Sentences with phrase «exploring shaped canvases»

Assuming a three - dimensional surface, they explore the shaped canvas and question the boundaries between painting and sculpture.

He explored shaped canvases, reductive color palettes and multi-component canvases to create the illusion of three - dimensional space in a two - dimensional picture plane.

She laid out fields of stripes and dots only to warp, streak, and smear them, and explored shaped canvases — a genre mastered by her teacher Elizabeth Murray.

Not exact matches

Curvilinear and circular shapes became another one of Valledor's many tools in his kit of economical means, along with color and shaped canvases, for exploring an expansive topic such as space and cueing viewers to look beyond the literalness of his compositions and see another world beyond.

In increasingly complex series, Reed went on to systematically explore the function of color in defining form and structure in lattices, biomorphic shapes, and starting in 1967, shaped canvas compositions.

In Collective Conversation, four works spanning 50 years explore architecture, geometry, solid form, and fleeting gesture, such as Dan Flavin's work composed almost entirely of light; Keith Sonnier's juxtaposition of solid shapes and fragile neon; Dorothea Rockburne's wall installation combining folded canvas and drawing; and Mel Kendrick's experimentation with structure and texture through the medium of pulp paper.

Both artists experimented with single colored canvases and geometric patterns, but while Kelly's shaped canvases were often irregular, Youngerman sought to explore a radical symmetry of form.

A hands - on painter, she works intuitively, freely applying vigorous flurries of added or taken away, a self - imposed game explored through shapes, marks and colors, which organize the space of the canvas.

Smith has pushed her dots into amorphous shapes as layer upon layer builds and extends across the canvas» terrain, creating a dynamic composition that engages the eye to move and explore.

In 1968, Leo Valledor returned to San Francisco where he continued to explore his unique abstract painting that extended musical harmonies and rhythms to shaped canvases and colors.

Continuing where Pace Gallery's 2011 exhibition Elizabeth Murray: Painting in the «70s left off, Elizabeth Murray: Painting in the «80s explores another critical decade in the artist's career, the decade during which Murray began painting her iconic shaped canvases.

Mangold works in multiple series of shaped canvases over many years, exploring variations on rings, columns, trapezoids, arches, and crosses, and compositions without centers.

The founders invited their friends and younger artists to exhibit at their gallery where together they explored cutting edge and experimental art that included geometric abstraction, Op Art, shaped canvases, minimalism and large - scale sculpture.

Among the dominant trends in the Post-Painterly Abstraction are Hard - Edged Painters such as Ellsworth Kelly and Frank Stella who explored relationships between tightly ruled shapes and edges, in Stella's case, between the shapes depicted on the surface and the literal shape of the support and Color - Field Painters such as Helen Frankenthaler and Morris Louis, who stained first Magna then water - based acrylic paints into unprimed canvas, exploring tactile and optical aspects of large, vivid fields of pure, open color.

Like the shaped canvases of the 1960s that broke the confines of the edges and planes of two - dimensional painting, pumpkin painting offers a chance to explore new ways to be creative.

Just as Fontana helped found Spazialismo with his punctured canvases, for decades Simeti has broken through key tenants of minimalism to explore the play of light on shapes created on monochromatic and tactile canvas surfaces.

During the 1950s and 1960s she was exploring with different textures, forms and various media, bringing some suggestive design, as well as attractive, mysterious shapes, and stripped canvases which became her distinctive mark later in the career, creating her unique visual identity.

To explore this relationship between form and ground further, Kelly began using nontraditional, shaped canvases, as in the monochromatic 1966 Yellow Piece, from, whose two curved corners draws the eye to the wall behind it, as though the gallery wall itself were part of the composition.

Paul Reed has created luminous paintings — stretched, not stretched, square, rectangular and dynamically shaped, on canvas, muslin and paper — that explored transparency through a range of subject matter spanning mandalas, biomorphic shapes, discs and geometric abstractions.

Kelly and Youngerman both experimented with single colored canvases and geometric patterns, but while Kelly's shaped canvases were often irregular, Youngerman sought to explore a radical symmetry of form.

Curvilinear and circular shapes became another one of Valledor's many tools in his kit of economical means, along with color and shaped canvases, for exploring an expansive topic such as space and cueing viewers to look beyond the literalness of his compositions and imagine another dimension.

For more than thirty years she has intermittently explored a stair - step motif brushed within rectangular fields or expressed through irregularly shaped canvases, which happen to rhyme with the dramatic setbacks and grid lines of the Whitney's new building.

However, Laget then pushes it further by incorporating the extremes of color juxtapositions explored by Op Artists, such as Julian Stanczak and Richard Anuszkiewicz, to create vibrational qualities to excite the eye and add a highly retinal experience, while also leveraging the interplay of color value shifts and shaped canvases from Downing and Reed of the Washington Color School to create the sense of volume.

Artists work in collaboration with MAKER to interpret and shape the theme of each issue through their unique points of view.We encourage contributors to utilize pages as a blank canvas examining the creators as a work of art themselves — peeking past the curtain to explore the enigmatic mind and the innovation behind it.

By exploring the relationship between the flat plane of a canvas and the basics elements of artwork and sculpture — color, shape and composition — Frank Stella created his Black Paintings.

However, she then pushes it further by incorporating the extremes of color juxtapositions explored by Op Artists, such as Julian Stanczak and Richard Anuszkiewicz, to create vibrational qualities to excite the eye and add a retinal quality, while also utilizing the interplay of color value shifts and shaped canvases from Downing and Reed of the Washington Color School to create the illusion of volume and three - dimensional space.

A leading figure of the Italian avant - garde, Agostino Bonalumi explored the plasticity of the canvas in his object paintings and contributed to the emergence of irregularly shaped canvases in the postwar period.

Works including Toyin Ojih Odutola's The Treatment series of black pen drawing of famous white men like President Herbert Hoover rendered black, Zoe Buckman's feminist Every Curve series of lingerie embroidered with Biggie and Tupac lyrics, and Titus Kaphar's George Washington's Chef oil on canvas painting explore the historical and present impact of blackness on the shaping of identity and popular culture.

Known first for his circle paintings, Noland became a defining Color Field painter by rhythmically exploring a wide range of acrylic hues in a visual language of chevrons, diamonds, horizontal bands, and plaid patterns on variously shaped canvases, one as wide as 7.3 meters.

Mangold's new work continues to explore the classic elements of composition — shape, line, and color — in a series of ten canvases.