Sentences with phrase «expressionist works with»

Kissel's still lifes and landscapes are strong and bold expressionist works with vibrant colour and stark line.

The Ocean Park series exemplified by Ocean Park No. 129, connects his earlier abstract expressionist works with Color field painting.

It is the stuff that we abstract expressionists work with continually.

Not exact matches

The camerawork by New Hollywood DP John A. Alonzo (Chinatown), who shot documentaries with Friedkin when they both worked for David Wolper in the mid-1960s, is a sterling example of late -»80s cinematography (for better and worse), featuring lots of blue and an aggressive use of shadows to add expressionist texture to interiors, along with appropriately bizarre lighting effects in the wooded scenery outdoors.

Like many of his moviemaking countrymen, Dreier eventually moved to Los Angeles, bringing with him all the expressionist tools of his trade — dramatically exaggerated spaces and chiaroscuro — and working closely with cinematographers like Victor Milner and such directors as Josef von Sternberg and Ernst Lubitsch to create vivid visual experiences.

The exhibit will include stunning hyper - realistic work by Churchill - Johnson — stark political statement contrasted with delicate, minimalist abstraction by Uyesaka — deeply engaging abstract oils by Scorzelli — dynamic and powerful ceramic insights by Rosenberg - Dent — fanciful, abstract adventures by Lehrer — an unsettling mixed - media installation with video by auto - expressionist, Metrov — striking figurative vs abstract works by Ferris — a lively «abolish blandness» painting by Lytle contrasted with fabulous yarn work from the early 90's — and a pair of McCracken's, always delightful, miniatures.

The most frequently repeated allegations about the collector — that he effectively destroyed or depressed the careers of Sean Scully and Italian Expressionist painter Sandro Chia by collecting their work in depth and then offloading his holdings in bulk — are among the first he deals with in his book.

But where observers have connected Gale to Freud and Pearlstein, as well as Alberto Giacometti, I think that the differences between her work and theirs, which elevates it into a category all its own, lie in her unlikely affinities with the Abstract Expressionists and the Minimalists.

Andres Conde andrescondeart.com «My work is a mix of modern pop imagery with a classical expressionist style.

Her response to the American Abstract - Expressionist, Minimalist and Post-Minimalist art being shown at the time in Düsseldorf and nearby Cologne, these streamlined, attenuated works, up to 30 feet long in the case of the horizontal pieces, were designed on a computer with the help of a friendly physics student.

By the mid-1940s, Seliger had become the youngest artist exhibiting with the abstract expressionists, although his place in the movement is sometimes overlooked in part because of the scale of his work.

After setting the stage with some philosophical analysis of the themes and techniques of Expressionist art, Foster engages his main subject — how «the work of several young artists reflects critically upon the language of Expressionism.»

In 1948, he moved to Paris, where he met Jean Dubuffet, Alberto Giacometti, Hans Hartung, and the poet Henri Michaux — travelling widely to look at painting across Europe — and later visited and worked in New York, as well, where he became friends with Abstract Expressionist painters such as Franz Kline and Hans Hofmann and gained the support of important American dealers, collectors, and museums.

Taking issue with Harold Rosenberg (another important champion of Abstract Expressionism), who wrote of the virtues of action painting in his article «American Action Painters» published in the December 1952 issue of ARTnews, [3] Greenberg observed another tendency toward all - over color or Color Field in the works of several of the so - called «first generation» Abstract Expressionists.

To state it very roughly, Hantaï's work begins with the Abstract — Expressionist idea that abstract art can carry metaphorical meanings, and links that sensibility to the reductive physicality of Minimalism and the process - oriented, anti-illusionist materiality of Post-Minimalism.

Favoring the dispassionate and detached over the intense painterly histrionics of the Expressionists, Minimalist sculptors and painters sought to remove metaphorical symbolism from their works and replace it with a visual appeal based on a measure of aesthetic anonymity.

