Sentences with phrase «extraordinary works of art in»

Not exact matches

In The Best Place To Work: The Art and Science of Creating an Extraordinary Workplace Ron Freeman explains, «The more we have in common with others... the more we tend to like them.&raquIn The Best Place To Work: The Art and Science of Creating an Extraordinary Workplace Ron Freeman explains, «The more we have in common with others... the more we tend to like them.&raquin common with others... the more we tend to like them.»
A long time fan of Frieda and her extraordinary art, I picked up a book of her recipes at the Tate museum in London when visiting an exhibition of her work.
Hisham Matar returned to Libya in the spring of 2012, in the brief honeymoon after Qaddafi had been overthrown and before the current civil war, and his extraordinary memoir of that time is so much more besides: a reflection on the consolations of art, an analysis of authoritarianism, and an impassioned work of mourning.
Alice Neel: Painted Truths Originating at the Museum of Fine Arts, Houston until 13 June, this extraordinary survey of Alice Neel's work will be on view at the Whitechapel Gallery in London 8 July to 19 September 2010, and will continue on to Moderna Museet, Malmö, Sweden, 9 October 2010 to 2 January 2011 Alice Neel: Painted Truths is accompanied by a fully illustrated catalogue of the same title published by the MFAH and distributed by Yale University Press.
The Museum is intimate in scale yet expansive in scope, offering a respite from the rush of daily life, a revitalizing experience of extraordinary works of art, and an opportunity to delve deeply into the study of art and culture.
«This once - in - a-lifetime exhibition comprises works from every phase of Picasso's extraordinary career, including masterpieces from his Blue, Rose, Expressionist, Cubist, Neoclassical and Surrealist periods,» describes John E. Buchanan, Jr., director of the Fine Arts Museums of San Francisco.
Over 140 works are exhibited in an exhibition exploring the extraordinary parallel flowering of contemporary art in Britain and Poland at the turn of the 1980s / 1990s.
«From Thornton Dial's magisterial constructions to the emblematic compositions by the Gee's Bend quilters from the 1930s onwards, this extraordinary group of works contributes immeasurably to the Museum's representation of works by contemporary American artists and augments on a historic scale its holdings of contemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a museum press releaart,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a museum press releaArt at the Metropolitan Museum, in a museum press release.
Add to these the poignant last paintings currently on view in Tate Modern's Malevich exhibition, and we have an extraordinary opportunity to reflect on the phenomenon of late work in the visual arts.
Driven by materials and an interest in transformation, Hawkinson continues to create unlikely and thought - provoking associations by repurposing ordinary materials into extraordinary works of art.
A look at the extraordinary number of prominent art figures who have worked for d'Offay at one point or another in their careers.
But, as I expressed an interest in fine art at that time — because I had been going to museums — he really gave me my first serious critical confrontation with how hard you had to work, how you had not to expect much, because you were dealing with a tradition which was an extraordinary community of excellence.
Now, 15 years after her masterpiece of oversharing, My Bed, was shortlisted for the Turner Prize, Emin is debuting her first show of new work in London in five years, presenting a wide range of art — from bronzes to embroideries to neons to her extraordinary drawings — while continuing to mine her romantic core.
Rhapsody, «one of the most ambitious works of contemporary American art,» was purchased the week after the opening for $ 45,000 - an extraordinary amount at the time - and «in 2006 was given to the Museum of Modern Art in New York, where it has been installed twice in its atrium, to critical acclaim.&raqart,» was purchased the week after the opening for $ 45,000 - an extraordinary amount at the time - and «in 2006 was given to the Museum of Modern Art in New York, where it has been installed twice in its atrium, to critical acclaim.&raqArt in New York, where it has been installed twice in its atrium, to critical acclaim.»
It has taken some 30 years for the art establishment to wake up to the extraordinary prescience of [Lynn Hershman's] work, which since the 1970s has anticipated our intimate relationship to technology, the prevalence of virtual identities, and the expansion of the surveillance state — and which is now placing a lens over developments in genetic research.
The eminent German curator Kasper König has had an extraordinary career in Europe, organizing his first show — a survey of Claes Oldenburg's work — at the age of 23, working on Pontus Hultèn's seminal Warhol retrospective at the Moderna Museet at 25, and going on to curate dozens of major exhibitions, found Frankfurt's esteemed Portikus kunsthalle, and hold professorships at the Academy of Fine Arts in Düsseldorf and the Städelschule.
