The unique blend of anecdote, criticism, and history that Crimp uses to assess this time — what he suggests might be a «queer structure» bringing together «apparently incompatible subjects» — is exemplified by
an extraordinary opening section centring on the Guggenheim Museum.
«To offer independent films an opportunity to be perceived on a grand scale, we are, in the case of US - American director Miranda July,
opening up the Competition for an
extraordinary German - American co-production that will run out of competition in the Premieres
section at Sundance.