Organized by VMFA in partnership with the Munch Museum in Oslo, Jasper Johns and Edvard Munch examines how Johns (born 1930), one of America's preeminent artists, mined the work of the Norwegian Expressionist in the late 1970s and early 1980s as he moved away from a decade of abstract painting towards a more open expression of love, sex, loss and death.

With work ranging from Abstract Expressionist canvases to experimental film, and including pieces by Ligon, the exhibition resists fixed interpretations, instead enlisting color as a means to pose timely and nuanced questions.

Inspired by the special exhibition Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life, this gallery talk contemplates three works by Ernst Ludwig Kirchner (1880 — 1938), part of the Ludwig and Rosy Fischer Collection, a key German Expressionist artist with consideration of the impact of his life experiences.

He knew many of the major abstract - expressionists and was close friends with famed abstractionist Ad Reinhardt, and his work was disseminated nationally.

With almost 40 works, this exhibition proposes a complete view of the artist's aesthetic development, starting with his figurative works, when he exhibited in Barcelona in the early 30's, until his latest abstract paintings of the 90's after going through the abstract expressionist stage that became so relevant in the United States during the 40s and With almost 40 works, this exhibition proposes a complete view of the artist's aesthetic development, starting with his figurative works, when he exhibited in Barcelona in the early 30's, until his latest abstract paintings of the 90's after going through the abstract expressionist stage that became so relevant in the United States during the 40s and with his figurative works, when he exhibited in Barcelona in the early 30's, until his latest abstract paintings of the 90's after going through the abstract expressionist stage that became so relevant in the United States during the 40s and 50s.

Martin was a contemporary of the Abstract Expressionists and identified her work with the movement, but her painting also presaged the arrival of Minimalism.

San Francisco School of Abstract Expressionists painting by Kristin Cohen (B - 1963) Light taupe and gray with accents of intense yellow, turquoise, orange, magenta and pink all work...

While Qin employs traditional Chinese materials in his work — brush, ink and paper — and paints in a calligraphic manner, his works are created with a physical vigour and scale evocative of Western Abstract Expressionist painters (it is interesting to note that many Abstract Expressionists were deeply interested in Eastern philosophy).

This exhibition explores how his distinctive works went beyond a purely technical interest in flowers, moving into an Expressionist mode with echoes of Surrealism and Cubism.

Though aligned with the Abstract Expressionist painters, Robert Motherwell — whose work is on view in «Robert Motherwell: The East...

While he has clear links with the Abstract Expressionists in the heroic scale, all - over composition and breathtaking visual impact of his works, Bradford shares none of their transcendent, spiritual or utopian motivations.

The earliest works here, mainly Abstract Expressionist watercolors sometimes annotated with snippets of poetry, display a youthful romanticism that verges on the embarrassing.

Here, Furnas» water - dispersal method of production is indebted to the Abstract Expressionists» experimentation with paint and gesture, while his technique of «flooding» the canvas with pigment aligns conceptually with the natural phenomenon the works represent.

Sutcliffe's few surviving works reveal influence from the British and European abstract artists contemporary with the Abstract Expressionist movement in the United States.

Working largely in black and white, and often with signature images drawn from comics and popular culture, Joyce Pensato is an exuberant expressionist painter.

On view October 20, 2015 — March 26, 2016, the exhibition features works by masters of the German Expressionist movement, among them Ernst Ludwig Kirchner, Emil Nolde, and Karl Schmidt - Rottluff, together with such Weimar period innovators as Max Beckmann, Otto Dix, George Grosz, Wassily Kandinsky, and Paul Klee.

While abstract expressionists such as Jackson Pollock, Franz Kline and Willem de Kooning had long been outspoken in their view of a painting as an arena within which to come to terms with the act of creation, earlier critics sympathetic to their cause, like Clement Greenberg, focused on their works» «objectness.»

A major painting by German Expressionist artist Ernst Ludwig Kirchner (1880 — 1938), which the Museum of Modern Art (MoMA) in New York recently returned to the family of its rightful owner, has been reunited with works from the Ludwig and Rosy Fischer Collection at the Virginia Museum of Fine Arts in Richmond.

