Sentences with phrase «extensive painting exhibition»

Between her early showings at 291 and the extensive painting exhibition Stieglitz staged for her in 1923, he had presented publicly a large suite of his portraits of her, including many nudes.

The Villa Merkel, Galerien der Stadt Esslingen am Neckar, is presenting in the autumn of 2015 an extensive painting exhibition that directs its focus toward the depiction of distortions in the human image in postmodernism.

Not exact matches

This exhibition of his work, «Souvenirs from the Waste Land,» includes eight paintings inspired by collector Roberta Green Ahmanson's extensive private postcard collection in Los Angeles.

The six paintings featured in this exhibition not only received extensive exposure in their time, but they also serve as incontestable examples of the most important phases of Denny's career in their most accomplished resolution, allowing us to experience and review the full scope of his impressive legacy.

The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the internet on artistic practice and contemporary culture.

The extensive exhibition will trace the origins of these highly operatic text - based paintings back to Hanson's earliest works, showing rarely seen examples from the»60s and»70s alongside his vibrantly colorful, buoyantly playful recent paintings.

BOOKSHELF An extensive interview with Marshall by curator appears in the exhibition catalog «Painting and Other Stuff.»

An extensive interview with Marshall by curator appears in the exhibition catalog «Painting and Other Stuff.»

Dine's extensive practice in painting, drawing, sculpting and printmaking has been the subject of more than 300 solo exhibitions around the world, including ten major surveys and retrospectives since 1970.

Extensive travels through Europe in 1952 had a significant impact on Chimes's work and it was in the paintings of artists such as Giorgio de Chirico, Andre Breton and Henri Matisse, that Chimes found the affirmation of his own developing ideas that would soon lead to the earliest mature works included in this exhibition.

Artists Lorser Feitelson (Lorser Feitelson and the Invention of Hard Edge Painting, The Late Paintings, and The Kinetic Series: Works from 1916 - 1923), Karl Benjamin (Karl Benjamin: Paintings from 1950 — 1965, Drawings from 1950 — 1965, Dance the Line: Paintings by Karl Benjamin, and Karl Benjamin and the Evolution of Abstraction) and Helen Lundeberg (Helen Lundeberg and the Illusory Landscape, Infinite Distance — Architectural Compositions by Helen Lundeberg) have each been featured in extensive retrospective exhibitions.

The exhibition is arranged chronologically and includes portraits, cityscapes and still life paintings borrowed from an extensive list of public and private collections.

The exhibition will include more than thirty works, ranging from black - and - white examples created in the 1960s to recent wall paintings, and draws heavily from extensive museum holdings of the artist's works in a consortium of Japanese museums.

Previously shown at Ateneum Art Museum, Helsinki, the Finnish National Gallery and the Gemeentemuseum, den Haag, the exhibition is arranged chronologically and includes portraits, cityscapes and still life paintings borrowed from an extensive list of public and private collections.

The catalogue for the first solo exhibition by New York - based artist Josh Smith at Xavier Hufkens, Brussels, the subject of both the book and show is his extensive series of paintings of fish.

The artist's paintings and prints have been the subject of an extensive number of major exhibitions worldwide, including Documenta (1972, 1977, 1982); the Whitney Biennial (1979, 1983, 1985, 2004); the Venice Biennale (1993); and over one hundred solo exhibitions at locations including The Guggenheim Museum; the Stedelijk Museum; Akron Art Museum and the Albright - Knox Art Gallery.

The beauty of the museum's exhibition concept is that it married traditional photography with painting and contemporary photography, and each show planted on its own individual floor was extensive, well represented and rather thorough in its samples.

A Home for Wichita State's Treasures: Selections from the WSU Foundation Art Collection ongoing exhibition Outstanding examples of American and European modern and contemporary art, as wel as a sampling of the university's extensive holdings of paintings by Frederick Judd Waugh and sculpture by Charles Grafly.

Clayton Colvin data bitesThe works included in this exhibition project are new ceramic objects, part of a body of work the artist playfully refers to as data bites, a practice started earlier this year to complete his extensive series of painting - based works.

