Sentences with phrase «expressed in a work of art»

The interior vision and the public vision are now fully expressed in a work of art by this troubling soul.

Thus what is expressed in the work of art obscures from our vision that complex working process by which the artist forms the feeling for himself.8 The feeling is not formed in advance, awaiting externalization.

Not exact matches

In so doing he perhaps had in mind the words of the Catechism of the Catholic Church, which reminds us that, «Created «in the image of God», man also expresses the truth of his relationship with God the Creator by the beauty of his artistic works» before further explaining that, «To the extent that it is inspired by truth and love of beings, art bears a certain likeness to God's activity in what he has createIn so doing he perhaps had in mind the words of the Catechism of the Catholic Church, which reminds us that, «Created «in the image of God», man also expresses the truth of his relationship with God the Creator by the beauty of his artistic works» before further explaining that, «To the extent that it is inspired by truth and love of beings, art bears a certain likeness to God's activity in what he has createin mind the words of the Catechism of the Catholic Church, which reminds us that, «Created «in the image of God», man also expresses the truth of his relationship with God the Creator by the beauty of his artistic works» before further explaining that, «To the extent that it is inspired by truth and love of beings, art bears a certain likeness to God's activity in what he has createin the image of God», man also expresses the truth of his relationship with God the Creator by the beauty of his artistic works» before further explaining that, «To the extent that it is inspired by truth and love of beings, art bears a certain likeness to God's activity in what he has createin what he has created.

The initial paradox of this paper concerned an apparent conflict between the directness of works of art in expressing feelings and their indirectness as vehicles of truth.

ha ha.love I'm an artist at work at home and in all forms of life and love.and the best part is to express true art of laughter..

To measure tolerance we included four statements on the survey to which students could express their level of agreement or disagreement: 1) People who disagree with my point of view bother me; 2) Artists whose work is critical of America should not be allowed to have their work shown in art museums; 3) I appreciate hearing views different from my own; and 4) I think people can have different opinions about the same thing.

When asked about the statement, «Artists whose work is critical of America should not be allowed to have their work shown in art museums,» 35 percent of the control - group students express agreement.

She appreciated not only being able to choose how she would express her learning, but also the public display of her art — alongside other students» work — in the school hallways.

The six promising practices in afterschool for the arts identified in the Afterschool Training Toolkit are as follows: Building Skills in the Arts; Expressing Yourself Through the Arts; Making Connections to History and Culture; Thinking and Talking About Works of Art; Integrating the Arts With Other Subjects; Involving Families and Communitarts identified in the Afterschool Training Toolkit are as follows: Building Skills in the Arts; Expressing Yourself Through the Arts; Making Connections to History and Culture; Thinking and Talking About Works of Art; Integrating the Arts With Other Subjects; Involving Families and CommunitArts; Expressing Yourself Through the Arts; Making Connections to History and Culture; Thinking and Talking About Works of Art; Integrating the Arts With Other Subjects; Involving Families and CommunitArts; Making Connections to History and Culture; Thinking and Talking About Works of Art; Integrating the Arts With Other Subjects; Involving Families and CommunitArts With Other Subjects; Involving Families and Communities.

There will be opportunities to express understanding in a variety of ways and reflect upon and critique the work considering art making skills, techniques and academic content.

Doug, according to Cardenas as expressed by the author,» the increase in the percentage of high school juniors identified as ready or on pace to be ready for college - level courses in English language arts could be due to a CSU initiative that has trained high school English teachers to prepare more students for college - level work.»

While the idea of creating art to represent How We Express Ourselves is not a new one, especially to those who teach in PYP schools, what is interesting about this exhibition of work is the personal narrative that accompanies each mask.

