Sentences with phrase «extreme violence in his films»

Not exact matches

While the first film in the pair was an eye popping homage to Asian cinema and all things extreme, the outrageous violence of Kill Bill, Vol.

It occasionally explodes into extreme violence — and in this case I don't use the word extreme lightly — but there's an unusual and skillful balance between those moments and the tense and quiet bulk of the film.

References to older films of the genre, witty dialogue (including a monologue delivered by Carradine near the end that is probably the best thing Tarantino has ever written), extreme violence, a soundtrack filled with all kinds of extraordinary pop songs; even an entire backstory sequence completely done in Anime.

The opening credits of the film are displayed while a camera shoots extreme close - up sweeps around a dead body which is currently being consumed by maggots and other bugs, and this should give you an indication of how unflinching the rest of the film is in the showcasing of disturbing acts of violence.

The film's surreal humour delivered in deadpan dialogue might go over some people's heads, especially when blended with the moments of extreme violence.

While more mainstream and commercial films do provide challenging and confrontational examinations of explicit material they are unable, due to financial and social contracts, to fully utilise the confection of sex and violence in truly extreme ways.

The Oscar - winning actor stars as a seductive assassin in a strange, yet often flatly directed, film that boasts surprisingly extreme sex and violence but also a wealth of bad accents

As well as the music, we have the use of the word «nigger» and extreme violence imprinted into our minds, in a way that you wouldn't be alone in rejecting the film for.

A serious - minded and decidedly adult fairy tale about a virginal young woman who learns from her brother (Malcolm McDowell) that they are descended from a race of human - panther hybrids doomed to revert to their murderous feline state while making love to anyone outside of their own bloodline — a problem as she has just fallen in love with a sweet - natured zookeeper (John Heard) who specializes in big cats — this is a film swimming in sex, violence, poetry, philosophy and swanky visuals in such extremes that it always seems to be on the verge of becoming utterly ridiculous but it somehow never goes over the edge into camp because of Schrader's serious - minded handling of the material; it may be nonsense but he never treats it as such.

Antichrist is also firmly a horror film in the tradition of so - called «extreme cinema» with its transgressive sexuality (especially female) and the uncomfortable place in which it positions the viewer with respect to the violence.

In fact, it's sometimes hard to discern what the plot of the film actually is, since there are so many quick cuts, bright colours, and extreme violence.

The beginning borders on plodding, but all is forgiven about 45 minutes into the film, when the antagonists come into full view in a scene of extreme depravity and violence.

This is a film that absolutely revels in its butchery with little to show for it... extreme violence for its own sake.