In his art, Wurm consistently realizes architecture's highest aim as he creates works whose extraordinary power lies not only in how deeply they make us feel, but also in how they let us see the complexity of our feelings, in meaningful environments which help us to dwelIn his art, Wurm consistently realizes architecture's highest aim as he creates works whose extraordinary power lies not only in how deeply they make us feel, but also in how they let us see the complexity of our feelings, in meaningful environments which help us to dwelin how deeply they make us feel, but also in how they let us see the complexity of our feelings, in meaningful environments which help us to dwelin how they let us see the complexity of our feelings, in meaningful environments which help us to dwelin meaningful environments which help us to dwell.
The exhibit celebrates the extraordinary life and work of Arshile Gorky (about 1904 — 1948), a seminal figure in the movement toward abstraction that transformed American art.
The exhibition, presented in collaboration with the Fondazione Lucio Fontana, brilliantly displays Fontana's extraordinary body of work from 1899 to 1968, including pivotal categories such as primitive and abstract sculptures, drawings, polychrome ceramics, Spatialist works, punctured canvases, Art Informel works, installations, Tagli (cuts), Nature, Fine di Dio, Olii, Venezie, Metalli, and Teatrini.
«BRIC House, as an anchor for contemporary art in the Brooklyn Cultural District, is the perfect place for an artist survey which will both shine a spotlight on extraordinary talent in our immediate environment, and enable Brooklyn - based artists to share their work with their neighbors as well as the thousands of visitors that come to BRIC House each week.»
The catalogue for the touring exhibition of the same name, which opened at the Museum of Fine Arts in Houston last year, is a work of deep scholarship and extraordinary range.
The remarkable career of gallerist and patron Virginia Dwan is featured front and center for the first time in an exhibition of some 100 works, including highlights from Dwan's promised gift of her extraordinary personal collection to the National Gallery of Art.
The students in the program benefit from working alongside renowned faculty and utilizing New York City's extraordinary pool of practicing professionals in fine art and graphic design.
The artists featured in Radical Women have made extraordinary contributions to the field of contemporary art, but little scholarly attention has been devoted to situating their work within the social, cultural, and political contexts in which it was made.
With the genuine success of an artist reaching the pinnacle of her profession, Friedman enjoys the «quiet confidence» of working with an extraordinary art dealer in Hollis Taggart.
«Zoe's project resonates with me as a powerful way to support women's rights and global solidarity, and I am proud to be involved in bringing this extraordinary work of art to life.»
As a DIA curator, I researched our extraordinary painting collection, enhanced our permanent galleries by displaying our artwork in new ways, curated temporary exhibitions, visited private and public art collections with our patrons, and identified new works for acquisition among many other things — the work curators perform is one of the most interesting in the museum profession because of the multiplicity of duties that it entails.
In her time at Christie's, Beatriz has secured two major collections for auction: Living with Art, an auction of works from antiquity to the present day from an extraordinary private collection and Homage to Chillida.
GALERIE MEYER OCEANIC ART This Parisian gallery's exhibition of 39 extraordinary Papuan «spirit boards,» ancestral wooden figures carved in low relief, stands out not just in contrast to a tent of mostly contemporary Western art but also for the works» effortless aesthetic achievemenART This Parisian gallery's exhibition of 39 extraordinary Papuan «spirit boards,» ancestral wooden figures carved in low relief, stands out not just in contrast to a tent of mostly contemporary Western art but also for the works» effortless aesthetic achievemenart but also for the works» effortless aesthetic achievements.
An extraordinary collector of strong personality, Chester Dale bequeathed his great collection of 269 works of art to the Gallery in 1962.
The submissions included an extraordinary range of artists working in a wide variety of media, each offering a unique perspective and singular approach to art making.
Curated by the renowned North Country ceramicist and arts patron Jackie Sabourin, The Jay Invitational of Clay features an extraordinary selection of works in clay from the functional to the fanciful by local, regional, and internationally recognized artists.
Just how much talent Kerte ¿ z showed at a relatively early age — and how extraordinary he would become after moving to Paris, then New York in the 1920s and»30s — can now be traced at the Virginia Museum of Fine Arts, which is celebrating his landmark career with a choice selection of 18 images drawn from its outstanding collection of the photographer's work.
