Sentences with phrase «exposure to the art world»

Not exact matches

Founded in early 2016, Maecenas is set to launch the world's first blockchain - powered investment platform for fine art, bringing together collectors who want to raise funds, and investors looking for exposure to the art market.

The gallery works to help participating artists develop their art resumes and obtain exposure to decision makers in the art world.

The project explores the work of Lee Kirby, the uses of projection within the photographic world (music shoots, fashion photography, fine art) and provides an opportunity for the pupils to gain an understanding of exposure / shutter speeds.

For starving artists trying to explore every avenue of exposure, the weekly podcast at Bad at Sports features contemporary artists and people in the art community discussing the art world and a range of related topics.

When the Studio Museum in Harlem was established in 1968, its purpose was to serve as a nexus for black artists, to provide a platform for exposure and serve as a resource in an art world that...

And they have had a lot of exposure to art throughout the world and its history, so their influences are usually broader.

Tillmans is constantly evolving ahead of the political mainstream and with its current shift to the right, hopefully, by getting the message out there through exposure we will secure a more stable world, where art and free expression thrives.

Ikeda had no exposure to the world of fine arts but was interested nonetheless, teaching himself Oriental brush painting by copying pictures out of books and later becoming interested in Contemporary Art.

«People really do come out to Bushwick from Manhattan now to see what's going on since the neighborhood's exposure within the art world has exploded in the last few years.»

You don't have to spend much in the so - called art world to discover that exposure and fame are as much of a mystery as art itself.

Reyahn King (York Art Gallery), Scott Gray (Sony World Photography Awards), Griselda Goldsbrough (Aesthetica Art Prize) and Bryony Harris (Max Mara Art Prize for Women) thought about how awards give practitioners a chance to display their pieces amongst peers, gaining increased exposure and further developing their ideas.

The exposure to different corners of the art world, diving into performative and video art, pretty much everything that would be categorized as contemporary art, was so fresh.

Juliana Huxtable is a transgender model, D.J., writer and artist whose most prominent art world exposure to date has been as the nude subject of an iridescent 3 - D sculpture by Frank Benson at the 2015 New Museum Triennial, where her photographs were also on display.

When the Studio Museum in Harlem was established in 1968, its purpose was to serve as a nexus for black artists, to provide a platform for exposure and serve as a resource in an art world that gave scant consideration to diverse voices.

While this topic is certainly not new to the art world, it is also one that, with continuous exposure, leads to a level of self - consciousness that compromises our sense of personal identity in exchange for a publically mediated persona.

Alongside this exposure to contemporary and international art, artists and curators from all over the world are invited to come to Limerick to make new work, engaging with the city, and building bridges to other personal, social, political and environmental contexts.»

Relocation to a place that was peripheral to the art world certainly did Quirt's future fame no favors, but far worse was a near - total lack of posthumous exposure.

If you're a purist, you might object to the notion of seeing your work reproduced in a print - on - demand basis, or on calendars, postcards, magnets and other items, but art licensing can open up a world of opportunities and revenue streams that help pay the bills — and bring you a great deal of exposure.

We help artists gain exposure in one of the main capitals of the art world, our exhibitions are open to both international and UK based artists.

Flying around the world to view different shows, Haudenschild found proof to support her words though a greater exposure to the works by Chinese artists in large biennales and art fairs.

Recent group exhibitions include: Shoulders of Champagne, LORD LUDD, Philadelphia (2015 - 2016), If You're Looking for me, Don't Go to Home Depot, Paris London Hong Kong (2015), Fifteensixteenseventeeneighteennineteen (LAND AND SEA), Southern Exposure, San Francisco (2013), Faraway Nearby at the Nerman Museum, Overland Park, Kansas (2010), Hidden Places, Kaune, Sudendorf Gallery, Cologne, Germany (2009), Beyond the Backyard, Museum of Contemporary Photography, Chicago (2009), Worlds Away: New Suburban Landscapes (The Walker Museum of Art, Minneapolis and Carnegie Museum of Art, Pittsburgh, 2008 - 2009), USA Today Museum of Contemporary Art, Chicago (2008), and Bad Moon at Andrew Rafacz Gallery (2008).

The world's leading galleries, in many ways the backbone of fairs like Art Basel, are seeking to connect with wealthy new collectors in novel ways and hoping to offer more international exposure to high - demand artists.

This was his first exposure to the world of art and he exhibited a natural talent for it.

She does not think that by limiting herself to artists of color, she is isolating them from the rest of the art world, but rather putting a spotlight on art that Arkansans have had little exposure to.

Service in the Army during WWII allowed Feinstein to explore the wider art world outside his hometown leading him to New York and exposure to more modernist trends in American painting.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developmarts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developmArts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

I didn't acquire my taste for the art world in what seems to be the popular way of doing so, by early exposure to art history and first - hand experience of the work of revered painters and sculptors; while I engage with the history and traditions of art in a serious way now, I was unconcerned with such scholarship just a few short years ago.

As the art world moved on from the dominant paradigm of Abstract Expressionism, Bellamy gave exposure to new sensibilities, as Oldenberg said, bringing «the ethos of downtown to uptown.»

Reyahn King (York Art Gallery), Scott Gray (Sony World Photography Awards), Griselda Goldsbrough (Aesthetica Art Prize) and Bryony Harris (Max Mara Art Prize for Women) think about how awards give practitioners a chance to display their pieces amongst peers, gaining increased exposure and further developing their ideas.

Entering its fifth edition in 2016, Expo Chicago presents artwork from 140 leading galleries from around the world, and includes Exposure — a section that affords younger galleries the opportunity to participate in a major international art fair.

Overall the experience of Frieze, though initially overwhelming, is full of discovery and activity granting an expansive exposure to the international art world.

An internship at Vox Populi provides exposure to the world of contemporary art from an alternative, collective perspective for those considering a future in the arts as an artist, curator, or administrator.

I'm excited to see how the student's process and art works are influenced by their exposure to Rocklen's seemingly effortless treatment of objects, from abandoned lonely things to gleaming relics of our everyday world.

Also, much is made in the book, and particularly in Rose's essay, about DeLap's decision to remain in California, and how this very personal choice has limited his exposure to the sanctioned «art world,» and to a wider audience.

That exposure brought her work to the attention of the wider art world and rave reviews from many critics.

For most, the publication provided their first serious exposure to an international audience of art world professionals and enthusiasts.

Dine's first momentous exposure to the New York art world came in 1959, when he, along with Claes Oldenburg and Marc Racliff, opened the Judson Gallery in the Judson Memorial Church with a group exhibition.

The gallery works to help participating artists develop their art resumes and obtain exposure to decision makers in the art world.