Sentences with phrase «exploring spatial relationships»

Curator Branka Benčić elaborates further: «Artistic positions engage with issues of (re) presentation, structure and construction of the work of art, or the act of «exhibiting» itself, pointing to tensions between the observer and the observed, exploring spatial relationships and interactions between objects.»
Sculpture — the discipine par excellence for exploring spatial relationships — is the artistic form that addresses this complexity most effectively.
«Featuring nationally performing artists Biba Bell, Megan Byrne, Jennifer Harge, Pedro Jiménez, Jessica Ray, and Maya Stovall, as well as St. Louis - based artists Jacqueline Fritz, Maxi Glamour, Fame Mizrahi, and Kat Reynolds, among others, this program will explore spatial relationships to fluidity and movement in response to Medardo Rosso's figurative work on view, as well as the spaces of the Pulitzer's Tadao Ando - designed building and the architecture of St. Louis.»
Gordin used a predetermined group of shapes and a spontaneous color palette in order to wholly explore spatial relationships between forms.
Richard Serra's work explores the spatial relationships between object, environment and viewer with the artist's «Untitled» 1975.

Not exact matches

They can investigate and discover, test their theories, spatial relationships, explore cause and effect, societal roles and family values.
Made from untreated birch wood, the Haba ball track features 42 pieces that inspire kids to explore gravity, spatial relationships, and cause and effect.
Petrovic says the team is making it possible for scientists to virtually explore reefs in the lab, allowing them to time - travel from year to year and track the growth and decline of individual colonies, and to study spatial and temporal relationships across the reef.
Pattern Blocks are great for students to explore and analyze geometric shapes, dimensions, and spatial relationships.
Rhythms of reading are built up through exploring this spatial - temporal relationship between the reader's own experience of time and the portrayal of time within the story world of the comic.
Korean - born Do - Ho Suh's sculptures reflect his bi-national journeying and explore relationships between the individual and the greater cultural and spatial whole.
Lawless writes, «I'm attempting to engage the viewer by exploring spatial and color relationships, scale, the similarity between packaging and architecture, and the ways that manipulating visual logic can animate what we see.»
Interested in the concepts of design and spatial relationships, her work explores the idea of perception, place identity and visual memory.
She works with both traditional and non-traditional materials in a contemplative painting and drawing practice that explores the surface, objecthood, color, language, spatial relationships, and the spirit of materiality.
Drawing inspiration from classical portrait painting of the 17th - century Dutch Golden Age to explore the relationship between her subjects and their environment, Dumas often presents her subjects as heroic, engaged in a struggle of sorts against their marginalization or confinement, and against the spatial and psychological encroachment of people.
Her work is concerned with the spatial potential of the painted surface, explored through the construction of geometric configurations that map the pictorial relationship between two and three dimensions.
The complex spatial and temporal relationships that his narrative films suggest are explored most boldly in the Primitive project (2009), which received its American debut at the New Museum.
Homage to the Square is characterized by a superimposition of squares in distinct colors — often capturing two opposing moments, moods, times of day, or seasons — to explore the myriad possible visual effects through color and spatial relationships alone.
In addition to exploring the emotive power of color, Su also is interested in the spatial dimensions, which can develop through the relationship of colors and the visual interest that can be achieved through the combination of organic and geometric shapes.
In my performance and installation piece, I will explore relationships between spatial proximity, affect and trauma.
Set within Vitrine's unique window gallery space, spatial relationships within this body of work are further explored in their presentation.
She is engaged in a transdisciplinary practice that explores the relationship of art and architecture to sociopolitical issues, spatial imaginaries, and technologies of display.
Additionally, the artist also explores relationships between identical objects being presented in different emotional and spatial contexts, thereby creating different experiences of the same subject.
Event with Derya Akay and Julia Feyrer Sunday, February 15, 2015, 12 pm SFU Gallery Walking, talking, sowing, drinking and waiting... will explore cycles of spatial, social and horticultural cultivation with Derya Akay and Julia Feyrer in relationship to their works in the exhibition.
Examples include exploring relationships between past global climatic events and global spatial patterns of violence and food trade; using betting markets to forecast the cost of climate policy; quantifying the climatic drivers of recent fishery collapse; and studying the long - term dynamics of historical clean energy transitions.
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