Sentences with phrase «exploring color photography»

William Eggleston's series of fifteen images depicting the celestial Zenith is another exercise in exploring color photography from the pioneer who is responsible for legitimizing the form as a fine art.

His work appears in «Face: The New Photographic Portrait» by William Ewing and «Exploring Color Photography» by Robert Hirsch, among other books.

Should I notice the near uniform tint when William Eggleston at Los Alamos first explores color photography?

Not exact matches

Shore, who is considered one of the most significant photographers of our times by the museum, has explored working with cheap automatic cameras, large - format cameras, digital photography, digital painting and social media, working both in black - and - white and in color.

With varying media: painting, printmaking, and photography; and an enduring thematic interest in saturated color, repetition and pattern, a lexicon of motifs are used to explore larger -LSB-...]

A pioneer in color photography, Sternfeld's thirteen bodies of work, all of which were also published as books, have explored cultural identity through ordinary people and places, with topics ranging from experimental communities to the effect of human intervention on the natural landscape.

While he loved the allure of large format photography and the mystical appearance of images in a traditional darkroom, his «discovery of color» via his first digital camera led him to challenge himself to see beyond the natural landscape he had become comfortable with and to explore a new environment, the urban landscape, and seek out color as a vital component of those images.

Works from the 90s include color prints of submerged and deconstructed flowers and food that explore the paradigms of attraction and repulsion and the dialog between painting and photography.

For those who wish to only observe, Beckwith and Gartrell will be working on a variety of color theory projectsthroughout their residency ranging from still life photography to found object sculpture and collage that explore seemingly opposing color relationships.

Recently published, «Carrie Mae Weems: Kitchen Table Series,» explores one of the photographer's early and most acclaimed bodies of work, and the exhibition catalog «Carrie Mae Weems: Three Decades of Photography and Video,» coincided with her mid-career survey at the Guggenheim Museum and includes full - color images of works from throughout her career and contributions by Henry Louis Gates Jr., Franklin Sirmans, Robert Storr, and Deborah Willis.

Throughout her career, she has explored a variety of light - sensitive materials from the earliest cyanotype process to the latest technology in digital color photography.

Gilbert has been working with digital photography for the past ten years, sometimes exploring color, sometimes focusing on black & white imagery as he did in his last solo show at Viridian.

Featuring photography, drawing, sculpture and sound by the artists Vija Celmins, Jason Dodge, Félix González - Torres, Roni Horn, Marie Jager, Catherine Opie, Paul Ramirez Jonas, Cy Twombly and Cerith Wyn Evans, the publication explores the blue at the far edge of what can be seen, the color of the horizon, the ocean and the immaterial.

Sam Falls is a multi-talented contemporary painter, photographer, writer and videographer of international renown, whose captivating works combine photography, painting, and sculpture, exploring the ways in which color, digitally manipulated photographs, and natural processes work together in a single piece of art, investigating artistic potential of each medium.

Strongly influenced by the shore and woodlands of outer Cape Cod, Maine, and now Nova Scotia, Witkowski's «research sketchbook» consists of documentary photography and video of the environmental installations exploring light, reflection, and color she creates as references for mixed and multi-media works in painting, photography, and video projection.

I first explored the field of photography, traveling around the world, discovering spiritual places, deep landscapes, places of origin, experimenting with abstract colors and textures, always seeking the visual heart of existence in the desert, mountains, canyons, rivers, and cities of this great world.

The exhibition includes his seminal street photography — both color and black - and - white, intimate images of American life, and landscapes exploring luminous scenes from Cape Cod to Tuscany.

In an exhibition of new color works, Todd Hido sets out to explore a fairly traditional genre: landscape photography.

Join us for a workshop in art history, color theory, drawing from the figure, drypoint etching, figure drawing, the monoprint, oil painting, photography, plein air painting, still life drawing, watercolor, the white line print, and exploring your creative expression.

These days, she's exploring candid photography while working on a series of decorated human and animal skulls, a juxtaposition of morbid subjects and flashy colors inspired by Dia de los Muertos festivals and vintage tattoo art.

The show features work by 29 artists total — Carrie Mae Weems, Rashid Johnson, Robert Irwin and Louise Nevelson, to name a few — who explore the color black through various media, including sculpture, painting, video, photography, installation and, in Mutu's case, performance.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

When I was interested in mixing colors in the air, I worked in fireworks; when I wanted to explore women's history, I decided to tell women's story using women's techniques, i.e. china painting and needlework; when I became interested in the subject of the Holocaust, I worked with my husband, photographer Donald Woodman, to fuse painting and photography, the photography to root the images in the historic events and painting to express the human story.

Contemporary depictions of the female form, abstract expressionist drawings and paintings, imaginative color photography and an installation exploring the relationship between sight and sound have all made our picks of new stand - out exhibitions opening in NYC this week.

In Black Is a Color, Elvan Zabunyan develops a rich approach to explore the practice and contribution of black American artists to contemporary art history in its various forms of representation, including sculpture, painting, photography, video and performance.

Among other issues, these exhibitions have explored contemporary photographic practice in color photography and representations of gender.

Guthrie's own work has explored the above two themes of gender and color as well as photography as a visual diary.

Gradients was a series of works that explored the intersection of photography and sculpture, and referenced and distilled the color of the various locales in which they were installed.