With SLEEPWALKING, first time director William Maher (not Bill Maher - the Politically Incorrect guy) had a chance to make
an extremely powerful film about the effect an abusive childhood can have on someone when they try to start their own lives.
Not exact matches
«This
film is
powerful, important and
extremely realistic.
These days, medical X-rays come in multiple formats: plain
film used in dental exams and doctors» offices; fluoroscopy, which bounces a continuous X-ray beam off contrast agents you've either injected or ingested, providing a moving real - time image of arteries and intestines; and the computed tomography (CT) scan, which couples a
powerful computer with a circular array of
extremely sensitive detectors to turn X-rays into detailed cross sections of the body.
Today, after seeing the
film again for the first time in years, I feel that Saving Private Ryan is, if not an absolute masterpiece, an
extremely powerful and moving work that stands as one of the greatest war
films of this or any era.
There is a car crash scene which was
extremely powerful in the
film, yet I personally felt it was predictable.
Apart from its final section, this is an
powerful, fascinating and unsettling
film and an
extremely ambitious debut which points to a startling talent on the directing and writing front.
As hard as the
film may try to then undercut these tough and emotional scenes, they are still pretty
powerful and well played by Reynolds — before he makes a terrible choice or an
extremely off - colour joke to break the tension.
From the villainous and
extremely intelligent Doctor Poison (Elena Anaya) to the secretary - turned - Suffragette Etta (Lucy Davis), not to mention the insanely
powerful tribe of Amazons, women were everywhere in this
film.
They were pioneers in putting (a proprietary) planar magnetic designs with
extremely thin -
film driver materials and
powerful custom magnets inside their headphones.