[Feature] Film Society Lincoln Center - Lineup For 45th Dance On Camera Festival Announced (Dec 8, 2016)[Interview] The Resident Artist - #Spotlight: In Conversation with Mickela Mallozzi (Nov 23, 2016)[Interview] Rudy Maxa's World with The Careys - 12 November 2016, Hour 2 (Nov 12, 2016)[Award Nomination] Taste TV - 8th Annual Taste Awards Finalists & Honorees Announced (Nov 8, 2016)[Feature] Travel With Val - How To Dance with Mickela Mallozzi (Nov 4, 2016)[Feature] Skirting The Rules - I Succeeded in Hosting My Own Travel Show Without Any TV Experience (Nov 3, 2016)[Feature] UPROXX - How To Travel The World Solo, According to Seven of Our Favorite Globe Trotters (Nov 1, 2016)[Feature] Greenwich Academy - Scholarship Breakfast (Oct 28, 2016)[Mention] NIAF.org - NIAF 41st Anniversary Gala Review (Oct 21, 2016)[Interview] The Barretender Podcast - Mickela Mallozzi: Part 1 (Oct 16, 2016)[Interview] The Barretender Podcast - Mickela Mallozzi: Part 2 (Oct 16, 2016)[Feature] CT Post - «Bare Feet with Mickela Mallozzi»: TV Host Dives Into Dances of The World (Oct 2, 2016)[Feature] The Adventure Sum - Bloggers Giving Back: How To Use Your Influence For Social Good (Sept 29, 2016)[Feature] WhereTraveler.com - How To Travel Like A Local: 17 Essential Tips From Travel Pros (Sept 1, 2016)[Interview] Around The World Beauty - Mickela Mallozzi Experiencing The World One Dance At A Time (Aug 15, 2016)[Interview] The Italian - American Podcast - IAP 22 - Mickela Mallozzi on Hard Work and Making Our Ancestors Proud (Aug 7, 2016)[Interview] National Endowment for the Arts - Art Works Podcast «Mickela Mallozzi» (Aug 5, 2016)[Feature] American Express OPEN - Motivational Monday (Jul 19, 2016)[Feature] WhereTraveler - 7 Great Destinations For Cultural Dance Experiences (Jul 19, 2016)[Feature] Travel With Val - Mickela Mallozzi's «Bare Feet» Series Returns to TV (Jul 11, 2016)[Mention] The Italian American Podcast - Is Our Reverence For La Famiglia GenetiIn Conversation with Mickela Mallozzi (Nov 23, 2016)[Interview] Rudy Maxa's World with The Careys - 12 November 2016, Hour 2 (Nov 12, 2016)[Award Nomination] Taste TV - 8th Annual Taste Awards Finalists & Honorees Announced (Nov 8, 2016)[Feature] Travel With Val - How To Dance with Mickela Mallozzi (Nov 4, 2016)[Feature] Skirting The Rules - I Succeeded in Hosting My Own Travel Show Without Any TV Experience (Nov 3, 2016)[Feature] UPROXX - How To Travel The World Solo, According to Seven of Our Favorite Globe Trotters (Nov 1, 2016)[Feature] Greenwich Academy - Scholarship Breakfast (Oct 28, 2016)[Mention] NIAF.org - NIAF 41st Anniversary Gala Review (Oct 21, 2016)[Interview] The Barretender Podcast - Mickela Mallozzi: Part 1 (Oct 16, 2016)[Interview] The Barretender Podcast - Mickela Mallozzi: Part 2 (Oct 16, 2016)[Feature] CT Post - «Bare Feet with Mickela Mallozzi»: TV Host Dives Into Dances of The World (Oct 2, 2016)[Feature] The Adventure Sum - Bloggers Giving Back: How To Use Your Influence For Social Good (Sept 29, 2016)[Feature] WhereTraveler.com - How To Travel Like A Local: 17 Essential Tips From Travel Pros (Sept 1, 2016)[Interview] Around The World Beauty - Mickela Mallozzi Experiencing The World One Dance At A Time (Aug 15, 2016)[Interview] The Italian - American Podcast - IAP 22 - Mickela Mallozzi on Hard Work and Making Our Ancestors Proud (Aug 7, 2016)[Interview] National Endowment for the Arts - Art Works Podcast «Mickela Mallozzi» (Aug 5, 2016)[Feature] American Express OPEN - Motivational Monday (Jul 19, 2016)[Feature] WhereTraveler - 7 Great Destinations For Cultural Dance Experiences (Jul 19, 2016)[Feature] Travel With Val - Mickela Mallozzi's «Bare Feet» Series Returns to TV (Jul 11, 2016)[Mention] The Italian American Podcast - Is Our Reverence For La Famiglia Genetiin Hosting My Own Travel Show Without Any TV Experience (Nov 3, 2016)[Feature] UPROXX - How To Travel The World Solo, According to Seven of Our Favorite Globe Trotters (Nov 1, 2016)[Feature] Greenwich Academy - Scholarship Breakfast (Oct 28, 2016)[Mention] NIAF.org - NIAF 41st Anniversary Gala Review (Oct 21, 2016)[Interview] The Barretender Podcast - Mickela Mallozzi: Part 1 (Oct 16, 2016)[Interview] The Barretender Podcast - Mickela Mallozzi: Part 2 (Oct 16, 2016)[Feature] CT Post - «Bare Feet with Mickela Mallozzi»: TV Host Dives Into Dances of The World (Oct 2, 2016)[Feature] The Adventure Sum - Bloggers Giving Back: How To Use Your Influence For Social Good (Sept 29, 2016)[Feature] WhereTraveler.com - How To Travel Like A Local: 17 Essential Tips From Travel Pros (Sept 1, 2016)[Interview] Around The World Beauty - Mickela Mallozzi Experiencing The World One Dance At A Time (Aug 15, 2016)[Interview] The Italian - American Podcast - IAP 22 - Mickela Mallozzi on Hard Work and Making Our Ancestors Proud (Aug 7, 2016)[Interview] National Endowment for the Arts - Art Works Podcast «Mickela Mallozzi» (Aug 5, 2016)[Feature] American Express OPEN - Motivational Monday (Jul 19, 2016)[Feature] WhereTraveler - 7 Great Destinations For Cultural Dance Experiences (Jul 19, 2016)[Feature] Travel With Val - Mickela Mallozzi's «Bare Feet» Series Returns to TV (Jul 11, 2016)[Mention] The Italian American Podcast - Is Our Reverence For La Famiglia Genetic?

