This time around, however, it not only drags a straight line with
extreme alacrity — it can now carve a corner with the best of them.
I'm going to say that most, if not all, of this is because of Sorkin, who has produced this marvel of a screenplay that moves at approximately the speed of light; dialogue flies out of Jesse Eisenberg's mouth with
extreme alacrity, wit, and pomposity at all times there is a camera on him.