The exhibition marked Hockney's 80th year and gathered together «an extensive selection of David Hockney's most famous works celebrating his achievements in painting, drawing, print, photography and video across six decades».

In the first room of the exhibition the audience meets an extensive floor work made of fragments of Campau's characteristic painted acrylic sheets produced over the past decade.

Capturing their extensive range, the exhibition includes paintings, prints, and sculpture, as well as video and mixed media installations.»

New discoveries will be unveiled in this expansive exhibition, featuring more than 120 Homer paintings, drawings, prints, photographs, and archival materials, including his camera, from the BCMA's extensive collection of the artist's work

For his first exhibition at Pace since winter 2010, Zhang Huan premieres new oil paintings based on Buddhist masks and iconography inspired by extensive travel in Tibet, Nepal, Bhutan and India.

Some of her paintings have been recently included in the Abstract Expressionism New York exhibition at MoMA, but many collectors are still just learning about Krasner's extensive body of work.

Her photomontages are cut from her extensive collection of Ebony and Jet magazines, and accompanied in this exhibition by painting and sculpture too.

The exhibition showcases Samuel F.B. Morse's monumental painting Gallery of the Louvre (1831 — 1833), on loan from the Terra Foundation for American Art, and follows the history of its extensive conservation treatment in 2010 as well as two years of scholarly investigation.

He has had extensive international solo exhibitions and projects including A Certain Slant of Light, The Morgan Library & Museum, New York, NY, The Skies can't keep their secret, Turner Contemporary, Margate, UK (2014); Painting Air, Rhode Island School of Design Museum of Art, Providence, RI (2012); Lunar, The Art Institute of Chicago, Chicago, Rome, Museum of Contemporary Art San Diego, La Jolla, CA, Between the light - and me, Emily Dickinson Museum, Amherst, MA (2011); My Business, With the Cloud, Corcoran Gallery of Art, Washington, D.C., Evening Star, Pallant House, Chichester, UK, Between The Moon and The Sea, Frac des Pays de la Loire, Carquefou, France (2010); As if the sea should part and show a further sea, Queensland Gallery of Modern Art, Brisbane, Australia (2009).

This was the most extensive and widely attended exhibition of American abstract painting and sculpture outside of a museum during the 1930s.

This summer an extensive exhibition of paintings and sculptures that explore the myriad of ways that artists have employed the unique properties of spray paint is on view at Gagosian Britannia Street, London.

His international exhibition record of solo shows, group shows and art fairs is extensive, and his paintings are held in many collections.

In fact, Krushenick's paintings are now enjoying a well deserved resurgence of interest, based partly on exhibitions at Mitchell Algus, Marianne Boesky, Gary Snyder and Garth Greenan, all in New York, and partly on the first extensive survey of his work, which opens this month at the Tang Museum at Skidmore College in Saratoga Springs, curated by museum director Ian Berry.

The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the Internet on artistic practice and contemporary culture.

This is Fredrik Söderberg's first exhibition in Galleri Riis Oslo, and also his most extensive presentation of recent paintings so far, following up on some of the themes in his exhibition in our Stockholm gallery last year.

Visitors see the first - floor sculpture studio, renovated in 1963 by the artist; temporary exhibition on the 2nd floor; and on the 3rd floor, the living and dining space featuring over 200 works from Gross's extensive global art collection, including important American paintings by Marsden Hartley, Willem De Kooning, Milton Avery, Jacob Lawrence and many others, installed by the artist and preserved as he had it during his lifetime.

Fredrik Söderberg's solo exhibition, «I am He who Buries the Gods in Gold and Gems» is currently on view at Galleri Riis in Oslo, Norway and also his most extensive presentation of recent paintings...

Since then Guirado - Cheadle has spent 8 years documenting Guirado's extensive back catalogue, and setting up exhibitions of his work in the USA and Europe, most recently with a major exhibition at the Coral Gables Museum during Miami Art Basel, which presented a Virtual Reality experience of Guirado's «Intra-realist» paintings.