Due to popular demand and the amazing community of Dark Souls II who have expressed a high level of interest in the Japanese box art, Namco Bandai Games UK and HMV have worked closely together to deli...

Brennan's work is included in collections, such as the Baltimore Museum of Art, National Gallery of Art, San Francisco Museum of Modern Art, San Jose Museum of Art, American Express, General Dynamics, Daimler AG, and Sony Corporation.

One mainstream is represented in the works of Matisse, Picasso, and Monet: expressing beauty, sensuality, primitive power, painterliness, opticality, art as the conveyor of emotion primarily thru color, the spiritual archetypes of Jung, art as the an uplifting sensibility, art as a depiction of idealized life, art as a depiction of everyday (existential) life, and the act of painting itself.

Spent 1939 - 47 in the Argentine, working part of the time in a figurative style, but in 1946 helped to found the avant - garde Altainira Academy at Buenos Aires, his ideas about the need for new art to express the modern world as revealed by science leading to the publication of the Manifiesto Blanco.

Brennan's work is included in the collections of the Baltimore Museum of Art, National Gallery of Art, San Francisco Museum of Modern Art, San Jose Museum of Art, American Express, General Dynamics, Daimler AG, and Sony Corporation.

Bad at Sports, (weekend picks, March 2013) New American Paintings (Must see painting shows March 2013) Bad at Sports, 2011 Chicago Gallery News, 2011 Chicago Life Magazine, 2011 The Café Review, Portland, Maine, 2011 The Sag Harbor Express, 2010 Art Chicago Catalogue, 2010 The Art Auction at The Museum of Contemporary Art, Chicago, Art Chicago Catalog, 2010 New American Paintings, Midwest Edition, 2010 Jaroslav Malina Paintings and Designs, Catalogue for the traveling exhibition, 2008 The Readerville Journal, January / February 2003 Ed Valentine, Elementary Principles, Selected Work 1990 - 2001 A Catalogue for Two Exhibitions in The Czech Republic, By Mila Malina, 2002 Milton Caniff Catalogue, 1998 Drawing: Space, Form and Expression, By Wayne Entice, Prentice Hall, 1995 Galleries Magazine, 1988 Happy Happy, Egret Press, 1988 Liberties en Peinture, Union de Banques a Paris, 1986 Art Forum Magazine, 1985, 1986, 1987 Flash Art, 1985, 1986, 1987 Bijutsu Techo, Japanese Art Magazine, 1985 Galleries Magazine,, French Art Magazine, 1988

The almost manic sense of exhilaration expressed in the mash - up — fans used to blow air currents across a work's surface, tires, coke bottles, taxidermy, a bed, or any of the innumerable curiosities Rauschenberg absorbed into the Combines — amazingly retains much of its punch, even after so many years and so much reproduction in art history texts.

