While the pictures on view fall into a more conventional category of portraiture, carefully constructed images of sitters who pose and allow themselves to be choreographed and photographed over time, Opie's portraits arguably
extend social documentary into the present moment.
They will explore the ways these recent bodies of work both
extend and depart from Opie's longstanding interests in
documentary photography, community and identity, the built and
social American landscape, as well as the capacity of photography to bear witness to what might otherwise remain unseen.