he places young black men within the field of power.

Featuring: Amna Asghar, Dana Davenport, Umber Majeed, Tammy Nguyen, Ke Peng, Sahana Ramakrishnan, Sheida Soleimani Amna Asghar speaks on the construction and translation of disparate references, cultures, geographies, and generations from Pakistan and America; Dana Davenport addresses the complexity of interminority racism within her own community and institutions from her experiences as a Black Korean American; Umber Majeed's practice attempts to unpack the temporalities within South Asia as site, familial archival material, popular culture, and modern national state narratives; Tammy Nguyen interrogates natural sciences and non-human forms to explore racial intimacies and US military involvement in the Pacific Rim; Ke Peng documents the feeling of alienation and disorientation from urbanization and immigration by taking a journey into an imagined childhood in China, Hunan, where she was born and Shenzhen, a modern city where her family relocates to; Sahana Ramakrishan explores myths and religion from Buddhist and Hindu tales to speak upon the magic of childhood and the power dynamics of sexuality, race, and violence; Sheida Soleimani is an Iranian - American artist and a daughter of political refugees, making work to highlight her critical perspective on the historical and contemporary socio - political occurrences in Iran.

Todd Gray's photo based work explore issues of black masculinity, diaspora, and contemporary / historical examinations of power.

Tate Modern presents Soul of a Nation: Art in the Age of Black Power, a landmark exhibition exploring sociopolitical issues played out among and beyond African American artists from 1963 to 1983.

Today, Thomas is known for paintings that explore black female identity, sexuality and beauty and evoke power and femininity.

Spanning the period 1963 — 83, Soul of a Nation: Art in the Age of Black Power explores how the category «Black Art» was defined, rejected and redefined by artists across the United States.

Mickalene Thomas «Origin of the Universe» at the Brooklyn Museum through Jan. 20, 2013 A solo exhibit of new paintings that explore black female identity, sexuality and beauty and evoke power and femininity.