1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102
«From Thornton Dial's magisterial constructions to the emblematic compositions by the Gee's Bend quilters from the 1930s onwards, this extraordinary group of works contributes immeasurably to the Museum's representation of works by contemporary American artists and augments on a historic scale its holdings of contemporary art,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a press release announcing the donatiart,» said Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art at the Metropolitan Museum, in a press release announcing the donatiArt at the Metropolitan Museum, in a press release announcing the donation.
Kiefer is coming to the Royal Academy (27 September); the British Museum has called in some extraordinary loans for its exhibition of Ming dynasty art (18 September); and the Nationals are going head to head with Frieze, with «Rembrandt: The Late Works» launching at the National Gallery on 15 October and William Morris at the Portrait Gallery the following day.
From intuitive artists to self - taught visionaries, Outside In: Milton Keynes provides a unique insight into the extraordinary breadth of work produced by individuals from outside the mainstream art world.
Looking at their extraordinary works of art that keep on pushing the boundaries of the medium in intriguing and unexpected ways, we are sure that contemporary painting in the US is in safe hands and is not afraid to allow the different approach of creativity and a different language of their stories.
These extraordinary materials play the crucial role in Wallace's works and are used with an intention to invoke the aesthetic qualities they are not usually associated with, cleverly deceiving viewers into seeing them as paintings, and not as mixed - media works of art.
«We are delighted that the Roy Lichtenstein Foundation has entrusted us with the sale of this extraordinary work of art,» said Scott Nussbaum, Head of 20th Century & Contemporary Art at Phillips in New Yoart,» said Scott Nussbaum, Head of 20th Century & Contemporary Art at Phillips in New YoArt at Phillips in New York.
Restored by Tadao Ando in 2009, this extraordinary exhibition space offers an opportunity to spend an unforgettable night among works of art by contemporary artists from one of the most important collections in the world.
Furthermore, with the founding of a research / creation lab, CAC has initiated five research / creation foci, including: 1) Emotive Networks & Haptic Gaming, 2) Generative Art and Big Data, 3) Intelligent Audio - visual Systems, 4) Existential Technologies and 5) It from bit, launched an ambitious research / creation fellowship to host international artists and researchers of extraordinary talent working in the area of new media aArt and Big Data, 3) Intelligent Audio - visual Systems, 4) Existential Technologies and 5) It from bit, launched an ambitious research / creation fellowship to host international artists and researchers of extraordinary talent working in the area of new media artart.
The Dallas Museum of Art is excited to announce the gift of three major works of European art that reflect the extraordinary generosity of Dallas collectors and their dedication to expanding the Museum's collection in meaningful waArt is excited to announce the gift of three major works of European art that reflect the extraordinary generosity of Dallas collectors and their dedication to expanding the Museum's collection in meaningful waart that reflect the extraordinary generosity of Dallas collectors and their dedication to expanding the Museum's collection in meaningful ways.
Ong Ken Sen, artistic director of Theatre Works in Singapore, considers Nishijima to be an artist of extraordinary talent and inventiveness who addresses the critical relationship between art and science.
Because of the extraordinary vitality and quality of art being made by artists working in the region of Los Angeles, particular attention will be paid to works by artists from Southern California.
It also sets the tone for Death in America: Selections from the Zadig & Voltaire Collection, an extraordinary selection of works existing at a crossroads of art, music and fashion.
Serra's work was featured on BBC One in «Imagine... Richard Serra: Man of Steel» on Tuesday November 25, 2008 which described him as «Sculptor and giant of modern art Richard Serra discusses his extraordinary life and work.
In celebration of this extraordinary gift, Ileana Sonnabend: Ambassador for the New explores Sonnabend's legendary eye through selected works of art that she presented in her eponymous galleries in Paris and New YorIn celebration of this extraordinary gift, Ileana Sonnabend: Ambassador for the New explores Sonnabend's legendary eye through selected works of art that she presented in her eponymous galleries in Paris and New Yorin her eponymous galleries in Paris and New Yorin Paris and New York.
Deeply involved in collaborative projects throughout his career, Robert Rauschenberg leaves an extraordinary legacy of art and technology works, choreography, performance, printmaking, set design, painting, and sculpture.
«One of the main reasons we decided to act upon this extraordinary opportunity is because printmaking is really the foundation of Kiki's work and is something that informs her entire oeuvre,» High modern and contemporary art curator Michael Rooks added in an email to the AJC.
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