Sentences with phrase «expressive abstraction»

Tyler works in three different styles, yet they all look and feel unquestionably connected: minimalist forms with expressive gestures, expressive abstraction of instinct and chance, and abstract forms derived from nature.

The artist's intelligent, yet playful approach to color, design, and process make for expressive abstractions that are sure to brighten even the bleakest of winter days.

Cortor's work, which veers between brutally expressive abstraction and decorative figuration, also enlivens certain contemporary debates about political exigency and visual art.

Notable in Toronto and Montréal in particular, is a concern with what may be called expressive abstraction and with figurative painting, although not to the exclusion of geometric abstraction.

Expressive Abstraction L 1 is an original, large one - of - a-kind abstract painting signed by artist Peter Nottrott.

The Swiss - born Tomasko, educated in London, now resides in the New York City area, where her practice is based on expressive abstraction, linked to the New York School.

Richard Pousette - Dart Richard Pousette - Dart was born into an artsy family in Saint Paul, Minn., in 1916, started showing in Manhattan in the 1930s, found success in the 1950s as a minor member of the so - called New York School (Pollock and de Kooning were its major lights), then kept faith with expressive abstraction until his death in 1992.

The St Ives School that emerged in Cornwall in the 1940s and 1950s also explored various forms of geometric and expressive abstraction through painting, sculpture and relief, as seen in the work of Ben Nicholson, Wilhelmina Barnes Graham and Peter Lanyon.

Male artists by no means dominate, though; Cheim & Read also shows fantastic works by their pioneering female artists, including iconic corporeal sculptures and works on paper by Louise Bourgeois; polyurethane foam and cast aluminum sculptural pours by Lynda Benglis; a work from Jenny Holzer's «TOP SECRET» series; and iconic expressive abstractions by Joan Mitchell.

Though largely unrecognised in his lifetime, he became known posthumously as the «primitive» of Art Informel, and one of the leading figures of expressive abstraction in Europe.

Formed out of a mixture of punk aesthetics, open sourced material via the internet, and expressive abstraction.

With his roots in printmaking and Surrealism, British artist Stanley William Hayter's (1901 — 1988) theoretical writings on automatism and the expressive abstraction of his own work were a formative influence on Pollock and other abstract expressionists via his printmaking studio, Atelier 17, where Hayter taught Pollock and other well known artists including Pablo Picasso, Joan Miro, Max Ernst, Alexander Calder, Marc Chagall, Jacques Lipchitz and Alberto Giacometti.

But Hoyland is nothing if not adventurous, and his new paintings are extraordinarily daring, expressive abstractions that no longer seem frightened of metaphorical interpretation.

As expected, his artistic influences are based on avant - garde Russian and constructivist painters, Malevitch's Suprematism and color expression by the New York school of expressive abstraction.

These will be contrasted with other works shown in series that incorporate oriental imagery, expressive abstraction and portraits of the artist.

The work of the mid-1970s and 1980s constitutes yet another form of expressive abstraction and illustrates Stella's absolute insistence on extending his paintings into the viewer's space.

Known for his expressive abstraction and fluid use of color, over the past several years his career has gone into overdrive with major attention.

However, together with his fellow academy student Friedensreich Hundertwasser, Mikl helped to open Austria to more radical foreign influences, especially the expressive abstraction of French art informel

This presentation focuses on three significant and distinctive canvases produced during these formative early years in New York: the Map painting «In The Family G.E.P.» (1968 — 70); an enigmatic portrait of Bowling's two young sons, «End Run» (1969); and «For Edvins» (1972 — 73), a pure and expressive abstraction.

When David Hockney saw the Scottish painter's breakthrough exhibition at the Whitechapel Gallery in 1958, he immediately dropped his northern kitchen sink realism in favour of an expressive abstraction similar to Davie's own.

As her work developed into a more forceful and expressive abstraction, she was honored with solo exhibits at the galleries of Karl Nierendorf, Marian Willard and Betty Parsons.