Sentences with phrase «extensively in group shows»

Although he exhibited extensively in group shows, Childs was essentially a loner.

He has exhibited extensively in group shows and biennials across Europe, Asia and the Americas including Manifesta 8, the Third Moscow Biennale and Sharjah Biennial.

Griffin has had several solo exhibitions in the US, including two with his former New York gallery Mitchell - Innes & Nash and has shown his work extensively in group shows both domestically and worldwide.

Not exact matches

His work has been shown extensively in group and solo shows, including exhibitions at the Snug Harbor Cultural Center in Staten Island, The National Arts Club in New York, the Joslyn Museum in Omaha, Nebraska, and Thomas Segal Gallery in Boston.

Now based in London, Webb has exhibited extensively in Britain and abroad, notably: solo shows at Transition, APT Gallery, and dalla Rosa (London), and group exhibitions at the Siena Art Institute (Italy), Flowers East (London), The Painting Center (New York).

His work has been the subject of solo exhibitions at the Smithsonian's Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2010); MIT List Visual Arts Center, Cambridge, MA (2014); Museum of Contemporary Art Cleveland, Cleveland, OH (2014); Sammlung Goetz, Munich, Germany (2014); Screen Space, Melbourne, Australia (2015); Espace 104, Paris, France (2016); Kunstraum Dornbirn, Dornbirn, Austria (2017); Morsbroich Museum, Leverkusen, Germany (2017); and Kunstmuseum Wolfsburg, Wolfsburg, Germany (2017), among many others, and has been shown extensively across the world in group presentations.

Fine exhibited her work extensively in solo and group shows.

She has shown extensively, in solo and group shows, in the United States and abroad.

Germaine Hoffmann has exhibited extensively within Luxembourg and has been in group as well as solo shows in Germany, Hungary, Sweden, France, Belgium, Italy, Netherlands and Poland.

Now based in London, Webb has exhibited extensively in Britain and abroad, notably: solo shows at Transition and APT Galleries (London), and group exhibitions at the Siena Art Institute (Italy), Flowers East (London), The Painting Center (New York City).

She has shown extensively for the past four decades, in solo and group contexts, and has been the subject of numerous monographic exhibitions across the United States and internationally.

She has shown extensively for the past five decades, in solo and group contexts, and has been the subject of numerous survey exhibitions including Museu d'Art Contemporani de Barcelona (2003); Generali Foundation, Vienna (2002); New Museum, New York (2000); The Museum of Contemporary Art, Los Angeles (2000); Kunstverein München, Munich (1992); Ikon Gallery, Birmingham, England (1991); and Alternative Museum, New York (1987).

The artist has exhibited extensively in both solo and group shows in museums and galleries, including at the Arkell Museum at Canajoharie, NY, and at the Horticultural Society of New York.

His work has been shown extensively in London and Stockholm, and internationally in group and solo exhibitions including Dallas, Madrid, New York, Vienna, Brussels, and Prague.

Opie's work has been exhibited extensively, including solo shows at the ICA London, the Vienna Secession, and London's Hayward Gallery, and group shows at venues such as the Tate Britain, the Royal Academy of Arts in London, and the Museum of Modern Art.

She has exhibited extensively in TN, NC, CO and CA in solo and group shows.

Her provocative works have been shown extensively in solo exhibitions, including one at the New Museum in New York, and in group contexts such as Tate Modern and the 2005 and 2007 Venice Bienniales.

His work has been exhibited extensively in solo and group shows, including The Metropolitan Museum of Art (New York), Walker Art Center (Minneapolis), Davis Museum and Cultural Center at Wellesley College (Wellesley, Massachusetts) and Staatliche Kunsthalle (Baden - Baden, Germany).

Since then he's exhibited extensively in one person and group shows and museums throughout the United States.

Her work has been exhibited extensively in solo and group shows in Stedelijk Museum Schiedam, Fries Museum, Stedelijk Museum's - Hertogenbosch (NL), Moscow MOMA (RU), Seoul MMCA Changdong (KR).