But as SAMA's visitor notice makes clear, although the seventy - five works on view were translated from ephemeral sand and body paintings, they were done so for the express purpose of participating in the international contemporary art market.

This work can be interpreted in the simplest, most direct manner — as a stereotyped image of China's food culture and painting traditions, but at the same time, its multiple references to various Chinese social and historical backgrounds make interpretation much more difficult: the use of objects to express morality in Chinese landscaping, satirical poetry mocking ostentatious refinement, and the imitation of handwritten menus to capture a scene of civil life... Viewers unfamiliar with the specific context can easily find themselves lost in the smokescreen of mysterious Oriental poetic calligraphy and bonsai art.

Drawing from the National Museum of Women in the Arts collection, this show features photography and video works by 17 artists focusing their camera on the female body as a vital medium for storytelling, expressing identity and reflecting individual and collective experience.

After having served a sentence for treason meted out in the wake of a performance that expressed criticism of the regime, she wants to acquire the skills necessary to process the invasive infringement wrought by the paranoid machinery of the people's dictatorship, including the revocation of her right to practice her art.»

When he created what was originally known as the Motherwell Foundation in 1981, its purpose was stated as follows: «To serve the public interest by endeavoring to foster, cultivate, develop, and support public understanding and appreciation of the principles of modern art expressed through the theories of modernism as expressed in the works and writings of Robert Motherwell and other artists.»

Expressing a desire to «conceive of the short story as a studio space in which she crafts work,» Williams radically reinvents the criteria for what can be considered an object of contemporary art.

But, as I expressed an interest in fine art at that time — because I had been going to museums — he really gave me my first serious critical confrontation with how hard you had to work, how you had not to expect much, because you were dealing with a tradition which was an extraordinary community of excellence.

NEW COMMISSIONS PROGRAM Since its launch in 2005, the New Commissions Program has formed the core of Art in General's programming, and was designed in direct response to feedback from artists who expressed a need for more in - depth support for the production of new work.

First presented at The Metropolitan Museum of Art in New York last year, these new abstract geometry works were assembled from layers of vibrant fabric and express the artist's passion for collecting textiles.

Since its launch in 2005, the New Commissions Program has formed the core of Art in General's programming, and was designed in direct response to feedback from artists who expressed a need for more in - depth support for the production of new work.

Stephen Pace is well known for two bodies of work: the dynamic abstract paintings he produced from 1949 to 1962 and the freely expressed figurative art, based in abstract principles...

Working in the wake of American antecedents such as Robert Rauschenberg and Cy Twombly — who brought a certain sense of freedom to bear on their evident romance with European art and aesthetics — Schnabel made audaciously scaled paintings and sculptures whose richly hybrid sources were expressed in an attitude of baroque excess combined with improvisational daring.

In an attempt to provide context, the label text says: «As a political gesture, [Hershman Leeson] partly painted the masks black to express her solidarity with the civil rights movement,» and moves on to discuss the controversy the works caused — due to the novelty of using sound in an art gallerIn an attempt to provide context, the label text says: «As a political gesture, [Hershman Leeson] partly painted the masks black to express her solidarity with the civil rights movement,» and moves on to discuss the controversy the works caused — due to the novelty of using sound in an art gallerin an art gallery.

Our artists» work has appeared in Fine Art Magazine, The New York Times, The East Hampton Star, The Independent, Dan's Papers, The Sag Harbor Express, Hamptons Art Hub, Hamptons.com and Hamptons Daze, to name a few, and has been described as «A refeshing oasis of authentic art» by The Woven Tale Press Fine Arts MagazArt Magazine, The New York Times, The East Hampton Star, The Independent, Dan's Papers, The Sag Harbor Express, Hamptons Art Hub, Hamptons.com and Hamptons Daze, to name a few, and has been described as «A refeshing oasis of authentic art» by The Woven Tale Press Fine Arts MagazArt Hub, Hamptons.com and Hamptons Daze, to name a few, and has been described as «A refeshing oasis of authentic art» by The Woven Tale Press Fine Arts Magazart» by The Woven Tale Press Fine Arts Magazine

«Each work contains complex issues, of society, art and politics, and each artist uses the many layers of live performance to express their individual viewpoints, engaging audiences in the process.»

