Sentences with phrase «exploring pictorial space»

Crafting each piece with a variety of tools and paints, including knives, spatulas, paper towels and large brushes, Belag explores the pictorial space with both meditative purpose and fortuitous movement.

Continuing her interest in the confrontation between nature and culture, the paintings on view explore the pictorial space, where the physicality of painting and the play with architectural elements, in all senses, become the subject of the picture.The exhibition will be on view from Sunday, September 11 through Sunday, October 16, 2011.

Not exact matches

While each adjustment is undertaken to orchestrate and tighten the relation of each pictorial unit to every other pictorial unit, to secure formally the integrity of each painting as a whole, the overall effect of the process is also to enliven the space, to acknowledge its flatness while simultaneously allowing it visually to twist and warp and bend, to project and recede, to be positive and negative — and thus to explore and personalize what's become natural to pictorial space since Cezanne and Cubism radicalized it more than a century ago.

Many of the artists represented in the collection have explored drawn formats extensively, questioning its status and conceiving new forms of the dessin: e.g. Trisha Donnelly, who fuses drawing and video; Urs Fischer, who creates drawings in three - dimensional space; or artists like Raymond Pettibon, Larry Johnson and Mike Kelley, who work with the pictorial idiom of comics.

His watercolors, gouache, and oil paintings not only explore and expand the conventions of still - life painting, but also illuminate the relationship between pictorial space and depicted objects.

«Current Locations» also speaks to these artists» affinity with creating a sense of place (or places): painter Barbara Marks creates voluminous pictorial & interior spaces with her deeply saturated color palette; Elise Church paints intimate environments based on her travels in space in time; Colombian artist, Esperanza Cortés incorporates natural resources and folklore motifs from her homeland as a means of exploring personal identity; Kyle Vu - Dunn sculpts warped «natural» environments to harbor the self; and Viviane Rombaldi Seppey blends world maps (with emphasis on places she's lived) with morbid imagery from traditional medical textbooks.

Wilmerding explores unconventional use of signatures in paintings, focusing on American artists who have placed their signature within the pictorial space of the canvas.

Another highlight is the triangular Estructura (Structure), 1958, an example of Darié's «estructuras pictóricas» («pictorial structures»), wherein he explored notions of the frame and its relation to space and time.

Timothy Harding's work explores the fluid relationship between the pictorial space and the three dimensional realm, between drawing, painting and sculpture.

Similar ornamental motifs are deployed in a several entirely abstract meditations, Crescent Totem, and in two works (Observatory and Muscorum) that revisit the Artificial Paradise series of 2008, a title that references the dark, refined sensuality of Charles Baudelaire and the new frontiers of poetical and pictorial space explored in his writings.

Timothy Harding's work explores the fluid relationship between the pictorial space and the three dimensional realm,

These paintings explored abstract pictorial spaces and the associated feelings that they engendered.

After moving to New York City in about that time, he joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists who were exploring the limits and possibilities of art by experimenting with new techniques and ways of organizing pictorial space.

Inspired by the contour of a favorite chair from her childhood, in combination with a sand painting she recently found in a garage sale, the sculptures explore positioning in space, and real vs. illusory depth, as well as pictorial language in general.

The American painter Morris Louis (Bernstein; 1912 - 1962) explored new realms of pictorial space with his series the Veils, the Unfurleds, and the Stripes.

The exhibition will feature an environment of paintings and sculptures in dialogue with each other, exploring dimensional and pictorial space.

Jean Dubuffet and Larry Poons: Material Topographies will explore the radical experimentation of both artists as they began to utilize unorthodox materials and reject traditional concepts of pictorial space in search of a direct, physical language.

The images challenge the notion of how to make a line or create a new posture for flattened space or abstract composition, swivelling from geometry to gesture, propelling representation and language into abstraction, exploring pictorial edges and boundaries as well as the constitutive or disruptive role of blank space,.

His painting practice plays with, meditates on, and explores the conventions and contradictions of pictorial space through gesture, personal allegory and the materiality of paint.