By melding these diverse and humble sources with polyester resin as a binding agent, Mallary sought to reconcile structure, gesture and content, in ways not unlike his abstract expressionist forebearer Franz Kline, whose paintings combined energetic brush work with architectonic forms originally inspired by his surroundings.

With what has been describes as a furious and fearless working process, painter Karen Schwartz illustrates from an unlikely inspiration combo of both generations of German Expressionists and Post-Modern Neo-Expressionists, with a sense of color and light that recalls the likes of MatiWith what has been describes as a furious and fearless working process, painter Karen Schwartz illustrates from an unlikely inspiration combo of both generations of German Expressionists and Post-Modern Neo-Expressionists, with a sense of color and light that recalls the likes of Matiwith a sense of color and light that recalls the likes of Matisse.

(Some critics and artists, especially the abstract expressionists, took great umbrage with Warhol's work, seeing it as antithetical to their ideals and as encouraging of consumerism.)

Works from the abstract expressionist period will include never before seen works by Helen Frankenthaler, Morris Louis, Philip Guston, along with mid-century master Alexander Calder, among otWorks from the abstract expressionist period will include never before seen works by Helen Frankenthaler, Morris Louis, Philip Guston, along with mid-century master Alexander Calder, among otworks by Helen Frankenthaler, Morris Louis, Philip Guston, along with mid-century master Alexander Calder, among others.

Though he was associated with the movement, his early works display expressionist elements, not dissimilar to some works by Francis Bacon.

DeCordova also has one of the largest and most comprehensive museum collection of works by artists of the New England region since c. 1950, with particular depth in Boston artists in general and members of the mid-twentieth-century Boston Expressionist group (Jack Levine, Hyman Bloom, Karl Zerbe, David Aronson, Arthur Polonsky, Barbara Swan, Bernard Chaet, and others).

Goodnough's paper constitutes the first scholarly work on the artists who became known as the Abstract Expressionists and includes interviews with William Baziotes, Willem de Kooning, Adolph Gottlieb, Robert Motherwell, Barnett Newman, Jackson Pollock, and Mark Rothko.

Although Bourgeois was very close to the Abstract Expressionists, with whom she frequently socialized and worked, her work was never abstract.

Starting with his earliest works from the early 1950s, Rivers painted figuratively, at first turning away from the fashionable expressionist abstraction of Pollock and de Kooning, He would later incorporate the paint application and openness associated with Abstract Expressionism, while always remaining firmly representational, never losing the image.

The third floor also includes two later, more conventionally Expressionist paintings, notably «Bad» (or «Bath») from 2003, a dour work with a woman in a bathtub emerging from, or sinking into, a luscious grisaille surface.

These are really «all - over» paintings in the manner of the Abstract Expressionists, while the Urbana works have the density and brooding mass of de Kooning paintings, such as we see in Urbana # 6, with its blocky, interlocking shapes, but without the older artist's slippery, frenetic gestures.

«With Toilet... Arneson aimed a biting satire at the abstract expressionist aspiration of letting everything within the artist spill out freely in the work.

It was in the context of her senior thesis on Willem de Kooning that Krauss found herself seriously engaging with the work of Clement Greenberg, the ultra-influential New York art critic best known for his strict formalist analysis, insistence on medium specificity, and championing of the Abstract Expressionists during their early days.

His best known body of work, the Combines (1953 — 64), paired representational elements — such as magazine and newspaper clippings, fragments of clothing, and construction debris and other items gathered in the streets of New York — with compositional strategies explored by the Abstract Expressionists.

Wyeth's gull paintings are much looser and freer than his earlier work, even containing splashes of color with the wild abandon of an abstract expressionist.

A protege of Hans Hofmann, his unique body of work reflects both the sensibility of the abstract expressionists like Robert Motherwell and his mentor Hofmann, with the delicacy and exoticism of Japan where he lived from age 6 to 19.