Sentences with phrase «exploring drawing styles»

Art exploring drawing styles and what our drawing can represent and express about ourselves, includes lesson objectives and differentiation

Not exact matches

Whereas higher - end restaurants have always taken great care in crafting their wine lists, the expansion of artisanal beer - making is drawing chefs to explore ever more complex flavours and styles.
We will explore drawing strategies that can be used as informal assessment and intervention strategies, including several different styles of feeling drawings, body outlines, the Rosebush, the Garden, problem pass - around, Quick Draws, and time lines.
Drawing on in - depth interviews with over a hundred women and men, Opening Up explores the real - life benefits and challenges of all styles of open relationships — from partnered non-monogamy to solo polyamory.
Chapter Three explores «the concept of the everyday as a film style» (p. 11) and draws attention to what Taylor calls «a lack of authorial guidance on how to respond to violent narrative events» (p. 37) in two films: Robert Bresson's L'Argent (1983) and Haneke's The Seventh Continent (Der siebente Kontinent, 1989).
Through these sessions, children will explore 3 news reports about heroes; generate their own toolkits; strip a fiction text (Beowulf) back to its bare bones; create captions and draw scenes from the story; take part in drama activities and finally write news reports using a consistent style and appropriate register.
* Explore a hand - drawn cartoon - style universe with RPG - lite gameplay mechanics.
Exchanging stories with characters, witnessing dramatic scenes and exploring cities are all represented as beautifully drawn still images in a rough sketchpad style, something that a wandering storyteller might make use of.
Battle your enemies in JRPG - style turn - based combat, and explore a 2.5 D isometric landscape imbued with hand - drawn visuals.
Explore the fundamentals of typographic styling and layout while drawing inspiration from spectacular pieces from the collection of Cooper Union's Lubalin Center.
Like Jennifer Bartlett (MATRIX 73), who spent a soggy winter in the South of France, obsessively drawing and redrawing a garden scene in a multitude of modern art styles, Steir systematically explored line and color while making explicit allusions to admired artists in her intaglio prints, the Drawing Lesson series drawing and redrawing a garden scene in a multitude of modern art styles, Steir systematically explored line and color while making explicit allusions to admired artists in her intaglio prints, the Drawing Lesson series Drawing Lesson series (1978).
Rendered in a bold, graphic style — inspired by the works of R. Crumb, Charles Addams, Paul Klee, B. Kliban and the music culture of the 70s and 80s — these drawings explore subconscious social mores where people float in their environments anticipating a phenomenal occurrence or, in some cases, attempt to make sense of what has already transpired.
The 116 lots span 1930 - 2016 and explore broad themes executed in a range of styles and mediums, from paintings, drawings and photography, to mixed - media, textiles, and sculpture.
She moved, specifically, from classicist drawings of hands to textile works — a self - defined style of «drawing with a sewing machine» in which she sometimes used materials bequeathed by her mother, and explored the Greek myth of Medea, the mother who killed her children after her husband betrayed her — to, later, collage works, or «drawing with scissors».
Using her distinctive style of combining drawing, painting, collage and found objects, she has created atmospheric paintings that explore a world of waves, ice and whales; where in the summer, the sun never sets.
Her main interest is life - drawing and life - painting - she was lucky enough to have John Coyle RHA as a tutor at NCAD - and she continues to explore both abstract and representational styles in a wide range of mediums, including oils, acrylics, watercolour, egg tempera, pastel, charcoal and mixed media.
Considered one of Belgium's foremost painters, Phillippe Vandenberg (1952 — 2009) filled hundreds of sketchbooks with drawings that explore difficult subjects of human suffering and cruelty in a style both urgent and playful.
Her interest in the work of Edvard Munch and Egon Schiele particularly inform Emin's paintings, monoprints, and drawings, which explore complex personal states and ideas of self - representation through manifestly expressionist styles and themes.
Both drew on Surrealism and Picasso to explore automatism in painting, each breaking through to a unique style around 1943, when Pollock had his first show at Peggy Guggenheim's gallery, and Jorn established the groundwork for working collectively that would lead to the founding of the CoBrA group.
Best known as a painter, one who famously made a transition from Abstract Expressionism to a more representational style in the late 1960s, Guston used drawing as a way to jot down his ideas and explore the different styles he adopted.
«Picasso and Jacqueline: The Evolution of Style,» the doubleheader mounted by the Pace Gallery in its spaces on East 57th Street and West 25th Street, marshals paintings, drawings, prints, and sculpture to explore the changing image of Jacqueline, Picasso's second wife and last great love, whose dark, compact beauty dominated his art in his final twenty years.
«Salon Style» explores the use of hair and nails as fluid sites of identity and self - expression through work primarily drawn from the Studio Museum's permanent collection.
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