These range from the emotionally charged constructions of the early 1960s and his impeccably painted landscapes of the American West, to his deeply disturbing portraits from the late 1970s and his remarkable recent narrative tableaux, which seamlessly blend painting with found materials to create
an extraordinary illusion of depth.
These also stay under 10 feet, and there is something about their pattern that is almost an optical
illusion; their coloring is shaded in such a way as to give their skin an
extraordinary sense
of depth.