The eternal objects
express pure possibilities.
Not exact matches
The passage seems to say that the ultimate metaphysical reality that underlies and
expresses itself in every concrete occurrence of actuality or value «envisages»
possibilities both in
pure abstraction and in their relevance for actual entities, as well as «envisaging» the actual entities themselves.
God's primordial nature is his abiding, abstract aim
expressed in terms of his conceptual adjustment of
pure possibility.
Just a few years later, Richter would style himself as a German «Pop» artist, but in the 80s he returned to
pure abstraction for its
possibilities of «bitter truth, liberation, and... a completely different and new content...
expressing itself.»