He has exhibited extensively locally and internationally, including recent solo shows at Slag Gallery (NYC) and EGMS Studio (Austria), as well as in group shows at William Holman Gallery (NYC), Fire Barn Gallery (Michigan), and Muskegon Museum of Art (Michigan), among many others.

He was included in the 2002 Whitney Biennial, the 2005 Istanbul Biennial, and the 2006 Berlin Biennial, and has exhibited extensively in group and solo shows nationally and internationally, including solo shows at Jack Hanley Gallery and Altman Siegel Gallery in San Francisco; Deitch Projects and Mitchell - Innes & Nash in New York; and Galerie Georg Kargl in Vienna.

She has exhibited extensively in solo and group shows with recent work selected by Alison Wilding for Creekside Open 2017 at the APT Gallery, London and at Luborimov / Angus Hughes Gallery, London.

The Power Plant is pleased to present a lecture by Julie Mehretu, an award - winning artist who has shown extensively in solo and group exhibitions around the world.

Op de Beeck has shown his work extensively in solo and group exhibitions around the world.

Douard has exhibited extensively in Europe, including solo exhibitions at Signal, Malmö (2013), Les Eglises, Chelles (2012) and Bétonsalon, Paris (2012); and group shows at the Biennale de Lyon (2013), T293, Naples (2013) and 1857, Oslo (2013).

Rostarr has had solo exhibitions in Tokyo, Paris, Milan, New York, Los Angeles, Miami, Puerto Rico, to name a few, and has participated in group shows on both a national and international level, also extensively as part of the esteemed Beautiful Losers show which has toured museums and contemporary art centers worldwide.

Her work has been shown extensively in international group and solo shows, with a major mid-career retrospective at the Whitechapel Gallery in 2012.

Werner's paintings and installations have been shown extensively across Canada in solo and group exhibitions, and her work is included in numerous public and private collections.

She has exhibited extensively in America and Panama, both in solo and group shows.

Cuevas has regularly exhibited in Europe and Mexico for some twenty years, but, aside from appearances in a handful of group shows over the last decade, her work has not been seen extensively in the United States.

She has work in collections around the world, and has shown extensively in one - person and group exhibitions in the United States and broad.

Ji's work has been shown extensively, most recently with Surroundings, a two - person exhibition with Susanna Heller at the Grand Rapids Art Museum, a solo exhibition Migrants, Ghosts, and the Dam at the University Museum of Contemporary Art in Amherst, Massachusetts (2015); and group exhibitions with Unscrolled: Reframing Tradition in Chinese Contemporary Art at the Vancouver Art Gallery (2014 — 15); Prospect.3: Notes for Now in New Orleans (2014 — 15), and at the Twentieth Anniversary Exhibition at Pierogi in Brooklyn (2014).

She has exhibited her work extensively in the United States and abroad including recent solo shows «The Sound of It,» Jack Shainman Gallery, NYC, 2010; «Blow by Blow,» curated by Ian Berry, at the F.Y. Tang Museum at Skidmore College, Saratoga Springs, NY, (monograph); «Here and There,» Museum of Contemporary Art Denver, CO, and group exhibitions, «Seriously Funny,» Scottsdale Museum of Art, AZ, curated by Cassandra Coblentz and Claire Carter; Dirt on Delight, ICA Philadelphia, PA and the Walker Art Center, Minneapolis, MN curated by Ingrid Schaffner and Jenelle Porter (catalogue), all 2009.

Her work has been exhibited extensively both nationally and internationally in solo and group shows, and was recently featured in The Heckscher Museum of Art's inaugural Long Island Biennial.

Adams has exhibited extensively in solo and group shows throughout the United States and occasionally in Europe.

He has exhibited extensively nationally and internationally with recent group shows at the Charles H. Scott Gallery in Vancouver, Trianon Gallery in Lethbridge, Remo Gallery in Tokyo and the Kulturhuset in Stockholm.

Williams has exhibited extensively at 440 Gallery in Brooklyn, NY, and has been included in two group shows at Galerie de Multiples in Paris, France.