In 1990, I participated in the exhibition hall «Express Avangard» with five works with avant - garde artists of the USSR, and then I was shown in Moscow, Vienna, New York, in the Art Gallery «Avangard»In 1990, I participated in the exhibition hall «Express Avangard» with five works with avant - garde artists of the USSR, and then I was shown in Moscow, Vienna, New York, in the Art Gallery «Avangard»in the exhibition hall «Express Avangard» with five works with avant - garde artists of the USSR, and then I was shown in Moscow, Vienna, New York, in the Art Gallery «Avangard»in Moscow, Vienna, New York, in the Art Gallery «Avangard»in the Art Gallery «Avangard».

Perelman claims that the influential art dealer paired up with José Mugrabi in 2011 to manipulate the price of a Cy Twombly work he had expressed interest in.

Liz Ward's work is included in the permanent collections of institutions such as the Museum of Fine Arts Houston, the Austin Museum of Art, the Menil Collection and The Whitney Museum of American Art, New York, and corporate collections including American Airlines, American Express and Houston Industries, as well as over 200 private collections.

In the spirit of Kurt Schwitter's she seeks to create a «gesamtkuntswerk» a total work of art; however these are not mere novel innovations for their own sake but a engagement in a search for the truth, to express the reality that this world our bodies are temporal and that our spirit is the only true thinIn the spirit of Kurt Schwitter's she seeks to create a «gesamtkuntswerk» a total work of art; however these are not mere novel innovations for their own sake but a engagement in a search for the truth, to express the reality that this world our bodies are temporal and that our spirit is the only true thinin a search for the truth, to express the reality that this world our bodies are temporal and that our spirit is the only true thing.

Reflecting a central aspect of her work; the role of the voice and the feeling of mourning or loss, resilience and survival, in the political and historical, individual and collective, Cammock wants to focus on how emotion is expressed in Italian culture and society, with a particular focus on opera, classical and folk music, art, poetry, writing and dance.

Working around issues of black male identity in the exhibition Tailor, Singer, Striker, Dandy (2011) at the Gallery of Costume, Platt Hall, Manchester Art Gallery she selected from the large West African textile collection in the gallery's stores and reinterpreted the materials to express contemporary and historic male identity through appearance and clothes.

Women's Work: Feminist Art from the Collection responds to Smith College faculty and students who expressed the desire for increased representation of the work of feminist artists in the Museum's collectWork: Feminist Art from the Collection responds to Smith College faculty and students who expressed the desire for increased representation of the work of feminist artists in the Museum's collectwork of feminist artists in the Museum's collection.

Since the 1960s he has been an international figure in the world of art, an inventive and uncompromising abstract painter who has continued to take the most extreme risks in his work, and to develop new ways of expressing his sense of wonder and delight in the world around us, and in the further reaches of the human imagination.

Her work is currently in the collections of the Arkansas Arts Center in Little Rock, Brooks Museum of Art in Memphis, Rocco Forte Hotel Group in Munich, Germany, Federal Express, and Pfizer Corporation, among others.

In a career spanning nearly 75 years, Louise Bourgeois created a vast body of work that enriched the formal language of modern art while it expressed her intense inner struggles with unprecedented candor and unpredictable invention.

The final three texts are reviews of exhibitions in San Francisco, Shanghai, and New York that discuss the work of Zhou Tao, Liu Wei, and Zhang Dali, the last of which resonates with sentiments expressed by Hou Hanru and questions how the political can demand a genuine and meaningful presence in contemporary Chinese art.

Pollock's friend and patron Alfonso Osorio described what is so unique and compelling about Pollock's work by saying about his artistic journey, «Here I saw a man who had both broken all the traditions of the past and unified them, who had gone beyond cubism, beyond Picasso and surrealism, beyond everything that had happened in art... his work expressed both action and contemplation.»

He often merges the codes of street culture (stickers, graffiti) with the codes of high traditional art (the round canvas: the tondo) in works expressing a loss of any fixed definition.

A practice of artistic work that emerged as a reaction to Pinochet's dictatorship then became a language for my way of thinking and expressing myself in art.

An exploration of the various ways in which sensibility is shaped, which is generated, expressed and understood in artistic practices and divergent modes of thought and reflection as arising from and in works of art, while recognizing the multiple connections that can be established between art, philosophy and politics.