Sentences with phrase «expressive line work»

A vehicle for her outspoken feminist and anti-war activism, her paintings feature expressive line work, raw imagery, and an unflagging sense of humor.

Judith Bernstein's drawings and paintings are inspired by her early introduction to graffiti during her time at Yale School of Art; as such, her iconic style features expressive line work, graphic images, and a biting sense of humor.

Not exact matches

Henkes» elemental words and rhythms work beautifully with his shimmering artwork in bold black lines and a silvery palette of moonlight, which captures the excitement of a nighttime adventure and creates a lovable, expressive, determined kitten.

Bui's distinctive artwork, full of brushy line work and rich color, beautifully illustrates Phi's lines, focusing intently on the expressive faces of the boy and his father and the vivid environments they live in — cool, midnight blue by the river while they fish, surrounded by leafy foliage and an understated yet still slightly ominous No Trespassing sign, and warm, sunshiny yellow when they're back in the warmth of home and around the dinner table, enjoying the fruits of their labor.

Pettibon hints at familiar and forgotten narratives in his work, while using an expressive approach to color, line, and gesture in order to provoke complex emotional states.

The show presented a new body of work — formal studies of the female form, including large, expressive line paintings of the body rendered in blue paint on raw canvas — that marked a radical departure from Emin's vernacular up until that moment.

Some of these overlay works reflect an interest less in an image's expressive power than in its status as a visual cliche (the dark - eyed women with flawless lips drawn in the unmodulated line of romance comic - book or movie - poster illustrations, for example).

Strobert is a mixed - media sculptor and painter whose works share a consistency of coarse textures, dynamic color, and expressive line.

His works on view at Sara Nightingale Gallery are derived from his recent series titled Health of the Planet, and feature emotively configured abstract works that juxtapose elegantly expressive applications of color and line with x-rays of various flora and fauna.

The expressive lines and expansive re-imagining of forms in her work often derive from literature.

Whereas the drawings of many painters are often pared down in terms of color to focus predominantly on the use of line, Mitchell's drawings unite vibrant color with expressive gesture and form a powerful body of work in their own right.

With energetic white markings on a grey ground, the drawing celebrates the expressive possibilities of line both as autonomous object and as sign, while its undulating forms anticipate the imagery of nature that pervades his later work.

His works combine recognizable motifs with expressive, abstract gestures that offer intricacies of line, color, and shape.

Inscape — the Inner Nature of Things contrasts twelve artists» diverse approaches to expressing emotion through abstraction, ranging from basic forms combined with loose, expressive lines in paintings by Louisa Chase, Mary Heilmann, and Perle Fine; to pure abstract gesture that governs the work of Friedel Dzubas, John Ferren, Hans Hofmann, Raymond Parker, and Esteban Vicente.

His paintings are recognizable for thin contour lines and soft forms, in addition to an expressive use of color; though these works did not often contain imagery, they were sometimes based on landscapes and images.

With the six works on paper presented in the exhibition, Reveles continues his exploration into the expressive possibilities of line and space.

Thompson's work features personal interpretations of invisible worlds, such as sound and space, through vibrant colors and energetic lines, embodying what the gallery refers to as «an emotional understanding of complex concepts through expressive, rhythmic mark - making.»

The works selected for Upstairs Art Fair conjure men as dreamboats and appear as portraits of intimate moments remembered, with expressive lines leading the way into fantasy.

Touch the ARTtabs to explore how artists like Stuart Davis and Jackson Pollock utilized color, line, and form as expressive qualities in their works.

While dealing with the very complex subject matter that is marriage, Zvavahera's work implies the expressive handling of brush strokes and a refusal to force a line to perform more than the ordinariness of its function.

Discover the power of drawing together as we mark, smudge, and smear surfaces with expressive lines, shapes, and tones, producing a series of unique abstract works in various materials.

This group exhibition features fifteen artists who engage in sewing, knitting, and weaving to create a wide - range of works that activate the expressive and conceptual potential of line and illuminate affinities between the mediums of textile and drawing.

These expressive, imperfect lines that are drawn immediately, are the base of his new body of work in which the process is a big part of the finished piece.

Lining the entire room is work ranging from photographs of local urban night scenes from Phil Cifone, to somber and expressive portraits by Meghan Cochran, and gestural figurative paintings from Isaiah Gulino.

His use of a slightly garish palette, combined with a proliferation of marks and lines of all kinds, confers upon his works an expressive, reinvented classicism, a subjective mannerism, which continues right up to the present.

His work is characterised by the use of expressive lines and imbued with psychological intensity.

His later works would explore and refine the expressive lines and ambiguous forms of Rico Lebrun.

The artist came to believe that what was essential in art — given the diversity of themes or motifs — were two universal requirements: that every work of art has an individual order or coherence, a quality of unity and necessity in its structure regardless of the kind of forms used; and, second, that the forms and colors chosen have a decided expressive physiognomy, that they speak to us as a feeling - charged whole, through the intrinsic power of colors and lines, rather than through the imaging of facial expressions, gestures and bodily movements, although these are not necessarily excluded — for they are also forms.