The work on display by female artists indicates the extensive range of the exhibition: Hannah Wilke (who died that year), whose autobiographical works dealt directly with female iconography as well as the effect of cancer on her own body; the performative, body - based work of Cheryl Donegan, referencing both video and gestural painting; the more traditional yet highly stylised and idealised portraits of Elizabeth Peyton, and the critical performance and media work of Coco Fusco.

As a smaller iteration of the more extensive 2015 exhibition at Miami Art Basel, this show consists of fifty - nine examples of painting and sculpture, from the 1980s to 2015, by women artists with roots in sixteen countries.

In the first extensive exhibition of George Condo's work in Los Angeles, PRISM will present a selection of paintings, drawings and sculptures across a wide span of his career.

Toward that end, the volume is rife with full - color images of the Lewis's paintings, which are balanced with rigorous scholarship in the form of essays and extensive new research and documentation of his life, works and exhibitions.

Drawing from works in Asawa's extensive archive as well as important loan contributions, the exhibition begins with her earliest works, drawings and paintings created in the 1940s at Black Mountain College, the famous experimental art school in North Carolina.

Pierogi is delighted to present an exhibition of David Scher's recent paintings, works on paper, and for the first time on public view, an extensive selection of his sketchbooks.

In reference to how many pieces he may have in a given series, he said, «Some series of paintings through the years are not extensive enough for full exhibitions but can be just as good as those that go on and on.»

In addition, the gallery has done extensive work in the secondary market, mounting exhibitions in Seoul featuring Agnes Martin, Sigmar Polke, Bruce Nauman, Cy Twombly, early Frank Stella paintings, Robert Ryman, Robert Therrien, Ad Reinhardt, Jasper Johns, David Smith, Robert Mangold, Roy Lichtenstein, Anselm Keifer, Robert Irwin, Sean Scully, and Terry Winters.

The artist's work has been included in extensive group exhibitions, including Iran Modern, Asia Society, New York (2013); Spectacular of the Vernacular, Minneapolis Institute of Arts, MN (2011); Word Into Art: Artists of the Modern Middle East, British Museum, London (2006); Far Near Distance: Contemporary Positions of Iranian Artists, House of World Cultures, Berlin (2004); Carnegie International, Pittsburgh, PA (1988); Sculptur Projekte Muster» 87, Germany (1987); International Survey of Recent Painting and Sculpture, Museum of Modern Art, New York (1984); 74th Annual American Exhibition, Art Institute of Chicago, IL (1982); Biennial of American Art; Whitney Museum of American Art, New York (1981); 39th Venice Biennale, American Pavilion, Italy (1980); Information, Museum of Modern Art, New York (1970); and Documenta 5 (1972), 7 (1982) and 8 (1987), Kassel, Germany.

With over 40 works dating from 1977 - 2012, including photography, film, installation, sculpture and painting, Graham's exhibition at Sammlung Goetz provides an extensive insight and overview of the artist's oeuvre.

The exhibition centres on the artist's assemblages made from used jerry cans, a part of his extensive work that includes performance, photography, painting, sculpture and social practice.

The exhibition will present an extensive range of work by these artists including paintings, installations, silkscreens and sculpture.

Spencer Finch (born 1962, New Haven, Connecticut) has had extensive international solo exhibitions and projects including A Certain Slant of Light, The Morgan Library & Museum, New York, NY, The Skies can't keep their secret, Turner Contemporary, Margate, UK (2014); Painting Air, Rhode Island School of Design Museum of Art, Providence, RI (2012); Lunar, The Art Institute of Chicago, Chicago; Rome, Museum of Contemporary Art San Diego, La Jolla, CA, Between the light - and me, Emily Dickinson Museum, Amherst, MA (2011); My Business, With the Cloud, Corcoran Gallery of Art, Washington, DC, Evening Star, Pallant House, Chichester, UK, Between The Moon and The Sea, Frac des Pays de la Loire, Carquefou, France (2010); As if the sea should part and show a further sea, Queensland Gallery of Modern Art, Brisbane, Australia (2009).